{"id":884,"date":"2017-03-20T18:38:32","date_gmt":"2017-03-20T18:38:32","guid":{"rendered":"http:\/\/commarts.pleather.us\/2017\/03\/20\/sxsw-2017-the-best-films-and-performances-critics-survey\/"},"modified":"2017-03-20T18:38:32","modified_gmt":"2017-03-20T18:38:32","slug":"sxsw-2017-the-best-films-and-performances-critics-survey","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/m2\/2017\/03\/20\/sxsw-2017-the-best-films-and-performances-critics-survey\/","title":{"rendered":"SXSW 2017: The Best Films and Performances \u2014 Critics Survey"},"content":{"rendered":"<p>Like most successful American film festivals, SXSW has long appealed to a number of different audiences. The festival&#8217;s\u00a0competition sections highlight work from established industry vets and up-and-comers. It&#8217;s also become a place for high-profile premieres of some anticipated spring favorites.<\/p>\n<p>That\u00a0holistic\u00a0approach is sometimes reflected in the response from critics covering the festival. This year,\u00a010\u00a0of them\u00a0shared their favorite films from <a href=\"http:\/\/www.indiewire.com\/t\/sxsw-2017\/\" id=\"auto-tag_sxsw-2017\">SXSW 2017<\/a>, the\u00a0results were quite diverse.<\/p>\n<p>Edgar Wright&#8217;s &#8220;Baby Driver,&#8221; the big studio premiere\u00a0in this year&#8217;s slate, received the most support among the new titles, although Sundance hit\u00a0&#8220;The Big Sick&#8221; was a tough more popular. Joining them in the top three was\u00a0&#8220;Free Fire,&#8221; Ben Wheatley&#8217;s minimalist action movie that premiered in Toronto last fall.<\/p>\n<p>We also asked critics to single out a few of their favorite performances. Those categories yielded a similar spread of diverse picks, but a few did rise above the fold. Noel Wells and James Franco (appearing in their own films &#8220;Mr. Roosevelt&#8221; and &#8220;The Disaster Artist,&#8221; respectively), Lola Kirke (&#8220;Gemini&#8221;), Harry Dean Stanton (&#8220;Lucky&#8221;) and Kumail Nanjiani (&#8220;The Big Sick&#8221;) all appeared on multiple ballots.<\/p>\n<p>Here are the top 10 narrative features\u00a0from SXSW 2017 according to 10 critics:<\/p>\n<p>1. &#8220;The Big Sick&#8221;<br \/>\n2. &#8220;Baby Driver&#8221;<br \/>\n3. &#8220;Free Fire&#8221;<br \/>\n4. &#8220;Colossal&#8221;<br \/>\n5. &#8220;Atomic Blonde&#8221;<br \/>\n6. Lucky<br \/>\n7. Gemini<br \/>\n8. Win It All<br \/>\n9. Mr. Roosevelt<br \/>\n10. Prevenge<\/p>\n<p>Here are the top 10 documentary features from SXSW 2017 from the same group:<\/p>\n<p>1. The Work<br \/>\n2. Nobody Speak: Trials of the Free Press<br \/>\n3. Muppet Guys Talking<br \/>\n4. Becoming Bond<br \/>\n5. Rat Film<br \/>\n6. Disgraced<br \/>\n7. Mommy Dead and Dearest<br \/>\n8. Ramblin\u2019 Freak<br \/>\n9. Unrest<\/p>\n<p>The full list of respondents, their picks and some additional thoughts about this year&#8217;s festival are below.