Senior Show Spotlight: Jasmine Allen

Photo of Jasmine Allen taken by Jasmine Frazier ©

Jasmine Allen lives a double life. By day she’s an art student. To class she sported a simple Black turtleneck and a pair of blue jeans- a look reminiscent of Steve Jobs. Except this Steve Jobs donned a pair of Nike Air Max 95s. It’s been a full week since the Seniors had their Opening Exhibition Convergence. Even though the seniors have had their show, the school work continues to flow for Allen. We talk about all the projects she still has due while she grabs a snack from the vending machine. Like all seniors, she’s so ready to be done with school, one facet of her double life. By night, Allen is the CEO and Creative Director for Ugly Urban, a Georgia-based street-wear brand. Ugly Urban or UURBN prides itself on transmitting a message of love, power, and overcoming barriers through different media such as printmaking, fashion, and even furniture. When you ask Allen why the brand is called that, she’d quickly respond, “It’s the ugly struggle to defy urban stereotypes.” Personally, I connect with that meaning. In a world where urban can be easily pinned as another word for black, there are plenty of stereotypes in need of defying. Urban culture is often alienated in higher-class circles, but Ugly Urban is meant to serve as the warm embrace for the alienated. Through street-wear silhouettes and witty Instagram captions, Allen has captured an audience of fellow culture enthusiasts, and outcasts.

“It was a feeling of accomplishment,” She stated when asked how she felt about being a graduating senior showing art in the senior show. “Because, nobody really thought I was going to finish my work, so me finishing it, and feeling as if I did a good job, it makes me feel accomplished. I still get compliments about some of the pieces. Somebody told me this morning that they were dope.”

Image of Jasmine Allen's artwork
D.U.S Series (Red)

VSU’s Dedo Maranville Gallery houses 16 seniors’ pieces, and Allen has 3 pieces in the show. The three pieces include: D.U.S. (Series), UURBN Throne, and UURBN Wardrobe. “Which is your favorite?” I asked. She took a long pause and said the UURBN Wardrobe. The piece she’s referring to is a slim yet tall wardrobe. Standing at 6ft, the Wardrobe towers over Allen’s small person. The wardrobe is made of wood that has been stained black, and is fashioned with glass on the doors and lights included inside to illuminate the clothes, all easily identified as UURBN by their similar logo bearing the Defy Urban Stereotypes motif. I immediately asked, “Why is this one your favorite?” It didn’t take long for her to reply, “Because it was the piece I did outside of school. I literally had to watch a You-tube video and prove to myself I could do it. I had to figure out how to figure it out.” I can’t help but be impressed about how this small woman managed to build such a tall structure. The clothes inside are just as important as the wardrobe encapsulating them. Hanging within the wardrobe are hoodies, tee-shirts, and jerseys, all coveted street-wear essentials. The fashion of UURBN takes inspiration from a hip-hop influenced 90s era. Hip-Hop enthusiasts can clearly recall a time when sporting your favorite brand’s jersey was a huge trend in parties and music videos. Wearing the jersey of a champion made you feel like you were one too, like you’re part of the team. Taking a look at the clothes, it’s clear to see that Allen seeks to bring that same feeling of camaraderie back with her ‘UURBN’ jerseys.

Image of Jasmine Allen's artwork
D.U.S Series (Yellow)

I found it appropriate to inform Allen that the UURBN Throne is my personal favorite piece of hers. The Throne is a chair built of the letters U-U-R-B-N. One could clearly tell that repetition is clearly important to Allen. Allen uses these letters to create a visual language based off of urbanism and self-pride. The Chair, similar to the wardrobe, is made of black stained wood. This piece of furniture is also ornamented with a series of small interlocking ‘UU’ logos. Thematically it pairs well with the Wardrobe because they are so similar in aesthetic. Although the pieces aren’t directly next to each other, they still converse as harmonious pieces of artistic furniture crafted in the same family. “I painted it black because black is my favorite color. Black can be a symbol of power and royalty, which is why it’s a throne, but really black is my favorite color.” Allen shared with me that the throne is meant to empower whoever is sitting on it. Since the piece acts as an accessory of luxury, the user of the piece assumes the role of royalty. “What would sitting in this chair make me the king of?” “The chair is a symbol of royalty within the community. It’s a symbol of Kingship and Queenship. I didn’t want to limit it to just one gender. Whoever chooses to sit in it is considered royalty regardless of gender and skin color. I speak on urban from the perspective of a Black Woman because that’s all I know, but UURBN doesn’t exclude anyone.”

