{"id":1967,"date":"2017-09-10T19:40:45","date_gmt":"2017-09-10T19:40:45","guid":{"rendered":"http:\/\/commarts.pleather.us\/2017\/09\/10\/it-why-a-creepy-clown-looks-like-a-savior-for-the-2017-box-office\/"},"modified":"2017-09-10T19:40:45","modified_gmt":"2017-09-10T19:40:45","slug":"it-why-a-creepy-clown-looks-like-a-savior-for-the-2017-box-office","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/m2\/2017\/09\/10\/it-why-a-creepy-clown-looks-like-a-savior-for-the-2017-box-office\/","title":{"rendered":"\u2018It\u2019: Why a Creepy Clown Looks Like a Savior for the 2017 Box Office"},"content":{"rendered":"<p>After the drought of summer <a href=\"http:\/\/www.indiewire.com\/t\/box-office\/\" id=\"auto-tag_box-office\">box office<\/a>, &#8220;<a href=\"http:\/\/www.indiewire.com\/t\/it\/\" id=\"auto-tag_it\">It<\/a>&#8221; is a monsoon. It doubled already-high advance predictions, but most of all, one well-received horror film gives hope that a bad year could recover.<\/p>\n<p>Records, even adjusted ones, get broken sometime. But to this degree is almost unheard of. Previously, the biggest September opening in adjusted grosses was &#8220;Rush Hour&#8221; in 1998 ($62 million). The $123 million estimate essentially doubled that number \u2014 and likely would have been about around $7 million-$8 million more, had Florida theaters not been closed.<\/p>\n<aside class=\"pmc-related-link read-more\">\n\t\t\t<strong class=\"pmc-related-type\">Read More:<\/strong><a target=\"_blank\" href=\"http:\/\/www.indiewire.com\/2017\/09\/it-review-stephen-king-1201871932\/\" title=\"\u2018It\u2019 Review: Stephen King\u2019s Killer Clown Faithfully Comes to Life, But Don\u2019t Expect Any Surprises\">\u2018It\u2019 Review: Stephen King\u2019s Killer Clown Faithfully Comes to Life, But Don\u2019t Expect Any Surprises<\/a><br \/>\n\t\t<\/aside>\n<p>This above-and-beyond performance happened on the traditionally comatose weekend after Labor Day. Last year, Warners took a similar risk in releasing Clint Eastwood&#8217;s &#8220;Sully,&#8221; a rare &#8220;A&#8221; title for the post-Labor Day weekend, and set a record (adjusted) at $35 million. This is 250 percent bigger.<\/p>\n<div id=\"attachment_1201871942\" style=\"width: 778px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1201871942 size-large\" src=\"http:\/\/www.indiewire.com\/wp-content\/uploads\/2017\/08\/it2.jpg?w=768\" alt=\"\" width=\"768\" height=\"312\" \/><\/p>\n<p class=\"wp-caption-text\">&#8220;It&#8221;<\/p>\n<\/div>\n<p>Its success might be isolated. The factors in its favor include the appeal of a creepy-clown story; a lack of recent movies that appeal to mainstream moviegoers (particularly younger and minority audiences, who represent a much larger share of the ticket buying population); and audiences who loved the film as much as critics.<\/p>\n<p>The result is a total gross nearly $60 million better than a year ago. The full week&#8217;s uptick could be close to $90 million. If we&#8217;re to make up for this weak summer, each week needs to best 2016 by a $30 million average. &#8220;It&#8221; will help reduce that shortfall significantly.<\/p>\n<div id=\"attachment_1201816320\" style=\"width: 596px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1201816320 size-large\" src=\"http:\/\/www.indiewire.com\/wp-content\/uploads\/2017\/05\/screen-shot-2017-05-12-at-2-57-51-pm.png?w=586\" alt=\"reese witherspoon milf home again\" width=\"586\" height=\"313\" \/><\/p>\n<p class=\"wp-caption-text\">&#8220;<a href=\"http:\/\/www.indiewire.com\/t\/home-again\/\" id=\"auto-tag_home-again\">Home Again<\/a>&#8221;<\/p>\n<\/div>\n<p class=\"image-credit\">Screenshot\/Open Road Films<\/p>\n<p>Still, it&#8217;s hard to overplay its performance. The total gross of everything else playing this weekend was only $40 million. Had this done $60 million as expected, the weekend would have been no better than last year. &#8220;Home Again&#8221; (Open Road), a romantic comedy with Reese Witherspoon that opened wide, managed only $9 million. No other film grossed even $5 million, with the bulk of them holdovers.