Senior Show Spotlight: Jasmine Allen

Photo of Jasmine Allen taken by Jasmine Frazier ©

Jasmine Allen lives a double life. By day she’s an art student. To class she sported a simple Black turtleneck and a pair of blue jeans- a look reminiscent of Steve Jobs. Except this Steve Jobs donned a pair of Nike Air Max 95s. It’s been a full week since the Seniors had their Opening Exhibition Convergence. Even though the seniors have had their show, the school work continues to flow for Allen. We talk about all the projects she still has due while she grabs a snack from the vending machine. Like all seniors, she’s so ready to be done with school, one facet of her double life. By night, Allen is the CEO and Creative Director for Ugly Urban, a Georgia-based street-wear brand. Ugly Urban or UURBN prides itself on transmitting a message of love, power, and overcoming barriers through different media such as printmaking, fashion, and even furniture. When you ask Allen why the brand is called that, she’d quickly respond, “It’s the ugly struggle to defy urban stereotypes.” Personally, I connect with that meaning. In a world where urban can be easily pinned as another word for black, there are plenty of stereotypes in need of defying. Urban culture is often alienated in higher-class circles, but Ugly Urban is meant to serve as the warm embrace for the alienated. Through street-wear silhouettes and witty Instagram captions, Allen has captured an audience of fellow culture enthusiasts, and outcasts.

“It was a feeling of accomplishment,” She stated when asked how she felt about being a graduating senior showing art in the senior show. “Because, nobody really thought I was going to finish my work, so me finishing it, and feeling as if I did a good job, it makes me feel accomplished. I still get compliments about some of the pieces. Somebody told me this morning that they were dope.”

Image of Jasmine Allen's artwork
D.U.S Series (Red)

VSU’s Dedo Maranville Gallery houses 16 seniors’ pieces, and Allen has 3 pieces in the show. The three pieces include: D.U.S. (Series), UURBN Throne, and UURBN Wardrobe. “Which is your favorite?” I asked. She took a long pause and said the UURBN Wardrobe. The piece she’s referring to is a slim yet tall wardrobe. Standing at 6ft, the Wardrobe towers over Allen’s small person. The wardrobe is made of wood that has been stained black, and is fashioned with glass on the doors and lights included inside to illuminate the clothes, all easily identified as UURBN by their similar logo bearing the Defy Urban Stereotypes motif. I immediately asked, “Why is this one your favorite?” It didn’t take long for her to reply, “Because it was the piece I did outside of school. I literally had to watch a You-tube video and prove to myself I could do it. I had to figure out how to figure it out.” I can’t help but be impressed about how this small woman managed to build such a tall structure. The clothes inside are just as important as the wardrobe encapsulating them. Hanging within the wardrobe are hoodies, tee-shirts, and jerseys, all coveted street-wear essentials. The fashion of UURBN takes inspiration from a hip-hop influenced 90s era. Hip-Hop enthusiasts can clearly recall a time when sporting your favorite brand’s jersey was a huge trend in parties and music videos. Wearing the jersey of a champion made you feel like you were one too, like you’re part of the team. Taking a look at the clothes, it’s clear to see that Allen seeks to bring that same feeling of camaraderie back with her ‘UURBN’ jerseys.

Image of Jasmine Allen's artwork
D.U.S Series (Yellow)

I found it appropriate to inform Allen that the UURBN Throne is my personal favorite piece of hers. The Throne is a chair built of the letters U-U-R-B-N. One could clearly tell that repetition is clearly important to Allen. Allen uses these letters to create a visual language based off of urbanism and self-pride. The Chair, similar to the wardrobe, is made of black stained wood. This piece of furniture is also ornamented with a series of small interlocking ‘UU’ logos. Thematically it pairs well with the Wardrobe because they are so similar in aesthetic. Although the pieces aren’t directly next to each other, they still converse as harmonious pieces of artistic furniture crafted in the same family. “I painted it black because black is my favorite color. Black can be a symbol of power and royalty, which is why it’s a throne, but really black is my favorite color.” Allen shared with me that the throne is meant to empower whoever is sitting on it. Since the piece acts as an accessory of luxury, the user of the piece assumes the role of royalty. “What would sitting in this chair make me the king of?” “The chair is a symbol of royalty within the community. It’s a symbol of Kingship and Queenship. I didn’t want to limit it to just one gender. Whoever chooses to sit in it is considered royalty regardless of gender and skin color. I speak on urban from the perspective of a Black Woman because that’s all I know, but UURBN doesn’t exclude anyone.”

