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September 15, 2017

Apply to Participate in the 2018 SXSW Place by Design Competition

Place by Design is SXSW’s public space design competition, celebrating transformative work at the intersection of art, technology, and design that repurposes our everyday surroundings and provides new meaning to our built environment.

Place by Design provides a platform for artists, architects, designers, and urbanists at all levels to present their scalable solutions for improving our shared landscape (including public art, urban interventions, digital technologies, and architecture).

Applications are currently open through October 13, 2017. The selected finalists will be invited to present at SXSW 2018 in March at the Cities Summit. Each designer or team will present their work in a fast-paced pitch competition and participate in a Q&A session with the judges, who ultimately determine the winner.

Who Should Apply

The Place by Design competition is open to all types of design work that rethinks, enhances, or transforms public space, including but not limited to emerging technologies, urban interventions, public art, and architecture. Check out presentations and work of previous year’s participants here.

Applications Close: Friday, October 13, 2017 at 11:59pm PT

Apply Now

Join Us March 9-18, 2018

Register for SXSW 2018 by Friday, October 20 and save. Make your hotel reservations through SXSW Housing & Travel for the best available rates. We hope to see you in March!

Follow us on Facebook, Twitter, Instagram, and SXSW News for the latest SXSW coverage, announcements, application tips, and updates.

Place by Design 2016 Art + Interaction Winner – Phase Change

The post Apply to Participate in the 2018 SXSW Place by Design Competition appeared first on SXSW.

Source: SxSW Interactive

September 15, 2017

Alessandro Puccinelli’s Photographic Celebration of The Harvest

Alessandro Puccinelli’s Photographic Celebration of The Harvest

For all of the wine lovers out there it’s no news that this time of year presents the annual harvesting of grapes and along with that, amazing photo opportunities at every turn. We grew ripe with envy when we discovered Alessandro Puccinelli’s beautiful imagery of the Muscat harvest in Southern France wanting to transport ourselves to this magical moment immediately. 

If you’d like a little backstory on the the harvesting of wine grapes, it’s actually the most integral step in the process of wine-making. The time of harvest is determined primarily by the ripeness of the grape as measured by sugar, acid and tannin levels and winemakers base this all-important decision to pick based on the style of wine they wish to produce. I’m pretty sure the lovely woman in the last image may have discovered a bad grape. Enjoy and cheers!


 

How do grape growers know when to harvest?

The best wine growers are so familiar with the taste of ripeness that they can walk down a row tasting grapes and know intuitively when to pick. However, there is a fair amount of science to back this up. Just so you know, timing the harvest is the single most important decision a grower or winemaker makes each year. 

Wine regions of the world 'The Wine Belt'

Wine Harvest Season Chart

wine-harvest-season

ibby
Sep 15, 2017

Source: Abduzeedo Photography

September 14, 2017

Introducing the Advisory Board for the 2018 SXSW Accelerator Pitch Event

2017 SXSW Accelerator Pitch Event – Photo by Alexa Gonzalez Wagner

The 10th annual SXSW Accelerator Pitch Event® is proud to announce over 140 Advisory Board thought leaders of technology startups from around the globe for SXSW 2018.

Over 60% of the board are from outside the United States with members representing such areas of the world as Shanghai, China to Lagos, Nigeria and Dublin, Ireland to Auckland, New Zealand. SXSW Accelerator is excited to have such an incredible group of global startup influencers as part of our 2018 SXSW March event.

Each year, the Advisory Board lend their industry expertise as they evaluate hundreds of applications and help determine the companies that will present in March. These individuals are instrumental to the success of the SXSW Accelerator Pitch Event, and their hard work, diligence, and support in bringing together the future of the technology industry to our event is greatly appreciated. Browse the Advisory Board lineup for 2018 and learn how your startup can participate in this exciting event below.