Image of Jasmine Allen's artwork
D.U.S Series (Blue)

Lastly, the piece that Allen and I could both agree to have a special connection with is D.U.S. Series. The piece is a portrait of a man, whose face is covered by a butterfly. The figure of man and butterfly sits carefully placed on top of a colorful circle and the phrase “Defy Urban Stereotypes” is repeated behind. The series is able to be differentiated piece by piece with the circle that sits behind the man’s head. The circle varies in color; blue, red, yellow. The meaning to this piece was shared as a caption posted to Ugly Urban’s Instagram page just days before the show. The special meaning read, “Celebration of the black man. Often times black men don’t get the necessary praise they deserve, so with this piece I took a friend of mine and covered his face to take away the identity because sometimes we only treat people a certain way due to their affiliation with us when in actuality everyone deserve the same respect you give to the people you love. I used Red to represent power, love, and determination. Yellow to represent joy, happiness, and intellect. Blues represents trust, loyalty, and confidence. These words are used to combat the negativity that is formed against the black male. Love your brother and mate and uplift him so that he can be the leader he’s destined to be. Defy urban stereotypes.”


Rasheem Callender is a Fine Arts student from Atlanta, GA. While in undergrad, Callender is focusing on graphic design and printmaking. After graduating, Callender will attend grad school with the expectation of becoming an art director or a curator.

Exploring Your Own Mixed Bag.

By A’Niecia DeFour

The recent exhibit at the Dedo Maranville Art Gallery at Valdosta State University was intriguing and full of life. The exhibition is titled “Mixed Bag: An Assortment of Contemporary Craft” which is a perfect description for the show itself. The show consisted of mixed media contemporary crafts by five different artists from across the US: Max Adrian, Emily Culver, Elyse-Krista Mische, M. Paige Ward, and Xia Zhang. Each piece in the exhibit dealt with different aspects of personal identity such as sexuality, religion, and culture.

The set-up of the exhibit appeared to be fairly spaced out, as if they did not have enough pieces featured or large enough pieces to fill the space allotted. This could also be partly to blame on the arrangement as well. Each piece demanded to be observed by the viewer so much that each created a space of their own. Each piece takes the viewer into an individual space because of the amount of energy that radiates from the works.

Max Adrian, The Buddy Community, Faux Fur, pleather, leather, spandex, misc. materials, chains, hardware
Max Adrian, The Buddy Community, Faux Fur, pleather, leather, spandex, misc. materials, chains, hardware

The work of Max Adrian was a crowd favorite in the exhibit. His work features pleather, fur, chains, and spandex, which gives his work a sexual energy. Adrian’s sculptural piece entitled, “The Buddy Community,” can be interpreted as a representation of the sexual community behind BDSM. This soft sculptural collection features 12 plush, animal-like figurines. Each figure is clothed in furs and leathers and black and pink are continuously used to add unity among each form. Flashes of electric blue, red, and neon yellow on other forms add life to this piece. Some forms have animal ears and tails while others are missing these features. Each form does have two small holes in its head, where a nose would usually be placed. Coming out of some of these nostril-like holes are chains hooked to a ring which resembles a septum piercing. Adrian created these forms without faces, giving the viewer the opportunity to project themselves onto these forms and explore their own sexual identity.

Max Adrian, Scrap Alphabet, Vinyl, pleather, leather, thread, faux fur, athletic mesh, chains, hardware
Max Adrian, Scrap Alphabet, Vinyl, pleather, leather, thread, faux fur, athletic mesh, chains, hardware

Another piece that stood out was Adrian’s, “Scrap Alphabet,” wall piece. This piece has scraps of pleather, thread, faux fur, and athletic mesh pressed between clear, square vinyl. There are twelve sets of ten vinyl squares linked together by a single ring on each end in vertical and even rows. Adrian created 120 individual compositions out of these scraps of fabric and unified them using a limited color palette of red, pink, black, white and yellow. Adrian placed the yellow scraps of fabric through the piece, allowing the viewer’s eyes to move throughout the artwork. Each individual composition has a different personality and mood. One of the compositions features yellow scraps radiating out of a black square center, resembling a cheery sunflower or sun. Another square has black and pink string tangled inside of it, evoking chaos. Overall, this piece forces the viewer to form their own meanings and emotions based on the scrap compositions floating within each square.

Xia Zhang, Thoroughness of your Seediness, Video
Xia Zhang, Thoroughness of your Seediness, Video

Xia Zhang was another artist featured in this exhibit. Her video installation, titled “Thoroughness of your Seediness,” features a visually satisfying bird’s eye view of the artist cutting up a pomegranate and stitching it back together with black thread. There are red juices bleeding from this fruit and seeds pop out of it as she slices it into thin layers. This video seems to be a symbol of heartbreak and healing. Zhang is shown threading the needle and tying the knot in preparation to put her heart, the pomegranate, back together. This video is long enough for some viewers to grow bored or impatient. This can be also seen as a symbol of an individual taking their time to heal their heart regardless of feeling rushed by others. Healing has no time limit.

The feature that made this exhibit the most enjoyable was the playful exploration of mediums. Throughout each piece, there were various mediums seen in crafts such as fabrics and stitching and each artist used them to create piece that explore emotions and self-identity. This exhibit relates both to the artist and the viewer giving the opportunity to explore their own sense of identity and truly gives definition to the exhibit title “Mixed Bag: An Assortment of Contemporary Craft.”

