{"id":1338,"date":"2017-05-28T00:05:00","date_gmt":"2017-05-28T00:05:00","guid":{"rendered":"http:\/\/commarts.pleather.us\/2017\/05\/28\/loveless-andrey-zvyagintsev-reveals-how-the-anguish-of-russia-is-in-all-of-us\/"},"modified":"2017-05-28T00:05:00","modified_gmt":"2017-05-28T00:05:00","slug":"loveless-andrey-zvyagintsev-reveals-how-the-anguish-of-russia-is-in-all-of-us","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/m2\/2017\/05\/28\/loveless-andrey-zvyagintsev-reveals-how-the-anguish-of-russia-is-in-all-of-us\/","title":{"rendered":"&#8216;Loveless&#8217;: Andrey Zvyagintsev Reveals How the Anguish of Russia is in All of Us"},"content":{"rendered":"<p><a href=\"http:\/\/nofilmschool.com\/2017\/05\/loveless-andrey-zvyagintsev-interview-cannes-2017\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/nofilmschool.com\/sites\/default\/files\/styles\/article_medium\/public\/loveless_andrey_zvyagintsev_9.jpg?itok=jKaxRtbi\" width=\"400\" height=\"225\" alt=\"\" \/><\/a><\/p>\n<p>&#013;<br \/>\nRussian director Andrey Zvyagintsev&#8217;s &#8216;Loveless&#8217; is a bleak window into a vapid society devoid of empathy and meaning.&#013;<br \/>\n&#013;<br \/>\n&#013;<\/p>\n<p>&#013;<br \/>\nIn 2014, Andrey Zvyagintsev made the definitive contemporary Russian film. At once, the ambitious and harrowing <em>Leviathan<\/em> is a Biblical tragedy, a classic Russian novel (in the vein of Dostoevsky), and a searing indictment of Russia&#8217;s current political situation. In the film, a poor man from a remote fishing village engages in an uphill battle against eminent domain; in the end, he loses much more than his property to the state.&#013;\n<\/p>\n<p>&#013;<br \/>\n&#013;<\/p>\n<p>&#013;<br \/>\nNeedless to say, the Russian parliament, which had contributed state funds to the production of <em>Leviathan<\/em>, publicly denounced the film. That&#8217;s why, at the film&#8217;s press conference and in a private interview with No Film School, Zvyagintsev and producer Alexander Rodnyansky revealed that they ventured outside the system to fund their next film, <em>Loveless<\/em>, which just premiered at Cannes. &#013;\n<\/p>\n<p><a href=\"http:\/\/nofilmschool.com\/2017\/05\/loveless-andrey-zvyagintsev-interview-cannes-2017\">Read More<\/a><\/p>\n<p>Source: NoFilmSchool<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#013; Russian director Andrey Zvyagintsev&#8217;s &#8216;Loveless&#8217; is a bleak window into a vapid society devoid of empathy and meaning.&#013; &#013; &#013;&#8230;<\/p>\n","protected":false},"author":245,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[44],"class_list":["post-1338","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-camera"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paqOTj-lA","_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/1338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/users\/245"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/comments?post=1338"}],"version-history":[{"count":0,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/1338\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media?parent=1338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/categories?post=1338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/tags?post=1338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}