View the 2018 Advisory Board

Connect and Compete at SXSW 2018

Accelerate your startup company to the next level and apply for the 2018 SXSW Accelerator Pitch Event before the November 10, 2017 deadline. 50 companies from 10 different categories will be selected as finalists and invited to present in March as we showcase the future of emerging and innovative technology.

Top 5 Reasons to Enter + Tips

For more information, Watch the spotlight video, read the FAQ and entry process guidelines. Stay tuned to SXSW News and follow us on Twitter for more tips, 10th anniversary highlights, and announcements throughout the season.

Apply Now

2017 SXSW Accelerator Pitch Event – Photo by Alexa Gonzalez Wagner

The post Introducing the Advisory Board for the 2018 SXSW Accelerator Pitch Event appeared first on SXSW.

Source: SxSW Interactive

September 14, 2017

Nate Nanzer, Christina Alejandre, Brendan Donohue, and Pete Vlastelica to Speak at SXSW Gaming 2018

Nate Nanzer, Christina Alejandre, Brendan Donohue, and Pete Vlastelica

The SXSW Gaming Festival (March 15-17) has revealed the first of its Featured Speakers lineup for SXSW Gaming 2018.

With esports being a focal trend from SXSW Gaming 2017, and one that has recently taken the gaming industry by storm, this is an exciting time to be at the forefront of pivotal conversations and trends that will forever shift the landscape of esports.

Access to SXSW Gaming Featured Speakers and other Gaming festival-related events is complimentary to all SXSW badgeholders, and can be accessed with SXSW Gaming wristbands as well.

SXSW Gaming Featured Speakers

Nate Nanzer (Commissioner, Overwatch League) – Serving as the Commissioner of the Overwatch League, Nate Nanzer leads the cross-discipline esports effort for the team-based shooter. Nate began developing plans for an Overwatch esports program in his spare time while working in Blizzard’s marketing department, and has now turned that passion into a full-time role. He oversees the strategy, development, and execution of Overwatch esports for all levels of play, and is responsible for everything from partnerships to competition rules.

Christina Alejandre (GM of ELEAGUE & VP of Esports, Turner Sports) – Christina Alejandre joined Turner Sports in March 2016 as General Manager of ELEAGUE and Vice President of Esports. In this role, she leads the development and strategy for ELEAGUE, a transformative esports tournament brand created in partnership with IMG. She is responsible for business operations, content, and program strategy for ELEAGUE, as well as the pursuit of new esports opportunities.

Brendan Donohue (Managing Director, NBA 2K League) with Manny Anekal – As Managing Director of the NBA 2K League, Brendan Donohue is responsible for overseeing the newly formed esports league set to launch in 2018. Donohue, a sports industry veteran with more than two decades of experience in team and league operations, manages a league that will feature 17 NBA teams in its inaugural season. Prior to assuming his current role in April 2017, Donohue served as SVP of the NBA’s industry-renowned Team Marketing & Business Operations (TMBO) department. Donohue will be interviewed by Manny Anekal, founder and CEO of The Next Level.

Pete Vlastelica (President and CEO, MLG) – Pete Vlastelica is President and CEO of Major League Gaming (MLG), a division of Activision Blizzard devoted to creating the best esports experiences for fans across games, platforms, and geographies. Prior to MLG, Vlastelica was the Executive Vice President of Digital at FOX Sports, where he focused on content and product development, social media, technology, and creation of multi-platform content properties, including the Emmy-award winning Garbage Time with Katie Nolan. He directed the growth of FOXSports.com and the mobile app FOX Sports Go, where he oversaw the streaming of thousands of live sporting events, including Super Bowl XLVIII, which set a new internet record for streaming viewers for a sporting event.

Visit SXSW Gaming 2018

SXSW Gaming registration is now open! If you’re looking to immerse yourself in the gaming industry and learn more about the impact that’s being made at SXSW, register to attend with an official SXSW Gaming Wristband and book your hotel reservation for the 2018 SXSW Gaming Festival.

