In her artist statement Margi Weir talks about how her body of work, The Politics of Hue, is not meant to change anyone’s opinion on the chosen socio-political topic. Rather, Weir wants viewers to leave questioning their own thoughts. This exhibition, located at the Dedo Maranville Fine Arts Gallery in Valdosta, Georgia, like many of her work, has underlying meaning to it. All the works presented in the gallery involved Weir’s response to and engagement with the world around her. Her works are visually inviting to the viewer. The repetitive patterns and bold color make viewers wonder how deep the symbolism goes behind her pieces. Many of her works are based around the idea of textiles, or rather stitching together digital patterns to make them visually appealing. She brings these ideas to life by using acrylic, Plexiglas, and vinyl.
An artist excerpt stemmed from the “Convergence” showing that was exhibited in the Dedo Maranville Gallery at Valdosta State University.
Even from a young age, Sara Pratt was influenced by the natural surroundings where she grew up. The iron-rich clay in the Appalachians was just something that appeared in her daily life. Coming from a large family, creativity, and art was also something that was constantly surrounding her. When her mother was finishing up her Art Education degree at Valdosta State University, one of the classes she took was Ceramics, which was taught by Professor Michael Schmidt. She and her twin sister would go to class with their mother sometimes, which led her to feel so curious and fascinated that a material she grew up playing with could be transfigured into fine art.
Portrait of Sara Pratt
Pratt and her twin sister were born in Ocala, Florida. They moved around quite a lot with their mother. Despite all of the moves, living in north Georgia with their maternal grandparents is where Pratt considers her home to be. She said that traveling back and forth between families in Georgia and Florida caused a hectic upbringing for them, but it created who she is today. Her mother is the youngest of ten, so she says that “there was a plethora of artists, good memories, and love to go around”. Continue reading The Third Dimension- Pratt Edition
Jasmine Allen lives a double life. By day she’s an art student. To class she sported a simple Black turtleneck and a pair of blue jeans- a look reminiscent of Steve Jobs. Except this Steve Jobs donned a pair of Nike Air Max 95s. It’s been a full week since the Seniors had their Opening Exhibition Convergence. Even though the seniors have had their show, the school work continues to flow for Allen. We talk about all the projects she still has due while she grabs a snack from the vending machine. Like all seniors, she’s so ready to be done with school, one facet of her double life. By night, Allen is the CEO and Creative Director for Ugly Urban, a Georgia-based street-wear brand. Ugly Urban or UURBN prides itself on transmitting a message of love, power, and overcoming barriers through different media such as printmaking, fashion, and even furniture. When you ask Allen why the brand is called that, she’d quickly respond, “It’s the ugly struggle to defy urban stereotypes.” Personally, I connect with that meaning. In a world where urban can be easily pinned as another word for black, there are plenty of stereotypes in need of defying. Urban culture is often alienated in higher-class circles, but Ugly Urban is meant to serve as the warm embrace for the alienated. Through street-wear silhouettes and witty Instagram captions, Allen has captured an audience of fellow culture enthusiasts, and outcasts.
“It was a feeling of accomplishment,” She stated when asked how she felt about being a graduating senior showing art in the senior show. “Because, nobody really thought I was going to finish my work, so me finishing it, and feeling as if I did a good job, it makes me feel accomplished. I still get compliments about some of the pieces. Somebody told me this morning that they were dope.”
D.U.S Series (Red)
VSU’s Dedo Maranville Gallery houses 16 seniors’ pieces, and Allen has 3 pieces in the show. The three pieces include: D.U.S. (Series), UURBN Throne, and UURBN Wardrobe. “Which is your favorite?” I asked. She took a long pause and said the UURBN Wardrobe. The piece she’s referring to is a slim yet tall wardrobe. Standing at 6ft, the Wardrobe towers over Allen’s small person. The wardrobe is made of wood that has been stained black, and is fashioned with glass on the doors and lights included inside to illuminate the clothes, all easily identified as UURBN by their similar logo bearing the Defy Urban Stereotypes motif. I immediately asked, “Why is this one your favorite?” It didn’t take long for her to reply, “Because it was the piece I did outside of school. I literally had to watch a You-tube video and prove to myself I could do it. I had to figure out how to figure it out.” I can’t help but be impressed about how this small woman managed to build such a tall structure. The clothes inside are just as important as the wardrobe encapsulating them. Hanging within the wardrobe are hoodies, tee-shirts, and jerseys, all coveted street-wear essentials. The fashion of UURBN takes inspiration from a hip-hop influenced 90s era. Hip-Hop enthusiasts can clearly recall a time when sporting your favorite brand’s jersey was a huge trend in parties and music videos. Wearing the jersey of a champion made you feel like you were one too, like you’re part of the team. Taking a look at the clothes, it’s clear to see that Allen seeks to bring that same feeling of camaraderie back with her ‘UURBN’ jerseys.
