{"id":445,"date":"2015-02-16T16:22:43","date_gmt":"2015-02-16T16:22:43","guid":{"rendered":"http:\/\/blog.valdosta.edu\/coa\/?p=445"},"modified":"2015-02-16T16:22:43","modified_gmt":"2015-02-16T16:22:43","slug":"fine-arts-gallery-presents-civil-rights-series-by-karl-zerbe-feb-16-march-6","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/coa\/2015\/02\/16\/fine-arts-gallery-presents-civil-rights-series-by-karl-zerbe-feb-16-march-6\/","title":{"rendered":"Fine Arts Gallery Presents Civil Rights Series by Karl Zerbe Feb. 16-March 6"},"content":{"rendered":"
\"karl-zerbe-civil-right-exhibit-full\"<\/a>
Karl Zerbe’s “Blue Bars”<\/figcaption><\/figure>\n

 <\/p>\n

VALDOSTA \u2014 Valdosta State University\u2019s Fine Arts Gallery will host Karl Zerbe: Civil Right Feb. 16 through March 6.<\/p>\n

Born in Germany in 1903, Zerbe was an expressionist figurative painter who quickly became recognized as a major new artist. His first exhibitions in Munich and Berlin attracted immediate attention, and his rise in popularity led to representation in some of the finest museums in his country.<\/p>\n

Then Adolf Hitler rose to power.<\/p>\n

Zerbe\u2019s paintings were among those destroyed as cultural bolshevism as the Third Reich denounced modernism in the arts. Fleeing Nazi persecution, he escaped to the United States in 1934, at the age of 31, making a home in Boston, Mass., where he painted, taught, became a U.S. citizen, and contributed to the revival of encaustic, a hot wax method of painting. He joined a group of artists living and working in the Boston area from the 1930s to the 1950s who \u201cexplored human emotion and spirituality with color and imagination, painting figuratively at a time when abstraction was the trend,\u201d embracing \u201ca distinctive blend of visionary painting, dark humor, religious mysticism, and social commentary,\u201d according to Danforth Art, a museum and school in Framingham, Mass., in an online explanation about the movement that became known as the School of Boston Expressionism. In 1955 he moved to Tallahassee, Fla., and taught at Florida State University, retiring as professor emeritus in 1971. He died in 1972.<\/p>\n

To the viewer, Karl Zerbe: Civil Right may appear to be a collection within a collection. First there is what has become known as his Civil Rights Series, a group of brush drawings and acrylic collages inspired by the Albany Movement, a series of civil rights protests in nearby Albany, Ga., in 1961 and 1962.<\/p>\n

\u201cThe protests, led by the Student Nonviolent Coordinating Committee (SNCC), brought Martin Luther King Jr. to Albany and led to the arrests of hundreds of demonstrators,\u201d shared Julie Bowland, Fine Arts Gallery director, Department of Art professor, and noted landscape painter. \u201cIt is celebrated for its use of the mass singing of freedom songs as a tool of civil rights protesters. Many of the paintings in this exhibition depict women and men behind bars, singing and clapping in protest. This group of paintings depicts Zerbe\u2019s strong inspiration drawn from the fight for civil rights both in Nazi Germany and in black communities in the Southern United States.\u201d<\/p>\n

The Karl Zerbe: Civil Right exhibition also includes selected paintings, collages, and drawings that he created between 1930 and 1966.<\/p>\n

\u201cThere is a broad transition of styles represented, from Picasso-like line drawings, 1940s style realism, cubism, abstract expressionism to a pop art sensibility of the 1960s,\u201d Bowland said.<\/p>\n

An opening reception, featuring a brief presentation by Linda Van Beck, the exhibition\u2019s organizer, will be held at 7:30 p.m. on Monday, Feb. 16. VSU faculty, staff, and students, and the general public, are invited to attend.<\/p>\n

\u201cThis exhibition is very important to our community, as it is a record of the activism of South Georgia and North Florida citizens who risked so much \u2014 literally their freedom \u2014 to make civil rights a reality in our region the early 1960s,\u201d Bowland added. \u201cOn an artistic note, the work in this show spans the art history of mid-20th<\/span><\/sup> century modernism, depicting figurative styles from abstraction in the 1930s to the pop art of the 1960s.\u201d<\/p>\n

All of the works are on loan from the LeMoyne Center for the Visual Arts in Tallahassee, Fla. VSU\u2019s Fine Arts Gallery is located on the first floor of the Fine Arts Building, at the intersection of Brookwood Drive and Oak Street. It is open from 8:30 a.m. to 5:30 p.m. Monday through Thursday and from 9 a.m. to 3 p.m. Fridays. Admission is free of charge. Contact Julie A. Bowland at (229) 333-5835 or jabowlan@valdosta.edu<\/span><\/span><\/a> to learn more or to schedule a guided tour of the exhibition.<\/p>\n

Visit https:\/\/www.facebook.com\/vstatenews?ref=hl<\/span><\/span><\/a> to view additional images. On the Web: http:\/\/www.valdosta.edu\/colleges\/arts\/art\/<\/span><\/span><\/a> http:\/\/www.valdosta.edu\/colleges\/arts\/<\/span><\/span><\/a><\/p>\n

Jessica Pope Communications Specialist<\/p>\n","protected":false},"excerpt":{"rendered":"

  VALDOSTA \u2014 Valdosta State University\u2019s Fine Arts Gallery will host Karl Zerbe: Civil Right Feb. 16 through March 6. Born in Germany in 1903, Zerbe was an expressionist figurative painter who quickly became recognized as a major new artist. His first exhibitions in Munich and Berlin attracted immediate attention, and his rise in popularity…<\/p>\n","protected":false},"author":184,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,20],"tags":[],"class_list":["post-445","post","type-post","status-publish","format-standard","hentry","category-art","category-vsu-art-gallery"],"acf":[],"_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/coa\/wp-json\/wp\/v2\/posts\/445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/coa\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/coa\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/coa\/wp-json\/wp\/v2\/users\/184"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/coa\/wp-json\/wp\/v2\/comments?post=445"}],"version-history":[{"count":2,"href":"https:\/\/blog.valdosta.edu\/coa\/wp-json\/wp\/v2\/posts\/445\/revisions"}],"predecessor-version":[{"id":448,"href":"https:\/\/blog.valdosta.edu\/coa\/wp-json\/wp\/v2\/posts\/445\/revisions\/448"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/coa\/wp-json\/wp\/v2\/media?parent=445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/coa\/wp-json\/wp\/v2\/categories?post=445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/coa\/wp-json\/wp\/v2\/tags?post=445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}