Nate Nanzer, Christina Alejandre, Brendan Donohue, and Pete Vlastelica – Photos courtesy of Speakers

The post Nate Nanzer, Christina Alejandre, Brendan Donohue, and Pete Vlastelica to Speak at SXSW Gaming 2018 appeared first on SXSW.

Source: SxSW Film

September 14, 2017

Splendid Watercolor Artworks by Anna Bjørdal

Splendid Watercolor Artworks by Anna Bjørdal

There’s an unique organic beauty in watercolor artworks that really strikes me. You can’t really see brush strokes… all you can see is how the water and ink settled down in the end. It’s beautiful. Anna Bjørdal, an artist from Norway, paints splendid watercolor pieces you should really see.

These are only a handful of her work. For more of it, please visit her at Instagram! I hope you enjoy these. Cheers! 😉

PauloGabriel
Sep 14, 2017

Source: Abduzeedo Illustration

September 13, 2017

Film Submission Tips: Premiere Status

If you are looking to submit your film to the 2018 SXSW Film Festival, make sure your film meets our premiere status requirements!

SXSW Film understands that many of the films submitted to our festival are being entered to other festivals around the world. However, it is very important to keep us posted if your premiere status will change from what was listed on your application.

  • Our 2017 lineup included 85 World Premieres, 11 North American premieres, and 5 U.S. Premieres from a submission pool of 2,432 feature films.
  • Films that play in our Narrative and Documentary Feature Competition categories consist solely of world premieres. This is a case where the premiere status of your film is key.
  • While the premiere status is a factor in our final decision-making, we don’t place tough restrictions for our shorts program.
  • The SXSW Film Festival plays a number of shorts that have appeared on the internet or played at other festivals. If SXSW Film really connects to and loves a short and has received minimal attention, we will try to share it with our enthusiastic audience.
  • For Episodics, your series content cannot be available online, have already had its broadcast premiere, or be available in any other form. Remember, your content must include a pilot or first episode.
  • If you get invited to another festival and want to know where your film stands here at SXSW, you can email filmfest@sxsw.com after October 20. We may not be able to give you an answer, but we’ll do our best!

Submit Your Film Here

To learn more about submitting to SXSW, watch our How To Submit Your Film video and check out our Film Submission FAQ.

Join Us For SXSW 2018

Grab your Film Badge today for primary access to all SXSW Film events including world premieres, roundtables, workshops, and parties. Register to attend by Friday, October 20 and save before prices go up in November. Make your hotel reservations through SXSW Housing & Travel for the best available rates. We hope to see you in March!

Follow us on Facebook, Twitter, Instagram, and SXSW News for the latest SXSW coverage, announcements, application tips, and updates.

Screening from 2018 SXSW Film Festival – Photo by Anthony Mireles

The post Film Submission Tips: Premiere Status appeared first on SXSW.

Source: SxSW Film

September 12, 2017

Alone Together: Aristotle Roufanis’ Photographic Portrayal of Global Cities

Alone Together: Aristotle Roufanis’ Photographic Portrayal of Global Cities

Alone Together: A deep look at the loneliness of global cities as it appears during the blue hour

If you live or have ever lived in a large, global metropole you can certainly relate to London-based photographer Aristotle Roufanis’ project ‘Alone Together’ which takes a unique approach in capturing the loneliness that festers in a global city. An ongoing photographic project, Roufanis takes this phenomenon of social alienation in urban centres as a starting point, and adds a positive, optimistic twist to it. Photos are captured in a way that only tiny, individual apartment lights are visible in some of our favorite cities in the world including London, Paris, Miami and Athens. 

“Hardly recognisable in the dark, some of the world’s most famous metropoles are transformed into sprawling canvases of anonymity, where countless people have decided to make their home but hardly connect to each other.”

