{"id":943,"date":"2020-04-30T16:14:34","date_gmt":"2020-04-30T16:14:34","guid":{"rendered":"http:\/\/blog.valdosta.edu\/artcriticism\/?p=943"},"modified":"2020-04-30T16:14:35","modified_gmt":"2020-04-30T16:14:35","slug":"small-world-big-mind","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/artcriticism\/2020\/04\/30\/small-world-big-mind\/","title":{"rendered":"Small world, big mind"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">By: Shelby Coulter<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"422\" src=\"https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlott-goodhope_orig.jpg\" alt=\"\" class=\"wp-image-944\" srcset=\"https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlott-goodhope_orig.jpg 640w, https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlott-goodhope_orig-300x198.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption>Logan Lott&#8217;s <em>Good Hope<\/em>, Digital Pinhole Photography, 8\u201dx10\u201d, 2019.<\/figcaption><\/figure>\n\n\n\n<p>Logan Lott was born and raised in Valdosta Georgia by a family with not much interest in art. She says, \u201cI am the oddball of the family for sure. No one in my family or extended family has ever had much interest in the arts beyond craft projects.\u201d As far as she can remember, Logan has always had a passion for art. She grew up as a big fan of pop artists such as Keith Haring, Andy Warhol, and Roy Lichtenstein. She is also fond of Frida Kahlo, Cindy Sherman, Barbara Kruger, and many other women artists. Logan is heavily influenced by many different art movements such as Dadaism, Surrealism, Pop Art, Postmodernism, and Contemporary art. <\/p>\n\n\n\n<!--more-->\n\n\n\n<p>Logan\u2019s preference in media is graphic design, printmaking, and photography. She prefers to work with daylight and begins her artistic process with media consumption. She says, \u201cConsuming media is a big inspiration for me. Reading about current events and important topics and formulating my own thoughts about those things is what starts my process.\u201d She continues, \u201cI like to consider more than one perspective of a topic and ask myself questions like these: Why is this important? Who is this important to? What kind of statement do I want to make? What kind of conversation can I create?\u201d Once an idea sparks, Logan proceeds with a pencil, a sketchbook, and begins sketching. \u00a0<\/p>\n\n\n\n<p>When Logan entered college, she didn\u2019t\nhave a clear vision of why she created art about pop media and culture. However,\nas she progressed in her college career, that vision has become much clearer.\nShe explains, \u201cLearning what I have learned in college, I\u2019m beginning to\nunderstand the purposes of my work and I think that has helped elevate the\nstyle and direction that my art is evolving into.\u201d <\/p>\n\n\n\n<p>As a graduating senior, Logan is currently exhibiting her work at Valdosta State University\u2019s 2020 online Senior Show. The exhibition is online due to the pandemic, but that surely does not take away from the fierceness of Logan\u2019s work. Logan has displayed ten pieces including graphic design, printmaking, and photography that is paired nicely with a strong artist statement. <\/p>\n\n\n\n<p>Logan\u2019s slideshow of artworks begins with a digital illustration, <em>New American Gothic<\/em>. This piece modernizes Grant Wood\u2019s <em>American Gothic<\/em> by including diverse people. Logan explains her intention of this piece, \u201cI wanted to replace Grant Wood&#8217;s version of \u2018the people he saw living in America\u2019 with the type of people and diversity that I see in America today.\u201d She adds that this piece is special to her because it was the first work that she submitted to an international juried exhibition that got accepted. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"506\" src=\"https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlott-newamericangothic_orig.jpg\" alt=\"\" class=\"wp-image-945\" srcset=\"https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlott-newamericangothic_orig.jpg 750w, https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlott-newamericangothic_orig-300x202.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption>Logan Lott&#8217;s <em>New American Gothic<\/em>, Digital Illustration, 8.5&#8221;x 11&#8221;, 2017.<\/figcaption><\/figure>\n\n\n\n<p><em>Welcome to America <\/em>is a photograph in black and white that was taken in Jasper Florida at an old motel. The photograph shows a worn-down lighted bulletin sign that reads \u201cWELCOME TO AMERICAN IN\u201d in block letters. The N in American is barely hanging onto the sign. The sign has an arrow pointing leftwards and is surrounded by palm trees. Logan elaborates, \u201cI&#8217;ve always had an interest in worn-down, dilapidated buildings. They&#8217;re in abundance in South Georgia\/North Florida and the local scenery is important to me. In these older places, there are remnants of a life that used to be here that isn&#8217;t anymore. It&#8217;s crumbling and fleeting and that&#8217;s why I feel the need to capture it.