Image of Jasmine Allen's artwork
D.U.S Series (Blue)

Lastly, the piece that Allen and I could both agree to have a special connection with is D.U.S. Series. The piece is a portrait of a man, whose face is covered by a butterfly. The figure of man and butterfly sits carefully placed on top of a colorful circle and the phrase “Defy Urban Stereotypes” is repeated behind. The series is able to be differentiated piece by piece with the circle that sits behind the man’s head. The circle varies in color; blue, red, yellow. The meaning to this piece was shared as a caption posted to Ugly Urban’s Instagram page just days before the show. The special meaning read, “Celebration of the black man. Often times black men don’t get the necessary praise they deserve, so with this piece I took a friend of mine and covered his face to take away the identity because sometimes we only treat people a certain way due to their affiliation with us when in actuality everyone deserve the same respect you give to the people you love. I used Red to represent power, love, and determination. Yellow to represent joy, happiness, and intellect. Blues represents trust, loyalty, and confidence. These words are used to combat the negativity that is formed against the black male. Love your brother and mate and uplift him so that he can be the leader he’s destined to be. Defy urban stereotypes.”


Rasheem Callender is a Fine Arts student from Atlanta, GA. While in undergrad, Callender is focusing on graphic design and printmaking. After graduating, Callender will attend grad school with the expectation of becoming an art director or a curator.

Valdosta State Exhibition

The Valdosta State National Exhibition is an exhibition that allowed different  artists to display a variety of works that they’ve created. It is an assortment of various media, and an open space to allow people from all over to experience a great show. Walking into the gallery itself, my mission was to find an art piece that stood out to me. Being that there were many beautiful artworks that were on display, it was hard for me to choose one.

 

Jason Guynes Company With Myself, 2016 Oil on Canvas 58in x 36in x 4in

As I am walking through the gallery, I notice a painting that stuck out among the rest. It was the painting titled Company With Myself by Jason Guynes. It is an oil on canvas painting. Looking at the painting, its displays a young gentleman sitting at a table with 5 other men who look exactly like him. On the table, you see various drinks, glasses, and papers. Fluttering around the gentlemen are 1 dollar bills in the shape of butterflies. All of this seems to be taking place in a  house of some sort.

“This is a very interesting piece.”, I utter under my breath as I look further for a better description in detail. It was hard to notice the details from a distance with all of the lighting that was set by the curator. The brush strokes really showed the time that was spent to create such a piece. The meaning of the young man being accompanied by himself was a major point as well. We find ourselves comfortable with other people, but we have to experience a true enjoyment by ourselves.

A pattern was orchestrated with the gallery itself as a whole. The curator wanted there to be a balance with all of the artworks. They did not want other art pieces to overshadow one another. Not only were there artworks on display, but the entire gallery stood out as an art piece within itself. The entire gallery was a gallery for inspiration, and a platform for different people to experience, and express emotion and ideas.

More Than Meets the Eye

By Arin Guyette

 

Valdosta State University’s Dedo Maranville Fine Arts Gallery has recently brought in a new show: Mixed Bag: An Assortment of Contemporary Craft. This exhibition is composed of five artists (Max Adrian, Emily Culver, Elyse-Krista Mische, M. Paide Ward, and Xia Zhang) who bring together different perspectives of contemporary art from across the country. Artists today often explore the concepts of sexuality, gender, religion, race, and death and this exhibition brings those challenges to the public of Valdosta, Georgia.

After walking in through the front, you’ll find the gallery to your left behind two glass doors. The overall space is small, and if you’re not paying attention, you may just bump into Mische’s piece The Great Divide. A white, pyramid-like shape with human silhouettes across from one another. One laying down and the other rising upwards, likely calling back to religion- specifically Christianity (as there is a cross at the top of the piece).

Zhang’s work Thoroughness in Your Seediness is in a dark corner with the identification card moved to a completely different spot. It’s a bit disorienting. Thoroughness in Your Seediness is a video of someone cutting up a pomegranate and sewing the pieces back together. The crunch of the knife against the fruit is a little unsettling and the lack of any outside noise makes it border on ASMR (or Autonomous Sensory Meridian Response). Though most ASMR videos are meant to relax the viewer, certain sounds may trigger an unpleasant chill or irritation of the ears. I’m not sure what to make of this work, however, I feel a deeper meaning present by the choice of medium. I found myself asking a friend what they made of it and they said, “Maybe it’s about control and reconstruction”. The fact this person chooses to cut up the fruit but sews it back together in their own way can symbolize the willful destruction of something to bring it back more personalized than before. In relation to Zhang’s statements about race and genders in their art, I can’t say that this piece’s message is clear.