 

“The bigger the city, the lonelier we feel,” comments Aristotle Roufanis, who recently moved to London from another bustling urban centre, namely his hometown of Athens, Greece. “In a big city, we are very efficient in covering all our consumerist needs, but we forget our need for companionship. It is important for people to understand that although lonely, they are not alone. Individuality does not equal to alienation.” Roufanis does an amazing job of drawing a parallel between the singular lights in an apartment window to an individual stuck in a dark void of a detached world. Photos are taken in between the hours of dusk and dawn, shifting the spotlight from public to private which enables the eye to focus on only the singular lights in a building rather than iconic landmarks like the Eiffel Tower. 

Roufanis uses a technique of super high-resolution photography complemented by digital editing that can take up to ONE MONTH for each photo. Presented in exhibition context, images are showcased in extremely high-resolution prints to highlight as much detail as possible to the naked eye. The resolution of the images is so high that you can delight your inner voyeur by spying on individuals standing in the windows contemplating the city outside or doing everyday things in their home.

ABOUT ARISTOTLE ROUFANIS

Aristotle Roufanis is a London-based art photographer whose work focuses on patterns, textures and human interactions defined by the condition of urban architecture. An active photographer since his early 20’s, Aristotle Roufanis is a self-taught artist, who has mastered his medium through several personal photographic projects. In 2016 he has participated in Scope Art Fair – Miami Beach and with a solo show in Fotofever – Paris; in the same year, his work exhibited at the Summer Exhibition of the Royal Academy of Arts sold out before the show’s public opening. In 2017 he exhibited at Scope in Basel during Art Basel 2017 and he is scheduled to exhibit at the prestigious Zona Maco in Mexico City as well as other art events throughout the world. Aristotle Roufanis’ work is part of esteemed private collections in London, Paris, Milan, Miami, New York and Mexico City.

Roufanis is a civil engineering graduate and has always been fascinated by architecture, and particularly the patterns and sheer scale of large cities. Interested in the many contrasts and the amount of information one can collect through reading an urban landscape, the artist has often turned his lens to urban architecture in the past. Alone Together combines several themes that have appeared in Aristotle Roufanis’s work so far, but merges them in a very skillful and refined way. 

ibby
Sep 12, 2017

Source: Abduzeedo Photography

September 12, 2017

Minimalist Editorial Design for VÆRK Magazine

Minimalist Editorial Design for VÆRK Magazine

How many people read paper magazine nowadays? I started this post with a question because despite the fact that magazines are becoming obsolete in their paper form, their contribution to design is hard to put on words. Editorial design for me is one of the most inspiring fields of design. It’s the pinnacle of design if you will. You have a limit amount of space on the page, you might have big and small images, you have text and you need to call readers attention for the content. It’s always a great exercise to try to design a magazine. Stine Erlang Sloth shared a cool project on her Behance profile where she redesigned VÆRK Magazine for a school project. Below you can see the results.

The cool thing about this project for me is the typography, use of white space but also the bold use of blue for the cover. It is a departure from the normal white or full image style. I love how bold it looks, especially with the embossed text but still with a classic editorial design style.

Three of the leading lifestyle magazines in Denmark and SMK  has gone together and made a new art magazine – VÆRK, which will open new doors to art. 

Editorial Design

Via Behance. For more information check out:

 

 

abduzeedo
Sep 12, 2017

Source: Abduzeedo Editorial Design

September 12, 2017

Art Direction & Photography: Puma Play Loud

Art Direction & Photography: Puma Play Loud

The kind of project I do enjoy featuring on ABDZ, it’s a combination of art direction and photography. We are taking a closer look at the work of Boston-based art director Jeremy Haunschild. The approach is simple but kindly efficient especially when it’s mixed with Interior Design. Commissioned by Puma, let’s enjoy also the Behind-the-Scenes process for this project.

Jeremy Haunschild is a art director based in Boston, MA. His work is focused in art direction, photography and advertising, check out his Behance for more works.