\u201d She adds that the motel is still surprisingly functional. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlott-welcometoamerica_orig-1024x682.jpg\" alt=\"\" class=\"wp-image-946\" srcset=\"https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlott-welcometoamerica_orig-1024x682.jpg 1024w, https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlott-welcometoamerica_orig-300x200.jpg 300w, https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlott-welcometoamerica_orig-768x512.jpg 768w, https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlott-welcometoamerica_orig.jpg 1100w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Logan Lott&#8217;s <em>Welcome to America<\/em>, Digital Photography, 8\u201dx 10\u201d, 2018.<\/figcaption><\/figure>\n\n\n\n<p><em>Your Gaze Hits Me Right in the Face <\/em>is a linocut relief print. The print has a limited color palette of warm colors that surround a woman\u2019s face that looks at the viewer. The text takes place on the right side of the print. It reads, \u201cYour gaze hits me right in the face.\u201d This print is influenced by Barbara Kruger\u2019s <em>Your Gaze Hits Me Right in the Face <\/em>and Mary Cassatt\u2019s <em>In the Lodge<\/em>. The woman in the print is purposely looking directly at the viewer with the intention of &#8220;reclaiming the gaze.&#8221; Logan opens up and says, \u201cI&#8217;ve been sexually harassed before and it&#8217;s become an even bigger issue in recent times with the Me Too Movement. This piece directly speaks about the violence of the male gaze. By having my female figure directly gaze at the viewer, she is reclaiming the gaze as her own and ignoring all the eyes that are on her.\u201d She continues, \u201cI wanted it to be an empowering piece that any woman who has been sexually harassed can relate to.\u201d <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"705\" height=\"517\" src=\"https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlottyourgazehitsmerightintheface_orig.jpg\" alt=\"\" class=\"wp-image-947\" srcset=\"https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlottyourgazehitsmerightintheface_orig.jpg 705w, https:\/\/blog.valdosta.edu\/artcriticism\/wp-content\/uploads\/sites\/101\/2020\/04\/loganlottyourgazehitsmerightintheface_orig-300x220.jpg 300w\" sizes=\"auto, (max-width: 705px) 100vw, 705px\" \/><figcaption>Logan Lott&#8217;s <em>Your Gaze Hits Me Right in the Face<\/em>, Linocut Relief Print, 9&#8221;x 12&#8221;, 2019.<\/figcaption><\/figure>\n\n\n\n<p>Logan\u2019s work is very versatile and at the same time the pieces are relevant to each other. The influence of being raised in the south and being aware of the current issues in the world around her is evident in her work. Her work has a contrast between a reminiscent nostalgia and what is happening in our modern world. Logan\u2019s artistic successes at Valdosta State University have been acknowledged by many. Many more successes are to come after she graduates. Logan plans to pursue graphic design, eventually return to school to become an art professor, and travel. <\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<p><em>Shelby is a BFA in Art senior at Valdosta State University. Shelby will graduate in May 2020 and wants to pursue a career in graphic design.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By: Shelby Coulter Logan Lott was born and raised in Valdosta Georgia by a family with not much interest in art. She says, \u201cI am the oddball of the family for sure. No one in my family or extended family has ever had much interest in the arts beyond craft projects.\u201d As far as she &hellip; <a href=\"https:\/\/blog.valdosta.edu\/artcriticism\/2020\/04\/30\/small-world-big-mind\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Small world, big mind<\/span><\/a><\/p>\n","protected":false},"author":556,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[136],"tags":[],"class_list":["post-943","post","type-post","status-publish","format-standard","hentry","category-seniors2020"],"acf":[],"_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/artcriticism\/wp-json\/wp\/v2\/posts\/943","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/artcriticism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/artcriticism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/artcriticism\/wp-json\/wp\/v2\/users\/556"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/artcriticism\/wp-json\/wp\/v2\/comments?post=943"}],"version-history":[{"count":1,"href":"https:\/\/blog.valdosta.edu\/artcriticism\/wp-json\/wp\/v2\/posts\/943\/revisions"}],"predecessor-version":[{"id":948,"href":"https:\/\/blog.valdosta.edu\/artcriticism\/wp-json\/wp\/v2\/posts\/943\/revisions\/948"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/artcriticism\/wp-json\/wp\/v2\/media?parent=943"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/artcriticism\/wp-json\/wp\/v2\/categories?post=943"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/artcriticism\/wp-json\/wp\/v2\/tags?post=943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}