One of the 8 frames from Zhang's Madame X. The focus is on a Chinese woman who says "I feel something in heart."
Xia Zhang, “Madame X”, February 25, 2019, Porcelain, cotton, gold thread, wood, wire, glaze

Contrasting with Thoroughness in Your Seediness, along the first wall to the left is Zhang’s Madame X. The set of 8 frames is evenly spaced and well lit. The small subtitles for each image insist that you get up close and move with the piece. Zhang’s focus here is on race and gender, which becomes evident through the text. The fourth image (from left to right) shows a man grabbing a woman by her arm and saying, “You come to my room, then there won’t be any trouble.” In five, six, and seven we notice the Chinese women using bad English, which contrasts with all the men’s lines and enforces the foreign dialect. Created with porcelain, cotton, gold thread, wood, wire, and glaze, each image appears as a sleek, yellow box that juts out from the wall. Each box is somewhat crooked with dents and bends as if it was crafted quickly or half-hearted. However, the glaze on each frame shows Zhang’s solidified dedication to their shape. The subtitles are emphasized with the gold thread while the images appear printed on standard copy paper.

Ward's "How Firm a Foundation IV". It is a curved wood casing sitting on top of a concrete pillow.
M. Paige Ward, “How Firm a Foundation IV”, Cast concrete, cedar, found wood, copper plated nails

Most of the work off the wall belongs to Ward and their How Firm a Foundation series. Created from cast concrete, cedar, found wood, and copper nails, Ward plays with the word “firm” by casting the pillows with concrete. Nestled above each of the concrete casts are curved wood panels, lined with thin strips of wood and held together by the copper nails. Ward creates the illusion of the wood’s weight through the realistic curvature and bends in her cast pillows. With each piece, the size of the pillow, height, and type of the wood change, but everything else remains the same. The concrete pillows represent Ward’s longing for stability and the curved wood may very well represent the artist or the audience of the world she wishes to stabilize.

Within the space, there are several pedestals positioned around the room and a large tiled artwork on the floor in the far back (Culver’s What She Saw When She Walked In). This setup is a common approach to so the overall feel is lacking and a little creepy. Overall, this show is meant to evoke thought and spur conversation. It is some of the newest works out there so that speaks to the appeal. However, the current setup of the pieces with the odd placement and lackluster lighting choices somewhat detracts from that power.

 

BioArin is a junior Bachelor of Arts major who is studying animation and graphics design at Valdosta State University. They are scheduled to graduate in 2020 and wish to work with television, movies, and gaming. 

Mixed Bag and Mixed Feelings: My Take on Contemporary Art

The exhibition Mixed Bag: An Assortment of Contemporary Art at Valdosta State University was very surprising. After walking around the gallery a few times I analyzed what I saw, and at first what seemed like confusion later developed into disappointment. Although I viewed some pieces that piqued my interest, I was not entirely pleased with the show. Continue reading Mixed Bag and Mixed Feelings: My Take on Contemporary Art

An Assortment of Contemporary Craft

Mixed Bag: An Assortment of Contemporary Craft displays five artists using interesting craft techniques to explore difficult subject ranging from universal human experiences to those of specific identity groups . The artwork in the gallery is spread across the wall and on simple white stands around the floor; there is plenty of space between pieces but the space still feels resolved and filled. Each of the five artists have more than one artwork to show though they are not always placed next to—or even near—each other; the exhibition is truly “mixed”. You may come across an artist’s statement and biographical information across the gallery from some of their work. These statements give background information on both the artists and the meanings behind their art; they are best read after you have experienced and considered the work on your own and have come to your own conclusions.

Continue reading An Assortment of Contemporary Craft

Mixed Bags


The “Mixed Bag” is a variety of contemporary art created by five different artist. The exhibition was set up in the Dedo Maranville Fine Arts Gallery at Valdosta State University. The exhibition deal with a variety of social issues that are sometimes too hard to discuss. So each artist created artworks dealing with social and political topics that they feel strong about. The topics vary from sexuality, queerness, faith, race and death.

Wall-hanging of Elyse-Krista Mische's, "Sustain".
Elyse-Krista Mische
papier-mâché, panel, canvas, embroidery, tin foil, gold leaf, thread, acrylic

When I first walked into the gallery, I felt a sense of emptiness compared to previous shows. The walls were not over crowded with works. In fact it was maybe two or three works of art on each wall, the back wall in the gallery even had one piece hanging. Just based on the scene set up, I concluded in my mind that this show may be a very simple show, but yet the artworks convey strong messages that we often deal with throughout life.

