{"id":996,"date":"2017-03-31T16:30:00","date_gmt":"2017-03-31T16:30:00","guid":{"rendered":"http:\/\/commarts.pleather.us\/2017\/03\/31\/the-daily-chord-weekly-recap-friday-march-31\/"},"modified":"2017-03-31T16:30:00","modified_gmt":"2017-03-31T16:30:00","slug":"the-daily-chord-weekly-recap-friday-march-31","status":"publish","type":"post","link":"https:\/\/blog.valdosta.edu\/m2\/2017\/03\/31\/the-daily-chord-weekly-recap-friday-march-31\/","title":{"rendered":"The Daily Chord Weekly Recap \u2013 Friday, March 31"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.sxsw.com\/wp-content\/uploads\/2016\/06\/DailyChord-keyart-1440x810-640x360.jpg\" alt=\"SXSW Daily Chord | dailychord.com\" width=\"640\" height=\"360\" class=\"size-medium wp-image-6069\" \/><\/p>\n<p>The big story in music this week was the 11% sales jump in US revenue as reported by the RIAA. The Daily Chord shared the news from a few perspectives. The state of Bob Seger&#8217;s catalog was given a close examination, Bob Dylan agreed to accept his Nobel Prize and Pitchfork listed the Britpop canon. The Daily Chord keeps tabs on the music biz and shares links each weekday via our posts and email blasts. <a href=\"\/newsletters\/#dailychord\">Sign up today<\/a> for the newsletter.<\/p>\n<hr>\n<h2>Tuesday, March 28<\/h2>\n<ul>\n<li>\n<strong><a>Streaming music services, from most screwed to least screwed<\/a><\/strong><br \/>Post from Gizmodo\n<\/li>\n<li>\n<strong><a>John Lydon, angry older man, reflects on life as an angry young man<\/a><\/strong><br \/>Post from NY Times\n<\/li>\n<li>\n<strong><a>Ultra nice &#8211; arrests and medical calls way down at this year&#8217;s Ultra Music Festival<\/a><\/strong><br \/>Story from Miami Herald\n<\/li>\n<li>\n<strong><a>&#8216;I crawled on my knees to Kylie&#8217; &#8211; The inside story of Stock, Aitken and Waterman<\/a><\/strong><br \/>Story from The Guardian\n<\/li>\n<li>\n<strong><a>Danzig announces Blackest Of The Black festival, complete with an immersive torture experience<\/a><\/strong><br \/>Post from Consequence Of Sound\n<\/li>\n<li>\n<strong><a>Houston loses another piece of music history, the Bronze Peacock<\/a><\/strong><br \/>Story from Houston Chronicle\n<\/li>\n<\/ul>\n<hr>\n<h2>Wednesday, March 29<\/h2>\n<ul>\n<li>\n<strong><a>Watch what happens when Spotify gives unknown music acts a big push<\/a><\/strong><br \/>Post from Recode\n<\/li>\n<li>\n<strong><a>Projecting trends: The music industry&#8217;s quest for consumer data<\/a><\/strong><br \/>Post from Synchtank\n<\/li>\n<li>\n<strong><a>N.W.A.&#8217;s &#8216;Straight Outta Compton,&#8217; Eagles &#8216;Greatest Hits&#8217; make Library Of Congress&#8217; 2016 picks<\/a><\/strong><br \/>Story from LA Times\n<\/li>\n<li>\n<strong><a>Bob Dylan finally agrees to accept Nobel Prize for literature<\/a><\/strong><br \/>Item from BBC News\n<\/li>\n<li>\n<strong><a>Slacker Radio&#8217;s new feature goes old-school<\/a><\/strong><br \/>Post from CNET\n<\/li>\n<li>\n<strong><a>Emoticast raises $5 million as Sean Parker, will.i.am, David Guetta back mobile music messenger<\/a><\/strong><br \/>Item from Hypebot\n<\/li>\n<\/ul>\n<hr>\n<h2>Thursday, March 30<\/h2>\n<ul>\n<li>\n<strong><a>Where have all the Bob Seger albums gone?<\/a><\/strong><br \/>Story from NPR Music\n<\/li>\n<li>\n<strong><a>Arthur Blythe, jazz saxophonist who mixed sultry and strident, dies at 76<\/a><\/strong><br \/>Obituary from NY Times\n<\/li>\n<li>\n<strong><a>Classic West rock fest announces lineup and ticket prices (and no, they&#8217;re not exactly cheap)<\/a><\/strong><br \/>Post from LA Times\n<\/li>\n<li>\n<strong><a>Questlove and the art of the subversive musical dig<\/a><\/strong><br \/>Post from Wired\n<\/li>\n<li>\n<strong><a>The 50 best Britpop albums<\/a><\/strong><br \/>Feature from Pitchfork\n<\/li>\n<li>\n<strong><a>Gin Blossoms&#8217; &#8216;New Miserable Experience&#8217;: The dark history of a nineties classic<\/a><\/strong><br \/>Story from Rolling Stone\n<\/li>\n<\/ul>\n<hr>\n<h2>Friday, March 31<\/h2>\n<ul>\n<li>\n<strong><a>Streaming drives U.S. music sales up 11% in 2016<\/a><\/strong><br \/>Story from NY Times\n<\/li>\n<li>\n<strong><a>2016: A year of progress for music<\/a><\/strong><br \/>Post by RIAA via Medium\n<\/li>\n<li>\n<strong><a>Streaming makes most of the US music industry&#8217;s money now<\/a><\/strong><br \/>Post from CNET\n<\/li>\n<li>\n<strong><a>Jarvis Cocker on the music of his life<\/a><\/strong><br \/>Feature from Pitchfork\n<\/li>\n<li>\n<strong><a>When bygone pop stars attempt an indie reboot<\/a><\/strong><br \/>Post from Stereogum\n<\/li>\n<li>\n<strong><a>Rihanna&#8217;s &#8216;Umbrella&#8217; turns 10: How the iconic hit changed her forever<\/a><\/strong><br \/>Post from MTV News\n<\/li>\n<\/ul>\n<p>The post <a rel=\"nofollow\" href=\"https:\/\/www.sxsw.com\/music\/2017\/daily-chord-weekly-recap-friday-march-31\/\">The Daily Chord Weekly Recap \u2013 Friday, March 31<\/a> appeared first on <a rel=\"nofollow\" href=\"https:\/\/www.sxsw.com\">SXSW<\/a>.<\/p>\n<p>Source: SxSW Music<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The big story in music this week was the 11% sales jump in US revenue as reported by the RIAA. The&#8230;<\/p>\n","protected":false},"author":245,"featured_media":997,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[44],"class_list":["post-996","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-camera"],"acf":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/blog.valdosta.edu\/m2\/wp-content\/uploads\/sites\/107\/2017\/03\/DailyChord-keyart-1440x810-640x360-1.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paqOTj-g4","_links":{"self":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/users\/245"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/comments?post=996"}],"version-history":[{"count":0,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/posts\/996\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media\/997"}],"wp:attachment":[{"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/media?parent=996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/categories?post=996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.valdosta.edu\/m2\/wp-json\/wp\/v2\/tags?post=996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}