{"id":2232,"date":"2017-10-20T14:00:20","date_gmt":"2017-10-20T14:00:20","guid":{"rendered":"http:\/\/commarts.pleather.us\/2017\/10\/20\/the-daily-chord-weekly-recap-friday-october-20\/"},"modified":"2017-10-20T14:00:20","modified_gmt":"2017-10-20T14:00:20","slug":"the-daily-chord-weekly-recap-friday-october-20","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/m2\/2017\/10\/20\/the-daily-chord-weekly-recap-friday-october-20\/","title":{"rendered":"The Daily Chord Weekly Recap \u2013 Friday, October 20"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.sxsw.com\/wp-content\/uploads\/2016\/06\/Daily-Chord-website-key-art-640x360.jpg\" alt=\"\" width=\"640\" height=\"360\" class=\"alignnone size-medium wp-image-23875\" \/><\/p>\n<p>The #MeToo social movement reverberated throughout media this week, making an impact in the music world. We also bid farewell to Gord Downie and pondered a Roy Orbison hologram. These stories were noted here on The Daily Chord, a time-saving way to check the happenings of the day without getting lost in an internet rabbit hole. Do your inbox a favor and <a href=\"\/newsletters\/#dailychord\">sign up<\/a> for our email update.<\/p>\n<hr>\n<h2>Monday, October 16<\/h2>\n<ul>\n<li>\n<strong><a>The rapper NF tops the charts with &#8216;Perception&#8217;<\/a><\/strong><br \/>Post from NY Times\n<\/li>\n<li>\n<strong><a>No alternative: How brands bought out underground music<\/a><\/strong><br \/>Feature from The Guardian\n<\/li>\n<li>\n<strong><a>Women from the world of music and entertainment share experiences of sexual harrassment for #MeToo campaign<\/a><\/strong><br \/>Post from NME\n<\/li>\n<li>\n<strong><a>Why is there talk of banning funk music in Brazil?<\/a><\/strong><br \/>Opinion from Al Jazeera\n<\/li>\n<li>\n<strong><a>Fela Kuti statue unveiled in Lagos to honor the Nigerian music legend<\/a><\/strong><br \/>Post from Africa News\n<\/li>\n<li>\n<strong><a>Music never sleeps: Day 1 highlights from Revolt Music Conference<\/a><\/strong><br \/>Post from Billboard\n<\/li>\n<\/ul>\n<hr>\n<h2>Tuesday, October 17<\/h2>\n<ul>\n<li>\n<strong><a>Universal Music Group wants to find the next Spotify before it&#8217;s too late<\/a><\/strong><br \/>Post from Mashable\n<\/li>\n<li>\n<strong><a>Asian-Americans are disrupting an unwelcoming music industry<\/a><\/strong><br \/>Post from Buzzfeed\n<\/li>\n<li>\n<strong><a>Fear and the future of live music<\/a><\/strong><br \/>Post from Pacific Standard\n<\/li>\n<li>\n<strong><a>The gay architects of classic rock<\/a><\/strong><br \/>Story from NY Times\n<\/li>\n<li>\n<strong><a>VNUE Inc. acquires Set.fm<\/a><\/strong><br \/>Post from Pollstar\n<\/li>\n<li>\n<strong><a>Butthole Surfers detail first new album since 2001<\/a><\/strong><br \/>Interview from Rolling Stone\n<\/li>\n<\/ul>\n<hr>\n<h2>Wednesday, October 18<\/h2>\n<ul>\n<li>\n<strong><a>Tragically Hip&#8217;s Gord Downie dead at 53<\/a><\/strong><br \/>Obituary from CBC\n<\/li>\n<li>\n<strong><a>Former music executive: We must come forward and name our abusers<\/a><\/strong><br \/>Guest column from Variety\n<\/li>\n<li>\n<strong><a>A 100-car army of sound in Los Angeles<\/a><\/strong><br \/>Post from NY Times\n<\/li>\n<li>\n<strong><a>Record Store Day announces Black Friday 2017 release list<\/a><\/strong><br \/>Item from NME\n<\/li>\n<li>\n<strong><a>Live Nation, MGM Resorts sued in wake of Route 91 Harvest festival tragedy<\/a><\/strong><br \/>Post from Hypebot\n<\/li>\n<li>\n<strong><a>The folk music festival that started with a spider bite<\/a><\/strong><br \/>Post from NPR\n<\/li>\n<\/ul>\n<hr>\n<h2>Thursday, October 19<\/h2>\n<ul>\n<li>\n<strong><a>Jann Wenner and his biographer have a falling out<\/a><\/strong><br \/>Story from NY Times\n<\/li>\n<li>\n<strong><a>Daniel Antopolsky: The missing man of country<\/a><\/strong><br \/>Profile from BBC News\n<\/li>\n<li>\n<strong><a>How to download free music: A totally legal &#038; comprehensive guide<\/a><\/strong><br \/>Post from Billboard\n<\/li>\n<li>\n<strong><a>When feminism meets music: Great songs that sample radical speech<\/a><\/strong><br \/>List from Pitchfork\n<\/li>\n<li>\n<strong><a>The Hi-Fi Bar, formerly Brownies, closing at the end of October<\/a><\/strong><br \/>Post from Brooklyn Vegan\n<\/li>\n<li>\n<strong><a>College crowd-sourcing concerts on the up and up<\/a><\/strong><br \/>Post from Pollstar\n<\/li>\n<\/ul>\n<hr>\n<h2>Friday, October 20<\/h2>\n<ul>\n<li>\n<strong><a>At Yes Fest, a youth-powered music festival, teens run the show<\/a><\/strong><br \/>Story from WBUR\n<\/li>\n<li>\n<strong><a>In dreams: Roy Orbison hologram to embark on UK tour in 2018<\/a><\/strong><br \/>Post from The Guardian\n<\/li>\n<li>\n<strong><a>NMPA chief David Israelite on music licensing issues<\/a><\/strong><br \/>Post from Billboard\n<\/li>\n<li>\n<strong><a>Spotify launches Rise, a new emerging artist program<\/a><\/strong><br \/>Post from TechCrunch\n<\/li>\n<li>\n<strong><a>nothing,nowhere. blends hip-hop and emo to make tomorrow&#8217;s pop<\/a><\/strong><br \/>Profile from NY Times\n<\/li>\n<li>\n<strong><a>Star Creature Universal Vibrations transfigures boogie for the 21st century<\/a><\/strong><br \/>Story from Chicago Reader\n<\/li>\n<\/ul>\n<p>The post <a rel=\"nofollow\" href=\"https:\/\/www.sxsw.com\/music\/2017\/daily-chord-weekly-recap-friday-october-20\/\">The Daily Chord Weekly Recap \u2013 Friday, October 20<\/a> appeared first on <a rel=\"nofollow\" href=\"https:\/\/www.sxsw.com\">SXSW<\/a>.<\/p>\n<p>Source: SxSW Music<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The #MeToo social movement reverberated throughout media this week, making an impact in the music world. We also bid farewell to&#8230;<\/p>\n","protected":false},"author":245,"featured_media":2233,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[44],"class_list":["post-2232","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-camera"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/blog.valdosta.edu\/m2\/wp-content\/uploads\/sites\/107\/2017\/10\/Daily-Chord-website-key-art-640x360-2.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paqOTj-A0","_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/2232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/users\/245"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/comments?post=2232"}],"version-history":[{"count":0,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/2232\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media\/2233"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media?parent=2232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/categories?post=2232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/tags?post=2232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}