{"id":4006,"date":"2018-09-14T15:49:44","date_gmt":"2018-09-14T15:49:44","guid":{"rendered":"http:\/\/commarts.pleather.us\/2018\/09\/14\/how-to-visualize-the-earths-natural-elements-edoardo-de-angelis-on-the-vice-of-hope\/"},"modified":"2018-09-14T15:49:44","modified_gmt":"2018-09-14T15:49:44","slug":"how-to-visualize-the-earths-natural-elements-edoardo-de-angelis-on-the-vice-of-hope","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/m2\/2018\/09\/14\/how-to-visualize-the-earths-natural-elements-edoardo-de-angelis-on-the-vice-of-hope\/","title":{"rendered":"How to Visualize the Earth&#8217;s Natural Elements: Edoardo de Angelis on &#8216;The Vice of Hope&#8217;"},"content":{"rendered":"<p><a href=\"https:\/\/nofilmschool.com\/2018\/09\/how-vice-hope-edoardo-d-angelis\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/nofilmschool.com\/sites\/default\/files\/styles\/article_medium\/public\/the_vice_of_hope_prod_still_2.jpg?itok=1W766W23\" width=\"400\" height=\"225\" alt=\"\" \/><\/a><\/p>\n<p>&#013;<br \/>\n\u201cIn one shot, we calculated that we moved, actors and the camera, 1.5 kilometers from the beginning to the end of the shot.\u201d&#013;<br \/>\n&#013;<br \/>\n&#013;<\/p>\n<p>&#013;<br \/>\nAn acclaimed new voice in Italian cinema, Edoardo De Angelis (<em>Indivisible<\/em>) started out with the idea to tell a story about a lawless world next to the river Volturno in Italy. He&#8217;s now made a film where the camera flows ceaselessly around the characters, just like that river. <em>The Vice of Hope<\/em> follows the protagonist Maria as she trafficks surrogate mothers, women down and out on their luck, and often immigrants, along the Volturno river.&#013;\n<\/p>\n<p>&#013;<br \/>\n&#013;<\/p>\n<p>&#013;<br \/>\n\u201cThis area to me is the emblem of Italy today\u2026it\u2019s a land that&#8217;s mixed, like our blood,&#8221; described de Angelis in the Q&amp;A following the TIFF premiere, &#8220;Those want to prevent others from having the desire to arrive here have to accept it, because you can\u2019t stop other people\u2019s desire to move.&#8221; In addition to the setting of the film being used as a symbol of the modern face of Italy in a shifting world, the film revolves around the symbolism of birth, and to play the protagonist, he cast the mother of his own child: the talented Italian actress Pina Turco.&#013;\n<\/p>\n<p><a href=\"https:\/\/nofilmschool.com\/2018\/09\/how-vice-hope-edoardo-d-angelis\">Read More<\/a><\/p>\n<p>Source: NoFilmSchool<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#013; \u201cIn one shot, we calculated that we moved, actors and the camera, 1.5 kilometers from the beginning to the end&#8230;<\/p>\n","protected":false},"author":245,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[44],"class_list":["post-4006","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-camera"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paqOTj-12C","_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/4006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/users\/245"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/comments?post=4006"}],"version-history":[{"count":0,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/4006\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media?parent=4006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/categories?post=4006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/tags?post=4006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}