{"id":1941,"date":"2017-09-01T15:42:46","date_gmt":"2017-09-01T15:42:46","guid":{"rendered":"http:\/\/commarts.pleather.us\/2017\/09\/01\/the-daily-chord-weekly-recap-friday-september-1\/"},"modified":"2017-09-01T15:42:46","modified_gmt":"2017-09-01T15:42:46","slug":"the-daily-chord-weekly-recap-friday-september-1","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/m2\/2017\/09\/01\/the-daily-chord-weekly-recap-friday-september-1\/","title":{"rendered":"The Daily Chord Weekly Recap \u2013 Friday, September 1"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.sxsw.com\/wp-content\/uploads\/2016\/06\/Daily-Chord-website-key-art-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" class=\"alignnone size-medium wp-image-23875\" \/><\/p>\n<p>The <strong>Daily Chord<\/strong> provides a short digest of music news each weekday. This week, we read about Taylor Swift&#8217;s return, Harvey&#8217;s cultural impact, and an optimistic report on the music business by Goldman Sachs. As summer turns to fall, take a second to <a href=\"\/newsletters\/#dailychord\">subscribe<\/a> to the Daily Chord email blast. Your inbox will thank you.<\/p>\n<hr>\n<h2>Monday, August 28<\/h2>\n<ul>\n<li>\n<strong><a>Margaret Moser 1954-2017<\/a><\/strong><br \/>Obituary from Austin Chronicle\n<\/li>\n<li>\n<strong><a>Harvey&#8217;s impact on Houston&#8217;s music venues<\/a><\/strong><br \/>Post from Houston Press\n<\/li>\n<li>\n<strong><a>2017 MTV Video Music Award winners<\/a><\/strong><br \/> List from MTV\n<\/li>\n<li>\n<strong><a>The 19-year-old helping to stamp out homophobia at music festivals<\/a><\/strong><br \/>Post from BBC News\n<\/li>\n<li>\n<strong><a>Experimental rocker EMA talks VR, the dark web, and hiding behind screens<\/a><\/strong><br \/>Interview from Ars Technica\n<\/li>\n<li>\n<strong><a>Why Detroit is one of America&#8217;s greatest rock &#8216;n&#8217; roll cities<\/a><\/strong><br \/>Post from M Live\n<\/li>\n<\/ul>\n<hr>\n<h2>Tuesday, August 29<\/h2>\n<ul>\n<li>\n<strong><a>Hip-hop artists dominate USA&#8217;s top songwriters chart in first half of 2017<\/a><\/strong><br \/>Post from Music Business Worldwide\n<\/li>\n<li>\n<strong><a>From music to movies to TV, Latinos are widely underrepresented &#8211; and I&#8217;m done with it<\/a><\/strong><br \/>Guest column from Hollywood Reporter\n<\/li>\n<li>\n<strong><a>Feat the kitchen sink: How Zayn, David Guetta and Drake changed pop credits<\/a><\/strong><br \/>Story from The Guardian\n<\/li>\n<li>\n<strong><a>Sonos to announce new smart speaker on October 4<\/a><\/strong><br \/>Post from The Verge\n<\/li>\n<li>\n<strong><a>Billboard&#8217;s 2017 digital power players<\/a><\/strong><br \/>List from Billboard\n<\/li>\n<li>\n<strong><a>The New Pornographers albums from worst to best<\/a><\/strong><br \/>List from Stereogum\n<\/li>\n<\/ul>\n<hr>\n<h2>Wednesday, August 30<\/h2>\n<ul>\n<li>\n<strong><a>Music industry will hit $41 billion by 2030, according to new Goldman Sachs report<\/a><\/strong><br \/>Post from Billboard\n<\/li>\n<li>\n<strong><a>Ambassadors of London&#8217;s rebooted, revitalized jazz scene come to New York<\/a><\/strong><br \/>Review from NY Times\n<\/li>\n<li>\n<strong><a>Kurt Vile and Courtney Barnett: Inside indie-rock superduo&#8217;s new album<\/a><\/strong><br \/>Post from Rolling Stone\n<\/li>\n<li>\n<strong><a>The brilliant way one founder made a killing from the music industry<\/a><\/strong><br \/>Post from Inc\n<\/li>\n<li>\n<strong><a>The 25 most anticipated albums of fall 2017<\/a><\/strong><br \/>List from Consequence Of Sound\n<\/li>\n<li>\n<strong><a>Hinder sues former lead singer<\/a><\/strong><br \/>Item from Pollstar\n<\/li>\n<\/ul>\n<hr>\n<h2>Thursday, August 31<\/h2>\n<ul>\n<li>\n<strong><a>Do you play Taylor Swift or does she play you?<\/a><\/strong><br \/>Commentary from CNET\n<\/li>\n<li>\n<strong><a>Why is John Denver&#8217;s music in so many movies this year?<\/a><\/strong><br \/>Post from Vulture\n<\/li>\n<li>\n<strong><a>The Simpsons composer Alf Clausen fired<\/a><\/strong><br \/>Post from Variety\n<\/li>\n<li>\n<strong><a>Viewership down for MTV&#8217;s Video Music Awards<\/a><\/strong><br \/>Post from AP via Billboard\n<\/li>\n<li>\n<strong><a>Flavor Flav sues Chuck D over Public Enemy royalties<\/a><\/strong><br \/>Item from Stereogum\n<\/li>\n<li>\n<strong><a>Wanda Jackson unveils autobiography &#8216;Every Night Is Saturday Night&#8217;<\/a><\/strong><br \/>Item from Rolling Stone\n<\/li>\n<\/ul>\n<hr>\n<h2>Friday, September 1<\/h2>\n<ul>\n<li>\n<strong><a>Spotify: Don&#8217;t compare us to Napster<\/a><\/strong><br \/>Story from Billboard\n<\/li>\n<li>\n<strong><a>These are the most-streamed songs of summer 2017<\/a><\/strong><br \/>Post from NME\n<\/li>\n<li>\n<strong><a>Why you can&#8217;t put the music industry on a blockchain<\/a><\/strong><br \/>Guest post from Hypebot\n<\/li>\n<li>\n<strong><a>Two years later, is new music Fridays doing its job?<\/a><\/strong><br \/>Post from Forbes\n<\/li>\n<li>\n<strong><a>Solange and other musicians join Harvey relief efforts<\/a><\/strong><br \/>Item from NY Times\n<\/li>\n<li>\n<strong><a>A brief history of Neil Young&#8217;s greatest lost albums<\/a><\/strong><br \/>Column from Uproxx\n<\/li>\n<\/ul>\n<p>The post <a rel=\"nofollow\" href=\"https:\/\/www.sxsw.com\/music\/2017\/daily-chord-weekly-recap-friday-september-1\/\">The Daily Chord Weekly Recap \u2013 Friday, September 1<\/a> appeared first on <a rel=\"nofollow\" href=\"https:\/\/www.sxsw.com\">SXSW<\/a>.<\/p>\n<p>Source: SxSW Music<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Daily Chord provides a short digest of music news each weekday. This week, we read about Taylor Swift&#8217;s return, Harvey&#8217;s&#8230;<\/p>\n","protected":false},"author":245,"featured_media":1942,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[44],"class_list":["post-1941","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-camera"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/blog.valdosta.edu\/m2\/wp-content\/uploads\/sites\/107\/2017\/09\/Daily-Chord-website-key-art-640x360.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paqOTj-vj","_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/1941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/users\/245"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/comments?post=1941"}],"version-history":[{"count":0,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/1941\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media\/1942"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media?parent=1941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/categories?post=1941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/tags?post=1941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}