<\/p>\n<div id=\"attachment_1201791902\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1201791902\" src=\"http:\/\/www.indiewire.com\/wp-content\/uploads\/2017\/03\/win-it-all.jpg?w=780\" alt=\"\" width=\"780\" height=\"557\" \/><\/p>\n<p class=\"wp-caption-text\">&#8220;Win It All&#8221;<\/p>\n<\/div>\n<p><strong>Jason Bailey<\/strong><br \/>\n<strong> Flavorwire<\/strong><\/p>\n<p>Best Narrative Feature<br \/>\n1. Win It All<br \/>\n2. Atomic Blonde<br \/>\n3. Gemini<br \/>\n4. Most Beautiful Island<br \/>\n5. Colossal<\/p>\n<p>Best Documentary<br \/>\n1. Disgraced<br \/>\n2. Mommy Dead and Dearest<br \/>\n3. David Lynch: The Art Life<br \/>\n4. California Dreams<br \/>\n5. Behind the Curtain: Todrick Hall<\/p>\n<p>Best Lead Performance<br \/>\n1. Lola Kirke, Gemini<br \/>\n2. Ana Asensio, Most Beautiful Island<br \/>\n3. Jake Johnson, Win It All<br \/>\n4. Wyatt Cenac, Fits and Starts<br \/>\n5. Francesca Eastwood, M.F.A.<\/p>\n<p>Best Supporting Performance<br \/>\n1. Zoe Kazan, Gemini<br \/>\n2. Dave Franco, The Disaster Artist<br \/>\n3. Joe Lo Truglio, Win It All<br \/>\n4. Greta Lee, Fits and Starts<br \/>\n5. Robert Forster, Small Town Crime<\/p>\n<p>Best First Feature<br \/>\n1. Most Beautiful Island<br \/>\n2. DRIB<br \/>\n3. Fits and Starts<br \/>\n4. Lemon<\/p>\n<div id=\"attachment_1201776394\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1201776394\" src=\"http:\/\/www.indiewire.com\/wp-content\/uploads\/2017\/01\/lucky-e1489183818574.jpeg?w=780\" alt=\"Harry Dean Stanton Lucky\" width=\"780\" height=\"487\" \/><\/p>\n<p class=\"wp-caption-text\">&#8220;Lucky&#8221;<\/p>\n<\/div>\n<p><strong>Erik Childress<\/strong><br \/>\n<strong> eFilmCritic\/WGN Radio<\/strong><\/p>\n<p>Best Narrative Feature<br \/>\n1. Lucky<br \/>\n2. The Big Sick<br \/>\n3. Small Town Crime<br \/>\n4. Hot Summer Nights<br \/>\n5. Baby Driver<\/p>\n<p>Best Documentary<br \/>\n1. Nobody Speak: Trials of the Free Press<br \/>\n2. Muppet Guys Talking<\/p>\n<p>Best Lead Performance<br \/>\n1. James Franco, The Disaster Artist<br \/>\n2. Harry Dean Stanton, Lucky<br \/>\n3. John Hawkes, Small Town Crime<br \/>\n4. Bill Pullman, The Ballad of Lefty Brown<br \/>\n5. Anne Hathaway, Colossal<\/p>\n<p>Best Supporting Performance<br \/>\n1. Holly Hunter, The Big Sick<br \/>\n2. Jason Sudeikis, Colossal<br \/>\n3. Ray Romano, The Big Sick<br \/>\n4. Maika Monroe, Hot Summer Nights<\/p>\n<p>Best First Feature<br \/>\n1. Lucky<br \/>\n2. Hot Summer Nights<br \/>\n3. A Bad Idea Gone Wrong<\/p>\n<div id=\"attachment_1201776305\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1201776305\" src=\"http:\/\/www.indiewire.com\/wp-content\/uploads\/2017\/01\/free-fire-f71997.jpg?w=780\" alt=\"Free Fire\" width=\"780\" height=\"557\" \/><\/p>\n<p class=\"wp-caption-text\">&#8220;Free Fire&#8221;<\/p>\n<\/div>\n<p class=\"image-credit\">Kerry Brown<\/p>\n<p><strong>Matt Donato<\/strong><br \/>\n<strong> We Got This Covered<\/strong><\/p>\n<p>Best Narrative Feature<br \/>\n1. Free Fire<br \/>\n2. Prevenge<br \/>\n3. Colossal<br \/>\n4. The Disaster Artist<br \/>\n5. Mayhem<\/p>\n<p>Best Lead Performance<br \/>\n1. James Franco, The Disaster Artist<br \/>\n2. Brianna Hildebrand, Tragedy Girls<br \/>\n3. Alexandra Shipp, Tragedy Girls<br \/>\n4. Addison Timlin, Like Me<br \/>\n5. Eric Ruffin, The Transfiguration<\/p>\n<p>Best Supporting Performance<br \/>\n1. Dave Franco, The Disaster Artist<br \/>\n2. Jon Hamm, Baby Driver<br \/>\n3. Chloe Levine, The Transfiguration<br \/>\n4. Sharlto Copley, Free Fire<br \/>\n5. Josh Hutcherson, Tragedy Girls\/The Disaster Artist<\/p>\n<p>Best First Feature<br \/>\n1. Prevenge<br \/>\n2. Like Me<br \/>\n3. Most Beautiful Island<br \/>\n4. Lemon<br \/>\n5. Mr. Roosevelt<\/p>\n<div id=\"attachment_1201793626\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1201793626\" src=\"http:\/\/www.indiewire.com\/wp-content\/uploads\/2017\/03\/work.jpg?w=780\" alt=\"the work\" width=\"780\" height=\"557\" \/><\/p>\n<p class=\"wp-caption-text\">&#8220;The Work&#8221;<\/p>\n<\/div>\n<p class=\"image-credit\">SXSW<\/p>\n<p><strong>Eric Kohn<\/strong><br \/>\n<strong> IndieWire<\/strong><\/p>\n<p>Best Narrative Feature<br \/>\n1. Bad Lucky Goat<br \/>\n2. Baby Driver<br \/>\n3. Gemini<br \/>\n4. The Disaster Artist<br \/>\n5. La Barracuda<\/p>\n<p>Best Documentary<br \/>\n1. The Work<br \/>\n2. I Am Another You<br \/>\n3. Rat Film<br \/>\n4. Unrest<br \/>\n5. Barbecue<\/p>\n<p>Best First Feature<br \/>\n1. Bad Lucky Goat<br \/>\n2. Rat Film<br \/>\n3. Unrest<br \/>\n4. Assholes<br \/>\n5. Lemon<\/p>\n<div id=\"attachment_1201795182\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1201795182\" src=\"http:\/\/www.indiewire.com\/wp-content\/uploads\/2017\/03\/ramblin-freak-f71268.jpg?w=780\" alt=\"\" width=\"780\" height=\"557\" \/><\/p>\n<p class=\"wp-caption-text\">&#8220;Ramblin&#8217; Freak&#8221;<\/p>\n<\/div>\n<p><strong>Sean Malin<\/strong><br \/>\n<strong> Austin Chronicle\/Filmmaker Magazine\/Cinemalin<\/strong><\/p>\n<p>Best Narrative Feature<br \/>\n1. The Big Sick<br \/>\n2. Lemon<br \/>\n3. Free Fire<br \/>\n4. La Barracuda<br \/>\n5. The Strange Ones<\/p>\n<p>Best Documentary<br \/>\n1. Ramblin\u2019 Freak<br \/>\n2. The Work<br \/>\n3. The Secret Life of Lance Letscher<br \/>\n4. May It Last: A Portrait of the Avett Brothers<br \/>\n5. Walk With Me<\/p>\n<p>Best Lead Performance<br \/>\n1. Sophie Reid,\u00a0La Barracuda<br \/>\n2. James Freedson-Jackson,\u00a0The Strange Ones<br \/>\n3. Brett Gelman, Lemon<br \/>\n4. Kumail Nanjiani,\u00a0The Big Sick<br \/>\n5. Allison Tolman,\u00a0La Barracuda<\/p>\n<p>Best Supporting Performance<br \/>\n1. Ray Romano,\u00a0The Big Sick<br \/>\n2. Sharlto Copley,\u00a0Free Fire<br \/>\n3. Michael Cera, Lemon<br \/>\n4. Michael Fassbender, Song to Song<br \/>\n5. Cat,\u00a0Ramblin\u2019 Freak<\/p>\n<p>Best First Feature<br \/>\n1. Lemon<br \/>\n2. Ramblin\u2019 Freak<br \/>\n3. The Secret Life of Lance Letscher<br \/>\n4. Hounds of Love<br \/>\n5. The Work<\/p>\n<div id=\"attachment_1201782544\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1201782544\" src=\"http:\/\/www.indiewire.com\/wp-content\/uploads\/2017\/02\/baby-driver-f71746.jpg?w=780\" alt=\"\" width=\"780\" height=\"557\" \/><\/p>\n<p class=\"wp-caption-text\">&#8220;Baby Driver&#8221;<\/p>\n<\/div>\n<p><strong>Neil Miller<\/strong><br \/>\n<strong> Film School Rejects<\/strong><\/p>\n<p>Best Narrative Feature<br \/>\n1. Baby Driver<br \/>\n2. The Big Sick<br \/>\n3. Free Fire<br \/>\n4. Colossal<br \/>\n5. Tragedy Girls<\/p>\n<p>Best Documentary<br \/>\n1. Muppet Guys Talking<br \/>\n2. Trophy<br \/>\n3. Becoming Bond<br \/>\n4. Chasing Coral<br \/>\n5. The Work<\/p>\n<p>Best Lead Peformance<br \/>\n1. Ansel Englort, Baby Driver<br \/>\n2. Alexandra Shipp, Tragedy Girls<br \/>\n3. Noel Wells, Mr. Roosevelt<br \/>\n4. Armie Hammer, Free Fire<br \/>\n5. Kumail Nanjiani, The Big Sick<\/p>\n<p>Best Supporting Performance<br \/>\n1. Holly Hunter, The Big Sick<br \/>\n2. Sharlto Copley, Free Fire<br \/>\n3. Sofia Boutella, Atomic Blonde<br \/>\n4. Daniella Pineda, Mr. Roosevelt<br \/>\n5. Brie Larson, Free Fire<\/p>\n<p>Best First Feature<br \/>\n1. Mr. Roosevelt<br \/>\n2. Lemon<br \/>\n3. Most Beautiful Island<br \/>\n4. The Relationtrip<br \/>\n5. Easy Living<\/p>\n<p><strong>Kenneth R. Morefield<\/strong><br \/>\n<strong> 1More Film Blog<\/strong><\/p>\n<p>Best Documentary<br \/>\n1. The Work<br \/>\n2. Served Like a Girl<br \/>\n3. Unrest<br \/>\n4. Nobody Speak: Trials of the Free Press<br \/>\n5. Mission Control: The Unsung Heroes of Apollo<\/p>\n<div id=\"attachment_1201723031\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1201723031\" src=\"http:\/\/www.indiewire.com\/wp-content\/uploads\/2016\/09\/colossal_02_web.jpg?w=780\" alt=\"\" width=\"780\" height=\"390\" \/><\/p>\n<p class=\"wp-caption-text\">&#8220;Colossal&#8221;<\/p>\n<\/div>\n<p><strong>Kristy Puchko<\/strong><br \/>\n<strong> CBR \/ The Playlist<\/strong><\/p>\n<p>Best Narrative Feature<br \/>\n1. Colossal<br \/>\n2. Atomic Blonde<br \/>\n3. Tragedy Girls<br \/>\n4. Baby Driver<br \/>\n5. Prevenge<\/p>\n<p>Best Lead Performances<br \/>\n1. Anne Hathaway, Colossal<br \/>\n2. Charlize Theron, Atomic Blonde<br \/>\n3. Alice Lowe, Prevenge<br \/>\n4. Jake Johnson, Win It All<br \/>\n5. Alexandra Shipp, Tragedy Girls<\/p>\n<p>Best Supporting Performance<br \/>\n1. Jason Sudeikis, Colossal<br \/>\n2. James McAvoy, Atomic Blonde<br \/>\n3. Jon Hamm, Baby Driver<br \/>\n4. Josh Hutcherson, Tragedy Girls<br \/>\n5. James Franco, The Disaster Artist<\/p>\n<div id=\"attachment_1201751749\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1201751749\" src=\"http:\/\/www.indiewire.com\/wp-content\/uploads\/2016\/12\/nobody-speak.jpg?w=780\" alt=\"Nobody Speak\" width=\"780\" height=\"520\" \/><\/p>\n<p class=\"wp-caption-text\">&#8220;Nobody Speak&#8221;<\/p>\n<\/div>\n<p class=\"image-credit\">Courtesy of Sundance<\/p>\n<p><strong>Christopher Llewellyn Reed<\/strong><br \/>\n<strong> Hammer to Nail<\/strong><\/p>\n<p><em>I was very impressed with the production quality of much of what I saw, both in the documentary and narrative categories. The DPs are all doing an amazing job.<\/em><\/p>\n<p>Best\u00a0Narrative Feature<br \/>\n1. Easy Living<br \/>\n2. The Transfiguration<br \/>\n3. Hounds of Love<br \/>\n4. The Big Sick<br \/>\n5. Fits and Starts<br \/>\n<em>I also liked &#8220;Flesh and Blood,&#8221; &#8220;Free Fire,&#8221; &#8220;Gemini,&#8221; &#8220;Strange Ones&#8221;\u2026 and 2\/3 of &#8220;Baby Driver.&#8221; The above five are definitely my Top 5, however.<\/em><\/p>\n<p>Best Documentary<br \/>\n1. Nobody Speak: Trials of the Free Press<br \/>\n2. Kim Dotcom: Caught in the Web<br \/>\n3. Rat Film<br \/>\n4. Maineland<br \/>\n5. Mommy Dead and Dearest<br \/>\n<em>I also really liked &#8220;Barbecue,&#8221; &#8220;California Dreams,&#8221;\u00a0&#8220;Dealt,&#8221; &#8220;Pornocracy,&#8221; &#8220;Trophy,&#8221; &#8220;Unrest,&#8221; &#8220;The Work.&#8221; The difference between how I feel about one film vs. another are negligible. A very strong documentary program, overall.