For PUMA’s 2017 Global teamsport initiative, I designed the visual system and concept that would carry throughout the extensive international diaspora of executions required to support the teamsport business category. I art directed the photography of the key athletes that appeared in the campaign as well as the overall layout and design of the typography and all aspects of post-production.

Project Gallery

Art Direction & Photography: Puma Play LoudArt Direction & Photography: Puma Play LoudArt Direction & Photography: Puma Play LoudArt Direction & Photography: Puma Play LoudArt Direction & Photography: Puma Play LoudArt Direction & Photography: Puma Play LoudArt Direction & Photography: Puma Play LoudArt Direction & Photography: Puma Play LoudArt Direction & Photography: Puma Play LoudArt Direction & Photography: Puma Play LoudArt Direction & Photography: Puma Play Loud

 

More Links

AoiroStudio
Sep 12, 2017

Source: Abduzeedo Photography

September 10, 2017

‘I, Tonya’ Director Reveals Tonya Harding’s Reaction to the Breakout Biopic — TIFF

There’s no buzzier title at the Toronto International Film Festival than Craig Gillespie’s alternately hilarious and deeply empathetic Tonya Harding biopic “I, Tonya.” Margot Robbie stars in the eponymous role as the embattled (and, as the film vividly shows, misunderstood) ice skating star who became the subject of so much derision, and the film attempts to present a full portrait of her before and after the insane events leading to the 1994 Winter Olympics (cue Nancy Kerrigan screaming “Why? Why?!”).

Much of that portrait is owed squarely to Harding herself who, along with ex-husband Jeff Gillooly (played in the film by Sebastian Stan, a meaty role for the rising star), participated in hours of interviews with screenwriter Steven Rogers. What emerges is a funny and flinty look at the embattled ice princess that doesn’t skimp on the gory details, including Harding’s abuse at the hands of both Gillooly and her own mother (played by Allison Janney). But it’s also a compelling look inside one of America’s first stories of the 24-hour news cycle, one that has been writ large (and often incorrectly) for over two decades.

“[Steven] did a six-hour interview with Tonya,” Gillespie told IndieWire at the festival. “He watched the documentary [‘The Price of Gold’], he tracked her down, he went up there, they met. This is her interview, which is why these stories feel so spontaneous and personal and bizarre.”

Harding’s voice and point of view is prevalent throughout the film, which includes multiple documentary-style talking head “interviews,” also filmed by Gillespie. He and Robbie met with Harding for just a couple of hours during production, while only Stan spent extra time with Gillooly, whose current-day portrayal makes clear that all he wants to do is put it behind him.

Elsewhere, Gillespie and stars Janney and Paul Walter Hauser (who plays Gillooly’s moronic pal, Shawn Eckhardt) reenact existing interviews featuring the real-life inspirations for their roles (some of which play during the end credits).

“I loved these contradictory interviews, I love that we’re giving the audience a chance to participate,” Gillespie said. “It’s almost, in that sense, like a documentary. You get to see these people, and you get to try and decide if they’re lying. What do I believe? You get to make your own choices.”

So, has Harding seen the film? Yes, though she was not on hand for the Toronto premiere. Gillespie said she saw it the week before its debut, and he still seems a bit jittery about the experience.

“I was nervous to show it to her,” he said.”I hoped that she would like it, but you never know. For somebody to look at themselves objectively, it’s so hard, and she’s been bombarded by this for so long… It’s so much Tonya’s story, that was my primary focus.”

He added, “On the one side, I feel like we’ve done a very honest portrayal. When I set out to make the film, she’s been such a villain and a punchline in our society for so long, and I loved that challenge to just change that perspective. I really felt like it was there in Steven’s script that, by the end of the movie, we should emphasize with her. I know it’s a tall order with such a huge public persona that we have, but I really felt it was possible with Margo’s performance, with this script.”

Final result? “I heard she was actually happy with it,” Gillespie said with a grin.

“I, Tonya” premiered at the 2017 Toronto International Film Festival. It is currently seeking U.S. distribution.

Source: IndieWire film