Ideally, I made connections that most of the work had that post modernism feel. Looking at the pieces I felt as though they were made from your everyday household objects. One piece in particular that sat in the back of the gallery on the floor caught my intention. It was a block constructed with what I believed to be bath tiles. It had what I assumed were bath plugs, until I further looked and noticed the chains attached to the stoppers were actually necklaces. The piece was entitled “What I See”. It had a very monochromatic color scheme. To me the piece implied a story. What you see is what you see, nothing more, nothing less if that makes sense.

Rectangular panel that is placed on the floor. It's covered in pink tiles and has tub stoppers on top
“What She Saw When She Walked In”: Emily Culver, copper, enamel, caulk, nickel, silver, wood, paint

Majority of the pieces had a different variety of media. The pieces by artist Xia Zhang interested me the most. He used different mediums in his work such as porcelain, cotton, gold thread, wood, wire and glaze. When first looking at his pieces before really engaging them, I thought that I was looking at a series of different paintings. What I realized was that they were scenes from movies. There was a total of eight different pieces, each of them dealing with social subjects dealt with throughout the world. One of the pieces said “To Americans, all Chinese look alike for goodness’ sake”. I immediately interpreted that this particular piece of work focused on racism. Emphasizing how Americans view other that are of a different race. Zhang’s pieces varied from the subject of racism, sexuality, and feminism.

Vinyal, Suede, metal

Another piece in particular that caught my attention was the setup of dolls, by Max Adrian entitled “The Buddy Community”. My initial reaction was why he dressed these dolls up in these different furs, and loud colors. The dolls were all connected at the neck with rope metal chains. I wondered what the purpose was. My initial take was that the artist was showing how much of an influence friends can have on one another. Signifying that we often let our friends influence us on a lot of decisions. Almost like having a chain wrapped around one another pulling them and making them do whatever we want, whether the decision is right or wrong. Continue reading Mixed Bags

Mixed Bag reunites at VSU

by Joseph Mays

As I entered the exhibit, titled “Mixed Bag: An Assortment of Contemporary Craft,” I quickly noticed the vast amount of open area. Each artwork had enough space to allow the viewer to walk around and look at it from multiple angles. Each artist whose work was displayed had spent time with each other during their residency at Arrowmont School of Arts and Crafts in Gatlinburg, Tennessee from June 2017 to May 2018. In fact, this bringing together of their work was like a reunion for them, seeing as though they all moved to separate states upon the end of their residency. I’m sure being in each other’s presence had some sort of influence on the art they made at the time, and here, we see a unifying theme of usually sensitive topics and themes. Continue reading Mixed Bag reunites at VSU

“Mixed” Feelings

By Maria Davis

  Exhibition “Mixed Bag: An assortment of Contemporary Craft” is currently on display in the VSU Dedo Maranville gallery. “Mixed Bag” is an exhibition of works by five artists. Each artist brings their own perspective to the contemporary craft components of this exhibition. The artists are Max Adrian, Emily Culver, Elyse-Krista Mische, M. Paige Ward, and Xia Zhang. The artists express the vulnerability of social issues often difficult to discuss such as: faith, sexuality, queerness, race, and death. The aims of this exhibition is to showcase the perspectives of the five artists and the harmonies that unite them together.

Photograph of Exhibition “Mixed Bag: An assortment of Contemporary Craft” opening night by VSU Dedo Maranville Fine Arts Gallery
VSU Dedo Maranville Fine Arts Gallery, Exhibition “Mixed Bag: An assortment of Contemporary Craft”,opening night

Continue reading “Mixed” Feelings

A Cute & Creepy Life

By Josiry Orellana

 

Cute & Creepy CatalogThose who claim perfection know nothing and those who embrace their imperfections reach a level of beauty that could never be found otherwise. The exhibition, Cute and Creepy, seems to have stumbled its way into that beauty like an earth worm turning the earth bringing life to our planet. Continue reading A Cute & Creepy Life

Unsure of What to Think, Unable to Look Away

By Sunni Pike

Curator and artist Carrie Ann Baade reeked of mystery and curiosity as she expressed her passion for “monsters” at the opening of the “Cute and Creepy” exhibition, shown at the Dedo Maranville Fine Arts Gallery in October 2017. Her dark Victorian Gothic appearance matched the surrounding artwork, intriguing the audience to learn more.  Continue reading Unsure of What to Think, Unable to Look Away