<\/em><\/p>\n<p>Best Lead Performance<br \/>\n1. Caroline Dhavernas, Easy Living<br \/>\n2. Ashleigh Cummings, Hounds of Love<br \/>\n3. Lola Kirke, Gemini<br \/>\n4. James Freedson-Jackson, The Strange Ones<br \/>\n5. Kumail Nanjiani, The Big Sick<\/p>\n<p>Best Supporting Performance<br \/>\n1. Zoe Kazan, The Big Sick<br \/>\n2. Alex Pettyfer, The Strange Ones<br \/>\n3. John Cho, Gemini<br \/>\n4. Jon Hamm, Baby Driver<br \/>\n5. Armie Hammer, Free Fire<\/p>\n<p>Best First Feature<br \/>\n1. Easy Living<br \/>\n2. Hounds of Love<br \/>\n3. Fits and Starts<br \/>\n4. Rat Film<br \/>\n5. The Blood is at the Doorstep<br \/>\n<em>&#8220;Barbecue,&#8221; &#8220;Unrest&#8221;\u00a0&#8211; 6 and 7<\/em><\/p>\n<div id=\"attachment_1201776310\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1201776310\" src=\"http:\/\/www.indiewire.com\/wp-content\/uploads\/2017\/01\/mr-roosevelt-f70361.jpg?w=780\" alt=\"Mr. Roosevelt\" width=\"780\" height=\"557\" \/><\/p>\n<p class=\"wp-caption-text\">&#8220;Mr. Roosevelt&#8221;<\/p>\n<\/div>\n<p class=\"image-credit\">Dagmar Weaver-Madsen<\/p>\n<p><strong>Jason Whyte<\/strong><br \/>\n<strong> Jason Whyte Media, efilmcritic.com<\/strong><\/p>\n<p><i>Noel Wells gives one of the best comedic performances <\/i>ever<i>\u00a0in the movies in &#8220;Mr. Roosevelt.&#8221; This was the one movie I was wishing I could see <\/i>twice<i>\u00a0at the festival but was unable to.<\/i><\/p>\n<p><em>A very solid year for movies at the festival this year and I am looking forward to SxSW 2018!<\/em><\/p>\n<p>Best Narrative Feature<br \/>\n1. Mr. Roosevelt<br \/>\n2. Small Town Crime<br \/>\n3. Person to Person<br \/>\n4. Lucky<br \/>\n5. Lemon<\/p>\n<p>Best Documentary<br \/>\n1. Becoming Bond<br \/>\n2. Dealt<br \/>\n3. Long Strange Trip<br \/>\n4. Thank You, Friends: Big Star&#8217;s Third Live&#8230; and More<br \/>\n5. Let There Be Light<\/p>\n<p>Best Lead Performance<br \/>\n1. Noel Wells, Mr. Roosevelt<br \/>\n2. Harry Dean Stanton, Lucky<br \/>\n3. Melissa Leo, The Most Hated Woman in America<br \/>\n4. Josh Lawson, Becoming Bond<br \/>\n5. James Franco, The Disaster Artist<\/p>\n<p>Best Supporting Performance<br \/>\n1. Zoe Kazan, The Big Sick<br \/>\n2. David Lynch, Lucky<br \/>\n3. Philip Baker Hall, Person To Person<br \/>\n4. Brett Gelman, Lemon<br \/>\n5. Tavi Gevinson, Person To Person<\/p>\n<p>Best First Feature<br \/>\n1. Mr. Roosevelt<br \/>\n2. Lucky<br \/>\n3. Lemon<br \/>\n4. Fits and Starts<br \/>\n5. Mission Control: The Unsung Heroes of Apollo<\/p>\n<p>Source: IndieWire film<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Like most successful American film festivals, SXSW has long appealed to a number of different audiences. The festival&#8217;s\u00a0competition sections highlight work&#8230;<\/p>\n","protected":false},"author":245,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[45],"class_list":["post-884","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-careering"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paqOTj-eg","_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/users\/245"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/comments?post=884"}],"version-history":[{"count":0,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/884\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media?parent=884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/categories?post=884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/tags?post=884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}