{"id":3926,"date":"2018-09-02T17:55:55","date_gmt":"2018-09-02T17:55:55","guid":{"rendered":"http:\/\/commarts.pleather.us\/2018\/09\/02\/trial-by-fire-review-laura-dern-and-jack-oconnell-shine-in-a-damning-condemnation-of-the-death-penalty-telluride\/"},"modified":"2018-09-02T17:55:55","modified_gmt":"2018-09-02T17:55:55","slug":"trial-by-fire-review-laura-dern-and-jack-oconnell-shine-in-a-damning-condemnation-of-the-death-penalty-telluride","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/m2\/2018\/09\/02\/trial-by-fire-review-laura-dern-and-jack-oconnell-shine-in-a-damning-condemnation-of-the-death-penalty-telluride\/","title":{"rendered":"\u2018Trial by Fire\u2019 Review: Laura Dern and Jack O\u2019Connell Shine in a Damning Condemnation of the Death Penalty \u2014 Telluride"},"content":{"rendered":"<p>\u201cFire doesn\u2019t destroy evidence,\u201d one of the arson experts testifies in court. \u201cFire <i>creates <\/i>evidence.\u201d That it does. But what if the evidence it creates is misinterpreted by the people who are entrusted to understand it? What if the experts are clouded by confirmation biases, hampered by outdated investigative methods, and complicit in a judicial system that disproportionally targets the poor? And what if \u2014 as a direct result of those other <i>what ifs<\/i> \u2014 an innocent man was executed for murdering his own children? In Texas, which executes more than five times as many people as any other state, those aren\u2019t exactly hypothetical questions.<\/p>\n<p>A clumsy prison drama that\u2019s baked into a compelling argument against the death penalty, Ed Zwick\u2019s \u201c<a href=\"https:\/\/www.indiewire.com\/t\/trial-by-fire\/\" id=\"auto-tag_trial-by-fire\">Trial by Fire<\/a>\u201d dramatizes the tragic story of Cameron Todd Willingham, who was wrongly convicted of burning his house down with his three young daughters inside on December 23, 1991. It was just two days before Christmas, a quirk of the schedule that made the accusations seem all the more sinister \u2014 a throwaway detail made it that much easier for the prosecution to paint Willingham as an evil soul whose pentagram tattoo indicated an allegiance to the devil.<\/p>\n<aside class=\"pmc-related-link read-more\">\n\t\t\t<strong class=\"pmc-related-type\">Read More:<\/strong><a target=\"_blank\" href=\"https:\/\/www.indiewire.com\/2018\/09\/limited-releases-box-office-with-the-little-stranger-searching-john-cho-1201999762\/\" title=\"As Telluride Roars, Limited Releases Whimper: With \u2018The Little Stranger\u2019 Weak, Only \u2018Searching\u2019 Clicks\">As Telluride Roars, Limited Releases Whimper: With \u2018The Little Stranger\u2019 Weak, Only \u2018Searching\u2019 Clicks<\/a><br \/>\n\t\t<\/aside>\n<p>Not that it is, was, or ever has been hard to convict a man like that. From his face to his police file, the twenty-something Willingham looked like a composite sketch of every white guy on Death Row. He had a mullet, but not a job (or, it would seem, a high school diploma). He had as many DUIs as he did children. He hit his wife, and she hit him back. Looking at Willingham from the jury box, you\u2019d sooner expect to see the guy on an episode of \u201cCops\u201d than at the center of a movie by the director of \u201cGlory.\u201d<\/p>\n<p>English actor Jack O\u2019Connell (\u201cStarred Up,\u201d \u201cUnbroken\u201d), so good at mining humanity from horror shows of masculinity, does everything in his power to ensure that we make all the worst assumptions about his character. From the start of this dark story (when Willingham calmly watches from a safe distance while his babies are burned alive), to the bitter end (when he still maintains his innocence, and screams that his ex-wife is a bitch), O\u2019Connell never cheats our sympathies. The rest of the film doesn\u2019t either. Geoffrey S. Fletcher\u2019s functional script allows Willingham to mature during his 12 years on Death Row, and to repent for the way that he treated the women in his life, but it narrowly avoids the fatal mistake of making us feel like Willingham should be exonerated because he\u2019s <i>nice<\/i>, and not because he\u2019s <i>innocent<\/i>.<\/p>\n<p>Adapted with great passion (but less than zero panache) from David Grann\u2019s extraordinary 2009 \u201cNew Yorker\u201d article of the same name, \u201cTrial by Fire\u201d works in spite of its stylelessness. Zwick has always been a happily middlebrow director who prefers to step out of the way and let the sweep of his stories do the heavy lifting, but this is the first of his films that feels like an assemblage of non-choices. There\u2019s value in recognizing that Willingham&#8217;s story isn\u2019t so different from hundreds of others that have been told by our criminal justice system, but it almost feels as though Zwick uses that as an excuse to make things as generic as possible.