{"id":1055,"date":"2017-04-16T18:02:56","date_gmt":"2017-04-16T18:02:56","guid":{"rendered":"http:\/\/commarts.pleather.us\/2017\/04\/16\/james-gray-on-the-financial-realities-of-independent-filmmaking-i-am-struggling-financially\/"},"modified":"2017-04-16T18:02:56","modified_gmt":"2017-04-16T18:02:56","slug":"james-gray-on-the-financial-realities-of-independent-filmmaking-i-am-struggling-financially","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/m2\/2017\/04\/16\/james-gray-on-the-financial-realities-of-independent-filmmaking-i-am-struggling-financially\/","title":{"rendered":"James Gray on the Financial Realities of Independent Filmmaking: \u2018I Am Struggling Financially\u2019"},"content":{"rendered":"<p><span style=\"font-weight: 400\"><a href=\"http:\/\/www.indiewire.com\/t\/james-gray\/\" id=\"auto-tag_james-gray\">James Gray<\/a> is back in theaters with &#8220;<a href=\"http:\/\/www.indiewire.com\/t\/the-lost-city-of-z\/\" id=\"auto-tag_the-lost-city-of-z\">The Lost City of Z<\/a>,&#8221; a film at once markedly different from and right at home among the rest of his distinguished body of work. The &#8220;We Own the Night,&#8221; &#8220;Two Lovers&#8221; and &#8220;The Immigrant&#8221; director has spoken with <a href=\"http:\/\/www.vulture.com\/2017\/04\/lost-city-of-z-and-the-decline-of-middle-class-films.html\" target=\"_blank\" rel=\"nofollow\">Vulture<\/a> about the financial realities of independent filmmaking, offering a number of candid \u2014 and sobering \u2014 statements: &#8220;You know, people assume that because I\u2019m a director, I make tons of money. I am struggling financially,&#8221; he said.<\/span><\/p>\n<p><a href=\"http:\/\/www.indiewire.com\/2015\/10\/how-can-middle-class-filmmakers-make-a-living-56191\/\" target=\"_blank\"><span style=\"font-weight: 400\">READ MORE: How Can Middle-Class Filmmakers Make a Living?<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">&#8220;Now, I\u2019m very lucky I get to do what it is I want to do,&#8221; Gray continued. &#8220;I\u2019ve made, good or bad, very uncompromising movies, the movies exactly that I wanted to make, and that\u2019s a beautiful gift, so I\u2019m not complaining about that. But I struggle. I have a hard time paying my bills. I\u2019m 47 years old, I live in an apartment, I can\u2019t buy a house.&#8221;<\/span><\/p>\n<p><span style=\"font-weight: 400\">No one enters the world of independent film expecting to make vast sums, and yet it can be surprising to hear that a writer\/director who&#8217;s been making acclaimed movies for more than two decades would still struggle to find his footing.<\/span><\/p>\n<p><span style=\"font-weight: 400\">&#8220;If I were coming of age in 1973, I would be in Bel Air,&#8221; said Gray. &#8220;The whole reason for this is exactly what we were talking about, where the middle is gone. So now you have franchises, and you have, \u2018I made a movie on my iPhone.\u2019 This is the economic system in a nutshell, right? Five directors make Marvel, and then there\u2019s the rest of us who are trying to scrounge around to find the money to make films.&#8221;<\/span><\/p>\n<p><a href=\"http:\/\/www.indiewire.com\/2017\/04\/the-lost-city-of-z-director-james-gray-filmmaker-toolkit-podcast-episode-24-1201805594\/\" target=\"_blank\"><span style=\"font-weight: 400\">READ MORE: Why Brad Pitt Sent James Gray \u2018The Lost City of Z\u2019 And Pushed the Filmmaker In a New Direction \u2014 Podcast<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400\">From there, he says, &#8220;it becomes a self-fulfilling prophecy: If the audience only gets to see Marvel, then they only want Marvel, and then if they only want Marvel, only Marvel is made. I don\u2019t even have a problem with Marvel. The problem is not the specifics of each movie, the problem is it\u2019s the only movie you can see now in a multiplex, and when it\u2019s the only game in town, you\u2019re looking at the beginning of the death throes of an art form.&#8221; Read the full interview <a href=\"http:\/\/www.vulture.com\/2017\/04\/lost-city-of-z-and-the-decline-of-middle-class-films.html\" target=\"_blank\" rel=\"nofollow\">here<\/a>.<\/span><\/p>\n<p><a href=\"http:\/\/www.indiewire.com\/email\" target=\"_blank\"><i><span style=\"font-weight: 400\">Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.<\/span><\/i><\/a><\/p>\n<p>Source: IndieWire film<\/p>\n","protected":false},"excerpt":{"rendered":"<p>James Gray is back in theaters with &#8220;The Lost City of Z,&#8221; a film at once markedly different from and right&#8230;<\/p>\n","protected":false},"author":245,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[45],"class_list":["post-1055","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-careering"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paqOTj-h1","_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/1055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/users\/245"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/comments?post=1055"}],"version-history":[{"count":0,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/1055\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media?parent=1055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/categories?post=1055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/tags?post=1055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}