{"id":2867,"date":"2018-01-25T21:00:16","date_gmt":"2018-01-25T21:00:16","guid":{"rendered":"http:\/\/commarts.pleather.us\/2018\/01\/25\/25-years-of-sxsw-film-festival-aaron-katz-kris-swanberg-jim-cummings-and-jody-lee-lipes\/"},"modified":"2018-01-25T21:00:16","modified_gmt":"2018-01-25T21:00:16","slug":"25-years-of-sxsw-film-festival-aaron-katz-kris-swanberg-jim-cummings-and-jody-lee-lipes","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/m2\/2018\/01\/25\/25-years-of-sxsw-film-festival-aaron-katz-kris-swanberg-jim-cummings-and-jody-lee-lipes\/","title":{"rendered":"25 Years of SXSW Film Festival \u2013 Aaron Katz, Kris Swanberg, Jim Cummings, and Jody Lee Lipes"},"content":{"rendered":"<\/p>\n<p>To commemorate the 25th edition of the <a href=\"http:\/\/www.sxsw.com\/festivals\/film\/\">SXSW Film Festival<\/a>, we continue our weekly alumni spotlight on careers launched, artists discovered, powerful performances, and more with <strong>Aaron Katz<\/strong>, <strong>Kris Swanberg<\/strong>, <strong>Jim Cummings<\/strong>, and <strong>Jody Lee Lipes.<\/strong><\/p>\n<h3>Aaron Katz<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.sxsw.com\/wp-content\/uploads\/2018\/01\/700016779AP00007_Gemini_Pre-1-640x360.jpg\" alt=\"Gemini Premiere \" width=\"640\" height=\"360\" class=\"size-medium wp-image-33500\" \/><\/p>\n<p>Katz has world premiered four films at SXSW including his debut feature <em>Dance Party USA<\/em> in 2006, <em>Quiet City<\/em> in 2007, <em>Cold Weather<\/em> in 2012, and most recently the thriller <em>Gemini<\/em> in 2017, distributed by Neon and starring <strong>John Cho<\/strong>, <strong>Zoe Kravitz<\/strong>, <strong>Lola Kirke<\/strong>, and <strong>Ricki Lake<\/strong>. In 2014 he co-wrote and directed the adventure-comedy, <em>Land Ho<\/em> with SXSW alum <strong>Martha Stephens<\/strong>.<\/p>\n<p>&#8220;In 2005, after working on my first movie for almost two years, I had no idea what to do with it. I submitted it to SXSW, not knowing anything except that it was one of the few festivals I had heard of. Much to my surprise, I got a call one day and learned that my movie had been accepted into competition. That first chance to show my movie and meet other filmmakers gave me the confidence that a life and career in film was possible.&#8221;<\/p>\n<h3>Kris Swanberg<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.sxsw.com\/wp-content\/uploads\/2018\/01\/SELECT-2-7-640x360.jpg\" alt=\"Kris Swanberg \" width=\"640\" height=\"360\" class=\"size-medium wp-image-33501\" \/><\/p>\n<p>Swanberg\u2019s directorial debut <em>It Was Great, But I Was Ready to Come Home<\/em> premiered at SXSW in 2009 in the narrative feature competition. Her short <em>Baby Mary<\/em> premiered in the Narrative Shorts Program in 2014 and Swanberg\u2019s second feature, <em>Unexpected<\/em> screened in Festival Favorites in 2015 after its Sundance premiere. In addition to her work as a filmmaker, Swanberg has acted in many SXSW alumni films including <a href=\"https:\/\/www.sxsw.com\/film\/2017\/25-years-sxsw-film-tbt-joe-swanberg\/\"><strong>Joe Swanberg<\/strong>&#8216;s<\/a> <em>Kissing On the Mouth<\/em> (2005), <em>Hannah Takes the Stairs<\/em> (2007), and <em>Win It All<\/em> (2017). She also acted in <em>It Was Great, But I Was Ready to Come Home<\/em>.<\/p>\n<p>&#8220;SXSW changed my life by taking a chance on my early work and giving me constant encouragement as a growing filmmaker.&#8221;<\/p>\n<h3>Jim Cummings<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.sxsw.com\/wpcontent\/uploads\/2018\/01\/609431205NB055_SXSW_Film_Aw-2-640x360.jpg\" alt=\"Jim Cummings \" width=\"640\" height=\"360\" class=\"size-medium wp-image-33504\" \/><\/p>\n<p>Cummings has produced three world premieres at SXSW including <em>Euphonia<\/em> (2013), <em>Confusion Through Sand<\/em> (2014), and <em>The Grief of Others<\/em> (2015). Cummings received a Special Jury Recognition for Acting in <em>Thunder Road<\/em> at SXSW 2016, a film which he also directed, wrote, and edited. His next short, <em>The Robbery<\/em> screened at the festival in 2017. He is currently working on the feature adaptation of <em>Thunder Road<\/em>.<\/p>\n<p>&#8220;SXSW changed my life by showcasing the most culturally significant artwork on the planet, which gave me an understanding of what was possible by making movies on your own. I love SXSW because I get to fall in love with movies and meet the wonderful people who make them. SXSW was the first festival that treated me like a filmmaker. It is the reason I\u2019m still making movies.