<\/p>\n<aside class=\"pmc-related-link read-more\">\n\t\t\t<strong class=\"pmc-related-type\">Read More:<\/strong><a target=\"_blank\" href=\"https:\/\/www.indiewire.com\/2018\/09\/first-man-flag-american-movie-free-solo-telluride-1201999861\/\" title=\"\u2018First Man\u2019 Is the Most American Movie of the Year, and the Backlash Proves that Donald Trump Is Killing the Movies \u2014 Telluride Critics Notebook\">\u2018First Man\u2019 Is the Most American Movie of the Year, and the Backlash Proves that Donald Trump Is Killing the Movies \u2014 Telluride Critics Notebook<\/a><br \/>\n\t\t<\/aside>\n<p>The early scenes that introduce us to Willingham and his wife (played to flaky, salt-of-the-earth perfection by \u201cThe Deuce\u201d star Emily Meade) are bland and scattershot, as indifferent to the emotional aftermath of the fire as the state of Texas is toward the man they decide to blame for starting it. Zwick might want to keep us focused on the facts, but he often accomplishes that by depriving us of any deeper insight. Without a clear aesthetic to illustrate the absurdity of Willingham\u2019s arrest, or to convey the horrifying powerlessness of his imprisonment, the first half of \u201cTrial by Fire\u201d just sort of <i>happens<\/i>. It\u2019s a veritable parade of prison-movie tropes (the helpful black cellmates the abusive white guard, the solitary confinement dream sequences), but Zwick\u2019s refusal to go full \u201cShawshank\u201d results in a \u201cterrible soup \/ such small portions\u201d situation \u2014 the film can\u2019t even commit to its clich\u00e9s.<\/p>\n<p>But then, after the movie skips forward seven years around its halfway point, we and Willingham are graced by a ray of light: <a href=\"https:\/\/www.indiewire.com\/t\/laura-dern\/\" id=\"auto-tag_laura-dern\">Laura Dern<\/a>. Elizabeth Gilbert is a bored, middle-aged writer and mother of two who\u2019s so compassionate that her dying ex-husband often refers to her as a saint. Or maybe it\u2019s just that she likes to fix the things she can, because it spares her from having to dwell on the things that she can\u2019t (Dern\u2019s pained half-smile does a wonderful job of obscuring the difference). One day, after helping a stranded motorist like the good samaritan that she is, Gilbert is told of a letter-writing program for death row inmates. Struck by the sincerity of Willingham\u2019s writing, Gilbert is soon visiting her pen pal in prison on a regular basis.<\/p>\n<p>\u201cTrial by Fire\u201d is completely reignited by the scenes between Dern and O\u2019Connell, who form a compelling bond through a thick sheet of plexiglass. More than just an acting masterclass, the probing, delicate conversations between their characters build towards a harrowing tap dance between hope and surrender. It\u2019s tempting to think that the film should have just started here, with Dern and O\u2019Connell locked in a lopsided war against a broken state; we could have filled in the rest by simply reading their faces.<\/p>\n<p>It takes so little for Gilbert to recognize a miscarriage of justice, and even less to find irrefutable evidence that Willingham was put on the chopping block for the sake of good politics (someone observes that executions double during election years). Rising from the ashes of a tired prison story, \u201cTrial by Fire\u201d erupts into a harrowing condemnation of the criminal justice system as Willingham\u2019s execution races closer, and the evidence of his innocence grows more irrefutable. The twists folded into the film\u2019s last act are stranger than fiction and profoundly unfair, but also all too easy to believe in a true story that always defaults to injustice. What Zwick lacks in artistry, he makes up for in anger, and \u201cTrial by Fire\u201d burns with a righteous fury that spreads right off the screen. It may not be a great film \u2014 at certain times, it may not even be a good one \u2014 but it makes a more convincing argument about Cameron Todd Willingham than the state of Texas ever did.<\/p>\n<h3>Grade: C+<\/h3>\n<p><em>&#8220;Trial by Fire&#8221; premiered at the 2018 <a href=\"https:\/\/www.indiewire.com\/t\/telluride-film-festival\/\" id=\"auto-tag_telluride-film-festival\">Telluride Film Festival<\/a>. It is currently seeking U.S. distribution.<\/em><\/p>\n<p>Source: IndieWire film<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cFire doesn\u2019t destroy evidence,\u201d one of the arson experts testifies in court. \u201cFire creates evidence.\u201d That it does. But what if&#8230;<\/p>\n","protected":false},"author":245,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[45],"class_list":["post-3926","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-careering"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paqOTj-11k","_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/3926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/users\/245"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/comments?post=3926"}],"version-history":[{"count":0,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/3926\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media?parent=3926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/categories?post=3926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/tags?post=3926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}