{"id":3944,"date":"2018-08-31T14:43:48","date_gmt":"2018-08-31T14:43:48","guid":{"rendered":"http:\/\/commarts.pleather.us\/2018\/08\/31\/if-you-have-a-vision-try-to-keep-it-mastering-1970s-crime-cinema-in-let-the-corpses-tan\/"},"modified":"2018-08-31T14:43:48","modified_gmt":"2018-08-31T14:43:48","slug":"if-you-have-a-vision-try-to-keep-it-mastering-1970s-crime-cinema-in-let-the-corpses-tan","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/m2\/2018\/08\/31\/if-you-have-a-vision-try-to-keep-it-mastering-1970s-crime-cinema-in-let-the-corpses-tan\/","title":{"rendered":"&#8216;If You Have a Vision, Try to Keep It \u2019: Mastering 1970s Crime Cinema in \u2018Let the Corpses Tan\u2019"},"content":{"rendered":"<p><a href=\"https:\/\/nofilmschool.com\/2018\/08\/let-corpses-tan-interview-helene-cattat-bruno-forzani\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/nofilmschool.com\/sites\/default\/files\/styles\/article_medium\/public\/let-the-corpses-tan_still_drive.jpg?itok=6EZAt4w-\" width=\"400\" height=\"225\" alt=\"\" \/><\/a><\/p>\n<p>&#013;<br \/>\n\u201cWe want to be sensational.\u201d&#013;<br \/>\n&#013;<br \/>\n&#013;<\/p>\n<p>&#013;<br \/>\nFilmmakers H\u00e9l\u00e8ne Cattet and Bruno Forzani have a growing reputation as the biggest and boldest purveyors of pastiche. Their latest film, <em>Let the Corpses Tan<\/em>, does not disappoint. This time exploring the erotic violence of the Spaghetti Western and psychedelic experiments of the 1960s and 1970s, the filmmakers are nothing short of visual masterminds.&#013;\n<\/p>\n<p>&#013;<br \/>\n&#013;<\/p>\n<p>&#013;<br \/>\nAdapted from a 1971 novel by Jean Patrick Manchette, the film follows a cadre of criminals who hole up in a crumbling Mediterranean village with a has-been writer and his exquisitely destructive muse, Luce. In this cascade of genre fetishism, no shot is wasted.&#013;\n<\/p>\n<p>&#013;<br \/>\n&#013;<\/p>\n<p>&#013;<br \/>\nCattet and Forzani sat down with No Film School on the eve of the film\u2019s theatrical release to talk about storyboarding in the script, creating meaningful mise-en-sc\u00e8ne, and never surrendering your vision.&#013;\n<\/p>\n<p>&#013;<br \/>\n&#013;<\/p>\n<p>&#013;<br \/>\n&#013;\n<\/p>\n<p>&#013;<br \/>\n&#013;<\/p>\n<p>&#013;<br \/>\n<strong>No Film School: How did you adapt the novel into the script, knowing that the imagery would be <em>absolutely everything<\/em> in this film?<\/strong>&#013;\n<\/p>\n<p><a href=\"https:\/\/nofilmschool.com\/2018\/08\/let-corpses-tan-interview-helene-cattat-bruno-forzani\">Read More<\/a><\/p>\n<p>Source: NoFilmSchool<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#013; \u201cWe want to be sensational.\u201d&#013; &#013; &#013; &#013; Filmmakers H\u00e9l\u00e8ne Cattet and Bruno Forzani have a growing reputation as the&#8230;<\/p>\n","protected":false},"author":245,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[44],"class_list":["post-3944","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-camera"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paqOTj-11C","_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/3944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/users\/245"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/comments?post=3944"}],"version-history":[{"count":0,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/3944\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media?parent=3944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/categories?post=3944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/tags?post=3944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}