<\/p>\n<aside class=\"pmc-related-link read-more\">\n\t\t\t<strong class=\"pmc-related-type\">Read More:<\/strong><a target=\"_blank\" href=\"http:\/\/www.indiewire.com\/2017\/09\/home-again-review-hallie-meyers-shyer-debut-1201872097\/\" title=\"\u2018Home Again\u2019 Review: Hallie Meyers-Shyer Debuts With a Rom-Com That Heavily Draws From Her Own Mother\u2019s Career\">\u2018Home Again\u2019 Review: Hallie Meyers-Shyer Debuts With a Rom-Com That Heavily Draws From Her Own Mother\u2019s Career<\/a><br \/>\n\t\t<\/aside>\n<p><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif\">This is the second-biggest opening ever for a film anticipated as a standalone enterprise. Among franchise starters (excluding Marvel and D.C. Universe films that were offshoots of established worlds), it is third best. &#8220;Beauty and the Beast&#8221; earlier this year was bigger, as was the first &#8220;Hunger Games&#8221; film. But that&#8217;s the company it is in.<\/span><\/p>\n<p><strong>The Top Ten<\/strong><\/p>\n<p><strong>1. It\u00a0<\/strong>(Warner Bros.) NEW &#8211; Cinemascore: B+; Metacritic: 71<\/p>\n<p>$117,150,000 in 4,103 theaters; PTA (per theater average): $28,552; Cumulative: $117,150,000<\/p>\n<p><strong>2. Home Again\u00a0<\/strong>(Open Road)\u00a0NEW &#8211; Cinemascore: B; Metacritic: 43<\/p>\n<p>$9,028,000 in 2,940 theaters; PTA: $; Cumulative: $9,028,000<\/p>\n<p><strong>3. Hitman&#8217;s Bodyguard\u00a0<\/strong>(Lionsgate) Week 4; Last weekend #1<\/p>\n<p>$4,850,000 (-54%) in 3,332 theaters (-48); PTA: $1,460; Cumulative: $64,897,000<\/p>\n<p><strong>4. Annabelle: Creation\u00a0<\/strong>(Warner Bros.)\u00a0Week 5; Last weekend #2<\/p>\n<p>$4,000,000 (-47%) in 3,033 \u00a0theaters (-355); PTA: $1,332; Cumulative: $96,267,000<\/p>\n<p><strong>5. Wind River\u00a0<\/strong>(Weinstein)\u00a0Week 6; Last weekend #3<\/p>\n<p>$3,210,000 (-48%) in 2,890 theaters (+288); PTA: $1,111; Cumulative: $25,002,000<\/p>\n<p><strong>6. Leap!\u00a0<\/strong>(Weinstein)\u00a0Week; Last weekend #4<\/p>\n<p>$2,500,000 (-48%) in 2,691 theaters (-14); PTA: $929; Cumulative: $15,875,000<\/p>\n<p><strong>7. Spider-Man: Homecoming\u00a0<\/strong>(Sony)\u00a0Week; Last weekend #7<\/p>\n<p>$2,015,000 (-45%) in 1,657 theaters (-379); PTA: $1,216; Cumulative: $327,703,000<\/p>\n<p><strong>8. Dunkirk\u00a0<\/strong>(Warner Bros.)\u00a0Week 8; Last weekend #6<\/p>\n<p>$1,950,000 (-55%) in 2,110 theaters (-642); PTA: $924; Cumulative: $183,210,000<\/p>\n<p><strong>9. Logan Lucky\u00a0<\/strong>(Bleecker Street)\u00a0Week; Last weekend #5<\/p>\n<p>$1,826,000 (59%) in 2,167 theaters (-808); PTA: $843; Cumulative: $25,229,000<\/p>\n<p><strong>10. The Emoji Movie\u00a0<\/strong>(Sony)\u00a0Week; Last weekend #9<\/p>\n<p>$1,060,000 (-57%) in 1,450 theaters (-658); PTA: $731; Cumulative: $82,517,000<\/p>\n<p>Source: IndieWire film<\/p>\n","protected":false},"excerpt":{"rendered":"<p>After the drought of summer box office, &#8220;It&#8221; is a monsoon. It doubled already-high advance predictions, but most of all, one&#8230;<\/p>\n","protected":false},"author":245,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[45],"class_list":["post-1967","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-careering"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paqOTj-vJ","_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/1967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/users\/245"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/comments?post=1967"}],"version-history":[{"count":0,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/1967\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media?parent=1967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/categories?post=1967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/tags?post=1967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}