D.U.S Series (Yellow)
I found it appropriate to inform Allen that the UURBN Throne is my personal favorite piece of hers. The Throne is a chair built of the letters U-U-R-B-N. One could clearly tell that repetition is clearly important to Allen. Allen uses these letters to create a visual language based off of urbanism and self-pride. The Chair, similar to the wardrobe, is made of black stained wood. This piece of furniture is also ornamented with a series of small interlocking ‘UU’ logos. Thematically it pairs well with the Wardrobe because they are so similar in aesthetic. Although the pieces aren’t directly next to each other, they still converse as harmonious pieces of artistic furniture crafted in the same family. “I painted it black because black is my favorite color. Black can be a symbol of power and royalty, which is why it’s a throne, but really black is my favorite color.” Allen shared with me that the throne is meant to empower whoever is sitting on it. Since the piece acts as an accessory of luxury, the user of the piece assumes the role of royalty. “What would sitting in this chair make me the king of?” “The chair is a symbol of royalty within the community. It’s a symbol of Kingship and Queenship. I didn’t want to limit it to just one gender. Whoever chooses to sit in it is considered royalty regardless of gender and skin color. I speak on urban from the perspective of a Black Woman because that’s all I know, but UURBN doesn’t exclude anyone.”
D.U.S Series (Blue)
Lastly, the piece that Allen and I could both agree to have a special connection with is D.U.S. Series. The piece is a portrait of a man, whose face is covered by a butterfly. The figure of man and butterfly sits carefully placed on top of a colorful circle and the phrase “Defy Urban Stereotypes” is repeated behind. The series is able to be differentiated piece by piece with the circle that sits behind the man’s head. The circle varies in color; blue, red, yellow. The meaning to this piece was shared as a caption posted to Ugly Urban’s Instagram page just days before the show. The special meaning read, “Celebration of the black man. Often times black men don’t get the necessary praise they deserve, so with this piece I took a friend of mine and covered his face to take away the identity because sometimes we only treat people a certain way due to their affiliation with us when in actuality everyone deserve the same respect you give to the people you love. I used Red to represent power, love, and determination. Yellow to represent joy, happiness, and intellect. Blues represents trust, loyalty, and confidence. These words are used to combat the negativity that is formed against the black male. Love your brother and mate and uplift him so that he can be the leader he’s destined to be. Defy urban stereotypes.”
Rasheem Callender is a Fine Arts student from Atlanta, GA. While in undergrad, Callender is focusing on graphic design and printmaking. After graduating, Callender will attend grad school with the expectation of becoming an art director or a curator.
The Valdosta National group exhibition at the Dedo Maranville Gallery in the Fine Arts building did a wonderful job showing the different styles of artists’ works with different mediums and styles used throughout each piece. Not only was I surprised by the variety and distinctions of artworks displayed on the walls of the gallery but there were even sculptures built in such a unique way, giving the viewer more than one way to look at the artists’ piece. The works Square Sun by Nathan Taves and The Garden by Bryce Speed caught my attention the most when looking through the exhibition. It brought up an issue I find amongst many artworks in exhibitions, how judges go about deciding which artwork gets awarded and if there is an appropriate judging criterion they follow in order to make their judgment. In this paper, I will address the issue of judgment, placement and which works I found to be successful and not so successful.
The “Mixed Bag” is a variety of contemporary art created by five different artist. The exhibition was set up in the Dedo Maranville Fine Arts Gallery at Valdosta State University. The exhibition deal with a variety of social issues that are sometimes too hard to discuss. So each artist created artworks dealing with social and political topics that they feel strong about. The topics vary from sexuality, queerness, faith, race and death.
When I first walked into the gallery, I felt a sense of emptiness compared to previous shows. The walls were not over crowded with works. In fact it was maybe two or three works of art on each wall, the back wall in the gallery even had one piece hanging. Just based on the scene set up, I concluded in my mind that this show may be a very simple show, but yet the artworks convey strong messages that we often deal with throughout life.
