{"id":2157,"date":"2017-10-06T20:00:00","date_gmt":"2017-10-06T20:00:00","guid":{"rendered":"http:\/\/commarts.pleather.us\/2017\/10\/06\/watch-why-you-should-study-twin-peaks-the-return-if-you-want-to-experiment-with-time\/"},"modified":"2017-10-06T20:00:00","modified_gmt":"2017-10-06T20:00:00","slug":"watch-why-you-should-study-twin-peaks-the-return-if-you-want-to-experiment-with-time","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/m2\/2017\/10\/06\/watch-why-you-should-study-twin-peaks-the-return-if-you-want-to-experiment-with-time\/","title":{"rendered":"Watch: Why You Should Study &#8216;Twin Peaks: The Return&#8217; if You Want to Experiment with Time"},"content":{"rendered":"<p><a href=\"http:\/\/nofilmschool.com\/2017\/10\/twin-peaks-the-return-david-lynch-experiments-with-time\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/nofilmschool.com\/sites\/default\/files\/styles\/article_medium\/public\/landscape-1495439119-twin-peaks-4.jpg?itok=qj-51Jkc\" width=\"400\" height=\"225\" alt=\"\" \/><\/a><\/p>\n<p>&#013;<br \/>\nNolan and Tarantino took a cue from Lynch. Would you?&#013;<br \/>\n&#013;<br \/>\n&#013;<\/p>\n<p>&#013;<br \/>\nMore than perhaps any other creative medium, film enables narrative time travel. Immediately, and without any preamble, a story can jump from its present back into its past or fast-forward into its future, and usually viewers simply accept it, often enjoying it. In fact, it would be difficult to think of any film that doesn&#8217;t expand or contract time in some way, with jumps from scene to scene or from one character&#8217;s perspective to another.&#013;\n<\/p>\n<p>&#013;<br \/>\n&#013;<br \/>\n&#013;<\/p>\n<p>&#013;<br \/>\nLynch continually adjusts and re-adjusts our sense of time, to disorienting but also enlightening effect. &#013;\n<\/p>\n<p>&#013;<br \/>\n&#013;<br \/>\n&#013;<\/p>\n<p>&#013;<br \/>\nSome directors have historically played with time frames in a self-conscious way, making sure we know time is being manipulated, and the effect of this sort of open switching and flip-flopping is usually the deepening and broadening of the film&#8217;s symbolism. Christopher Nolan did this to memorable effect in <em>Memento<\/em>. Quentin Tarantino changed American film by doing it in <em>Pulp Fiction. <\/em>&#013;\n<\/p>\n<p>&#013;<br \/>\n&#013;<\/p>\n<p>&#013;<br \/>\n&#013;\n<\/p>\n<p><a href=\"http:\/\/nofilmschool.com\/2017\/10\/twin-peaks-the-return-david-lynch-experiments-with-time\">Read More<\/a><\/p>\n<p>Source: NoFilmSchool<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#013; Nolan and Tarantino took a cue from Lynch. Would you?&#013; &#013; &#013; &#013; More than perhaps any other creative medium,&#8230;<\/p>\n","protected":false},"author":245,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[44],"class_list":["post-2157","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-camera"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paqOTj-yN","_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/2157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/users\/245"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/comments?post=2157"}],"version-history":[{"count":0,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/2157\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media?parent=2157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/categories?post=2157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/tags?post=2157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}