&#8221;<\/p>\n<h3>Jody Lee Lipes<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.sxsw.com\/wpcontent\/uploads\/2018\/01\/March_16_Alamo_AfterSchool_premiere3-640x360.jpg\" alt=\"Jody Lee Lipes\" width=\"640\" height=\"360\" class=\"size-medium wp-image-33505\" \/><\/p>\n<p>Lipes is a director and cinematographer. At SXSW 2009 he was here for his first film as director, <em>Brock Enright: Good Times Will Never Be the Same<\/em> and as a director of photography for <strong>Antonio Campus<\/strong>\u2019s <em>After School<\/em>. In 2010, he world premiered his next feature, <em>NY Export: Opus Jazz<\/em>, which earned the Audience Award for Emerging Visions. He\u2019s shot a number of other SXSW selections like <em>The Great Invisible<\/em> (2014), the jury award- winning <em>Tiny Furniture<\/em> (2010) and <em>Girls<\/em> (2012) to name a few. Recently, Lipes shot the Academy-Award winning drama <em>Manchester by the Sea<\/em> and the pilot for the new USA series <em>The Sinner<\/em>, in addition to directing an episode.<\/p>\n<p>&#8220;I love SXSW because they were the first festival that embraced me as a director, by selecting my first feature length documentary to be a part of their program almost ten years ago. That honor inspired me to continue making my own work. It&#8217;s always been the most fun festival in the world, going there is a joy rather than an obligation.&#8221;<\/p>\n<h3>Join Us For SXSW 2018<\/h3>\n<p>Grab your <a href=\"https:\/\/cart.sxsw.com\/products\/reg-film\">Film Badge<\/a> today for primary access to all SXSW Film events including world premieres, roundtables, workshops, and parties. <a href=\"http:\/\/www.sxsw.com\/attend\/\">Register to attend<\/a> by <strong>Friday, February 9<\/strong> and save. Book your hotel through <a href=\"https:\/\/www.sxsw.com\/hotels\/\">SXSW Housing &amp; Travel<\/a> for the best available rates.<\/p>\n<p>Stay tuned for the 2018 SXSW Film Festival lineup which will be announced in January.<\/p>\n<p>Follow us on <a href=\"https:\/\/www.facebook.com\/sxswfestival\">Facebook<\/a>, <a href=\"https:\/\/twitter.com\/sxsw\">Twitter<\/a>, <a href=\"https:\/\/www.instagram.com\/sxsw\/\">Instagram<\/a>, and <a href=\"\/news\">SXSW News<\/a> for the latest SXSW coverage, announcements, and updates.<\/p>\n<p><small><em>World Premiere of Gemini &#8211; Photo by Amy E. Price\/Getty Images for SXSW<\/small><\/em> <br \/>\n<small>Kris Swanberg &#8211; Photo by Chris Saucedo<\/small><\/em> <br \/>\n<small><em>Jim Cummings &#8211; Photo by Neilson Barnard\/Getty Images for SXSW<\/small><\/em> <br \/>\n<small><em>Jody Lee Lipes &#8211; Photo by Nita Rios<\/small><\/em> <\/p>\n<p>The post <a rel=\"nofollow\" href=\"https:\/\/www.sxsw.com\/film\/2018\/25-years-sxsw-film-festival-aaron-katz-kris-swanberg-jim-cummings-jody-lee-lipes\/\">25 Years of SXSW Film Festival &#8211; Aaron Katz, Kris Swanberg, Jim Cummings, and Jody Lee Lipes<\/a> appeared first on <a rel=\"nofollow\" href=\"https:\/\/www.sxsw.com\">SXSW<\/a>.<\/p>\n<p>Source: SxSW Film<\/p>\n","protected":false},"excerpt":{"rendered":"<p>To commemorate the 25th edition of the SXSW Film Festival, we continue our weekly alumni spotlight on careers launched, artists discovered,&#8230;<\/p>\n","protected":false},"author":245,"featured_media":2868,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[45],"class_list":["post-2867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-careering"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/blog.valdosta.edu\/m2\/wp-content\/uploads\/sites\/107\/2018\/01\/700016779AP00007_Gemini_Pre-1-640x360.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paqOTj-Kf","_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/2867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/users\/245"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/comments?post=2867"}],"version-history":[{"count":0,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/2867\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media\/2868"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media?parent=2867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/categories?post=2867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/tags?post=2867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}