{"id":3476,"date":"2018-05-21T18:00:35","date_gmt":"2018-05-21T18:00:35","guid":{"rendered":"http:\/\/commarts.pleather.us\/2018\/05\/21\/sxsw-2018-featured-session-the-bleeding-edge-a-new-generation-of-horror-video\/"},"modified":"2018-05-21T18:00:35","modified_gmt":"2018-05-21T18:00:35","slug":"sxsw-2018-featured-session-the-bleeding-edge-a-new-generation-of-horror-video","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/m2\/2018\/05\/21\/sxsw-2018-featured-session-the-bleeding-edge-a-new-generation-of-horror-video\/","title":{"rendered":"SXSW 2018 Featured Session The Bleeding Edge: A New Generation of Horror [Video]"},"content":{"rendered":"<p>In 2018 SXSW Featured Session <strong><em><a href=\"https:\/\/schedule.sxsw.com\/2018\/events\/PP100072\">The Bleeding Edge: A New Generation of Horror<\/a><\/em><\/strong>, four unique storytellers came together to discuss all things horror, including the the ever-changing genre, creative visions, and the numerous platforms on which to view the content.<\/p>\n<blockquote>\n<p>&#8220;There is no formula for making a good horror film \u2014 to me, you just need to make a good film and if you do that, it will stand the test of time.&#8221; &#8211; Leigh Whannell<\/p>\n<\/blockquote>\n<p>Unlike most SXSW sessions, <em>The Bleeding Edge<\/em> did not have a moderator, so filmmakers <strong>Jason Blum<\/strong>, <strong>Vera Miao<\/strong>, <strong>Steven Susco<\/strong>, and <strong>Leigh Whannell<\/strong> had a very intimate and candid conversation amongst themselves and audience members. Many of these panelists were attached to films that world premiered at the 2018 <a href=\"https:\/\/www.sxsw.com\/festivals\/film\">SXSW Film Festival<\/a>. Blum produced <a href=\"https:\/\/schedule.sxsw.com\/2018\/films\/124977?_ga=2.239827203.1051111933.1526421546-882021670.1487704781\"><em>Unfriended: Dark Web<\/em><\/a> (screened at SXSW as <em>Untitled Blumhouse-Bazelevs<\/em>) and <a href=\"https:\/\/schedule.sxsw.com\/2018\/films\/124969?_ga=2.204192272.1051111933.1526421546-882021670.1487704781\"><em>Upgrade<\/em><\/a>. Susco wrote and directed <em>Unfriended<\/em> and Whannell wrote and directed <em>Upgrade<\/em>, which earned the <a href=\"https:\/\/www.sxsw.com\/film\/2018\/2018-sxsw-film-festival-announces-audience-awards-winners\/\">Audience Award<\/a> in the Midnighters category. Additionally, Blum has produced a number of films that have premiered and screened at the film festival in past years, including <em>Insidious<\/em> (2011, Whannell as a screenwriter), <em>Creep<\/em> (2014), and <em>Hush<\/em> (2016) to name a few.<\/p>\n<p>The subject of identity was a major point of interest at the beginning of the session: &#8220;A lot of my identity is in the work that we do as a company, because I like the work that reflects my politics for instance, or my feelings about the world, or my feelings about race, sexism and all of those things I feel are reflected in the movies and TV shows that we chose to do,&#8221; said Blum.<\/p>\n<p>Although the focus of the session was on horror, towards the end the filmmakers began to talk about making movies across all genres and their personal experiences with the craft. &#8220;I try to make it as personal as possible,&#8221; said Miao. &#8220;That doesn&#8217;t mean my movies are autobiographical, but I think it goes to this notion of innovation, which I might flip and say it&#8217;s about vision and vision comes from having a voice. And as a filmmaker, it&#8217;s a craft, you have to practice it, you have to find your voice. You have to hone it.&#8221;<\/p>\n<p>Watch the video above for the full <strong>The Bleeding Edge: A New Generation of Horror<\/strong> Featured Session. Browse more 2018 Keynotes, Featured Sessions, Red Carpets, and Q&amp;A\u2019s on our <a href=\"\/video\">YouTube Channel<\/a>.<\/p>\n<p>Follow us on <a href=\"https:\/\/www.facebook.com\/sxswfestival\">Facebook<\/a>, <a href=\"https:\/\/twitter.com\/sxsw\">Twitter<\/a>, <a href=\"https:\/\/www.instagram.com\/sxsw\/\">Instagram<\/a>, and <a href=\"\/news\">SXSW News<\/a> for the latest SXSW coverage and 2019 updates.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=RWEcIGzBX6o&#038;t=\" class=\"button\" target=\"_blank\">Watch Now<\/a><\/p>\n<p><small><em>The Bleeding Edge: A New Generation of Horror &#8211; Photo by Kaylin Balderrama<\/small><\/em><\/p>\n<p>The post <a rel=\"nofollow\" href=\"https:\/\/www.sxsw.com\/film\/2018\/sxsw-2018-featured-session-the-bleeding-edge-a-new-generation-of-horror-video\/\">SXSW 2018 Featured Session The Bleeding Edge: A New Generation of Horror [Video]<\/a> appeared first on <a rel=\"nofollow\" href=\"https:\/\/www.sxsw.com\">SXSW<\/a>.<\/p>\n<p>Source: SxSW Film<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2018 SXSW Featured Session The Bleeding Edge: A New Generation of Horror, four unique storytellers came together to discuss all&#8230;<\/p>\n","protected":false},"author":245,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[45],"class_list":["post-3476","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-careering"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paqOTj-U4","_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/3476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/users\/245"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/comments?post=3476"}],"version-history":[{"count":0,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/3476\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media?parent=3476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/categories?post=3476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/tags?post=3476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}