A’Niecia De Four is an Art Education major at Valdosta State University. She is originally from Dallas, Texas but has spent most of her life living in Georgia. She enjoys creates work based around womanism and the objectification of the female form.

Mixed Bag and Mixed Feelings: My Take on Contemporary Art

The exhibition Mixed Bag: An Assortment of Contemporary Art at Valdosta State University was very surprising. After walking around the gallery a few times I analyzed what I saw, and at first what seemed like confusion later developed into disappointment. Although I viewed some pieces that piqued my interest, I was not entirely pleased with the show. Continue reading Mixed Bag and Mixed Feelings: My Take on Contemporary Art

Mixed Bags


The “Mixed Bag” is a variety of contemporary art created by five different artist. The exhibition was set up in the Dedo Maranville Fine Arts Gallery at Valdosta State University. The exhibition deal with a variety of social issues that are sometimes too hard to discuss. So each artist created artworks dealing with social and political topics that they feel strong about. The topics vary from sexuality, queerness, faith, race and death.

Wall-hanging of Elyse-Krista Mische's, "Sustain".
Elyse-Krista Mische
papier-mâché, panel, canvas, embroidery, tin foil, gold leaf, thread, acrylic

When I first walked into the gallery, I felt a sense of emptiness compared to previous shows. The walls were not over crowded with works. In fact it was maybe two or three works of art on each wall, the back wall in the gallery even had one piece hanging. Just based on the scene set up, I concluded in my mind that this show may be a very simple show, but yet the artworks convey strong messages that we often deal with throughout life.

Ideally, I made connections that most of the work had that post modernism feel. Looking at the pieces I felt as though they were made from your everyday household objects. One piece in particular that sat in the back of the gallery on the floor caught my intention. It was a block constructed with what I believed to be bath tiles. It had what I assumed were bath plugs, until I further looked and noticed the chains attached to the stoppers were actually necklaces. The piece was entitled “What I See”. It had a very monochromatic color scheme. To me the piece implied a story. What you see is what you see, nothing more, nothing less if that makes sense.

Rectangular panel that is placed on the floor. It's covered in pink tiles and has tub stoppers on top
“What She Saw When She Walked In”: Emily Culver, copper, enamel, caulk, nickel, silver, wood, paint

Majority of the pieces had a different variety of media. The pieces by artist Xia Zhang interested me the most. He used different mediums in his work such as porcelain, cotton, gold thread, wood, wire and glaze. When first looking at his pieces before really engaging them, I thought that I was looking at a series of different paintings. What I realized was that they were scenes from movies. There was a total of eight different pieces, each of them dealing with social subjects dealt with throughout the world. One of the pieces said “To Americans, all Chinese look alike for goodness’ sake”. I immediately interpreted that this particular piece of work focused on racism. Emphasizing how Americans view other that are of a different race. Zhang’s pieces varied from the subject of racism, sexuality, and feminism.

Vinyal, Suede, metal

Another piece in particular that caught my attention was the setup of dolls, by Max Adrian entitled “The Buddy Community”. My initial reaction was why he dressed these dolls up in these different furs, and loud colors. The dolls were all connected at the neck with rope metal chains. I wondered what the purpose was. My initial take was that the artist was showing how much of an influence friends can have on one another. Signifying that we often let our friends influence us on a lot of decisions. Almost like having a chain wrapped around one another pulling them and making them do whatever we want, whether the decision is right or wrong. Continue reading Mixed Bags

Mixed Bag reunites at VSU

by Joseph Mays

As I entered the exhibit, titled “Mixed Bag: An Assortment of Contemporary Craft,” I quickly noticed the vast amount of open area. Each artwork had enough space to allow the viewer to walk around and look at it from multiple angles. Each artist whose work was displayed had spent time with each other during their residency at Arrowmont School of Arts and Crafts in Gatlinburg, Tennessee from June 2017 to May 2018. In fact, this bringing together of their work was like a reunion for them, seeing as though they all moved to separate states upon the end of their residency. I’m sure being in each other’s presence had some sort of influence on the art they made at the time, and here, we see a unifying theme of usually sensitive topics and themes. Continue reading Mixed Bag reunites at VSU

Valdosta National Exhibition: A World of Mixed Media

By Brittany Hawkins

The Valdosta National Exhibition, located in Dedo Maranville Fine Arts Gallery at Valdosta State University, is a show that presents the best in contemporary art in an annual national all-media competition. The show is open to anyone over the age of eighteen and with submissions from all over the United States. The exhibition is a juried show and three winners were chosen at the end of the opening night and at least hundred dollars was awarded. The judge and jury was Michael McFalls who is a Professor of Art at Columbus State University and a practicing artist. Continue reading Valdosta National Exhibition: A World of Mixed Media