Ideally, I made connections that most of the work had that post modernism feel. Looking at the pieces I felt as though they were made from your everyday household objects. One piece in particular that sat in the back of the gallery on the floor caught my intention. It was a block constructed with what I believed to be bath tiles. It had what I assumed were bath plugs, until I further looked and noticed the chains attached to the stoppers were actually necklaces. The piece was entitled “What I See”. It had a very monochromatic color scheme. To me the piece implied a story. What you see is what you see, nothing more, nothing less if that makes sense.
“What She Saw When She Walked In”: Emily Culver, copper, enamel, caulk, nickel, silver, wood, paint
Majority of the pieces had a different variety of media. The pieces by artist Xia Zhang interested me the most. He used different mediums in his work such as porcelain, cotton, gold thread, wood, wire and glaze. When first looking at his pieces before really engaging them, I thought that I was looking at a series of different paintings. What I realized was that they were scenes from movies. There was a total of eight different pieces, each of them dealing with social subjects dealt with throughout the world. One of the pieces said “To Americans, all Chinese look alike for goodness’ sake”. I immediately interpreted that this particular piece of work focused on racism. Emphasizing how Americans view other that are of a different race. Zhang’s pieces varied from the subject of racism, sexuality, and feminism.
Vinyal, Suede, metal
Another piece in particular that caught my attention was the setup of dolls, by Max Adrian entitled “The Buddy Community”. My initial reaction was why he dressed these dolls up in these different furs, and loud colors. The dolls were all connected at the neck with rope metal chains. I wondered what the purpose was. My initial take was that the artist was showing how much of an influence friends can have on one another. Signifying that we often let our friends influence us on a lot of decisions. Almost like having a chain wrapped around one another pulling them and making them do whatever we want, whether the decision is right or wrong. Continue reading Mixed Bags
Exhibition “Mixed Bag: An assortment of Contemporary Craft” is currently on display in the VSU Dedo Maranville gallery. “Mixed Bag” is an exhibition of works by five artists. Each artist brings their own perspective to the contemporary craft components of this exhibition. The artists are Max Adrian, Emily Culver, Elyse-Krista Mische, M. Paige Ward, and Xia Zhang. The artists express the vulnerability of social issues often difficult to discuss such as: faith, sexuality, queerness, race, and death. The aims of this exhibition is to showcase the perspectives of the five artists and the harmonies that unite them together.
VSU Dedo Maranville Fine Arts Gallery, Exhibition “Mixed Bag: An assortment of Contemporary Craft”,opening night
As I enter the Dedo Maranville Fine Arts Gallery to view the “Valdosta National 2019: All-Media Juried Competition”, I feel as if I become enclosed in a trove of artworks that are desperately seeking attention. To varying degrees, the artworks suggest the presence of each artist offering insight into their motivation and intention behind each piece. Some pieces are confusing and chaotic and require more than a just few minutes of interpretation. Other artworks are Continue reading A Surprise Around Every Corner
The VSU Gallery hosts a show full of sexual innuendos. ‘Mixed Bag: An assortment of Contemporary Craft’, is an exhibition currently showing at the VSU Dedo-Maranville gallery. Mixed Bag is comprised of 5 different artists that practice craft in an artistic way . Craft has a history of not being considered an art form. These artists band together in order to disprove this common misconception. Emily Culver, Elyse-Krista Misch, Max Adrien, M. Paige Ward and Xia Zhang are among the five artists that are showing in this Exhibition. The artists that I’m choosing to focus on are Max Adrien and M. Paige Ward, two of the five artists showing.
Those who claim perfection know nothing and those who embrace their imperfections reach a level of beauty that could never be found otherwise. The exhibition, Cute and Creepy, seems to have stumbled its way into that beauty like an earth worm turning the earth bringing life to our planet. Continue reading A Cute & Creepy Life
The Faculty Exhibition in the Fine Arts Building gallery showcases assorted works from various participating studio professors presently teaching at Valdosta State University. The works included in this particular exhibition incorporate countless media following a predominantly contemporary style of art. Continue reading Faculty Art Exhibition Showcases Various Talents
Those who claim perfection know nothing and those who embrace their imperfections reach a level of beauty that could never be found otherwise. The exhibition, Cute and Creepy, seems to have stumbled its way into that beauty like an earth worm turning the earth bringing life to our planet.