May 4, 2017
The Contemplative Artworks of Elicia Edijanto
The Contemplative Artworks of Elicia Edijanto
One thing I love about art is that an illustration is like a window into an artist’s mind, soul, or whatever you might call it. Some artworks and paintings are super happy, with bright, colorful details right at your face. Some others express deep meaning through fewer elements and simpler colors.
Elicia Edijanto is one of those artists that tell us a lot through her artworks. From Jakarta, Indonesia, she comes up with these beautiful illustrations that are so contemplative that it might reach the deepest corner of one’s soul and have an effect on it. This is the kind of art that makes you trip, wonder, dream, all at once, wherever you are. Something very powerful indeed… well, some might say that art is a weapon of mass destruction. Destruction of an ugly, lifeless world. Let there be art, let there be more of Elicia’s beautiful mind.
Elicia’s artworks
For more of Elicia’s artworks, please visit her personal website, Instagram or portfolio at Behance! I hope you enjoy these as much as I did! Cheers. đ
PauloGabriel
May 04, 2017
Source: Abduzeedo Illustration
May 3, 2017
SXSW 2017 Featured Speaker Noah Hawley [Video]
“In order to make Fargo I had to really become a filmmaker. I love a good dialogue scene as much as the next person, but I am really happy when I can have a few pages with no dialogue at all. It’s literally just the camera telling the story. It’s a visual medium,” said SXSW 2017 featured Speaker Noah Hawley.
Revel in this session with EmmyÂź, Golden GlobeÂź, PEN, Criticsâ Choice, and Peabody Award-winning author, screenwriter, producer and director Noah Hawley, moderated by author Philipp Meyer. In addition to his work on Fargo, Hawley is currently executive producer, writer, and showrunner of the series Legion from FX Productions and Marvel Television. The third season of Fargo is currently airing Wednesdays on the FX Network.
Explore More Content From SXSW 2017
Get inspired by a multitude of diverse visionaries at SXSW â browse more 2017 Keynotes, Featured Sessions, Red Carpets, and Q&Aâs on our YouTube Channel.
Follow us on Facebook, Twitter, Instagram, and SXSW News for the latest SXSW coverage, recaps, late-breaking announcements, and updates.
Photo by Karl Capelli
The post SXSW 2017 Featured Speaker Noah Hawley [Video] appeared first on SXSW.
Source: SxSW Film
May 3, 2017
Would You Want To Live Forever If You Could?
What would happen if people all over the world stopped aging and never died? If we had the ability to stop aging at 25 and we could live for as long as we wanted, how long we people actually choose to live? Lifetime Daily surveyed 2,000 Americans to determine how long theyâd choose to live and under what conditions. Here is what they found out.
Surprisingly, 57% of Americans said that theyâd only want to live another 100 years or less. 25% of those who were surveyed said theyâd live another 76 to 100 years, 20% said theyâd live an additional 51 to 75 years, while 15% revealed that they would want to live another 101 to 200 years. If you look at the data based on age, Americans 60 and older said theyâd want 51 to 100 more years, while those under 30 were more likely to want only an additional 26 to 50 years.
The study found that men were more likely than women to respond that they would want a longer life span. When looking at the data by gender, 28% of women would be happy with an addition 51 to 75 years (versus 14% of men), but as the amount of years climbs, only 14% of women said that theyâd want another 101 to 200 years and 7% were found to desire an additional 201 to 500 years, compared to 16% and 10% of men respectively.
When it comes to prolonging life, the study revealed that Americans were willing to put up with quite a bit if that meant more time on earth. 79% of respondents said theyâd still want a longer life even if that meant they had to work the entire time, 73% said they would accept outliving everyone else except their family, and 63% would like a few extra years if it were only with their significant other. Conversely, 12% answered that theyâd extend their life if they were paralyzed, 27% with a chronic illness, and 36% if they lived in poverty.
As far as why Americans want to live longer, a common theme was the desire to accomplish more in life. 13% of respondents said it was because they want to experience more in life and another 13% said it was to travel more while 11% revealed that it was to pursue hobbies. Surprisingly, only 7% responded that it was to avoid death and even less revealed that it was to make more money (5%).
With a longer lifespan, Americans revealed what they would do differently if given the chance. A majority confessed that they change their drug habits, relationship status, smoking and drinking habits, and the likelihood of having children. The data also shows that men were more likely to make changes in their lives in these categories than women.
A factor to consider when thinking about with the possibility of a long life is what the future may hold. A large number of those surveyed were not too concerned about having to adapt to future technologies (41%) but at least 35% said they were somewhat concerned about the possible collapse of civilization in the future and 20% said they were very concerned about the possibility of human extinction.
Check out Lifetime Daily to get some tips on staying healthy.
Source: Visual News
May 2, 2017
SXSW Alumni Film Releases â May 2017
Discover some of the SXSW alumni films on release this month, such as 45365, LOEV, and LONG STRANGE TRIP. Continue on for a complete list with trailers and more info.
45365
Documentary Feature, World Premiere, 2009
Website | Trailer
Available for the first time since winning the Grand Jury Award for Best Documentary at SXSW 2009, the Ross Brothers’ 45365 presents the intricate connections, close relationships and life-changing events of a small town in Ohio. An unforgettable, gorgeously realized journey into America’s heartland.
Available Now on Vimeo
BANG: THE BERT BERNS STORY
Documentary Feature, World Premiere, 2016
Website | Trailer
The under-appreciated genius behind iconic classics like âUnder the Boardwalkâ and âTwist and Shoutâ receives his due in this loving, rockinâ documentary portrait.
Now In Theaters
DEAR WHITE PEOPLE
Episodic, World Premiere, 2017
Website | Trailer
Based on the film of the same name, this hilarious send-up of âpost-racialâ America tells the universal story of finding oneâs own identity and forging a unique path.
Now on Netflix
DON’T THINK TWICE
Narrative Feature, World Premiere, 2016
Website | Trailer
Mike Birbigliaâs sophomore feature charms with a warm, yet acerbic look at the tragicomic world of an improv comedy troupe.
Available Now on Netflix
HOUNDS OF LOVE
Narrative Feature, North American Premiere, 2017
Website | Trailer
In the mid-1980s, seventeen-year-old Vicki Maloney is randomly abducted from a suburban street by a disturbed couple. As she observes the dynamic between her captors, she quickly realizes she must drive a wedge between them if she is to survive.
In Theaters May 12
LOEV
Narrative Feature, North American Premiere, 2016
Website | Trailer
A weekend trip between friends takes a sudden turn, making them each question what love is and what it means to them.
Available Now on Netflix
LONG STRANGE TRIP
Documentary Feature, 2017
Website | Trailer
The inspiring, complicated, downright messy tale of the Grateful Dead, a tribe of contrarians who made art out of open-ended chaos, and inadvertently achieved success on their own terms.
In Theaters May 27
MOMMY DEAD AND DEAREST
Documentary Feature, World Premiere, 2017
Website | Trailer
Child abuse, mental illness, and forbidden love converge in this mystery involving a mother and daughter who were thought to be living a fairy tale life that turned out to be a living nightmare.
Available on HBO May 15
The post SXSW Alumni Film Releases â May 2017 appeared first on SXSW.
Source: SxSW Film
May 2, 2017
The End of YouTube Annotations
YouTube will no longer support annotations in new videos, so whatâs next in video promotion?<p><i>Cover photo via Shutterstock.</i><p>YouTube has completely âŠ
Source: CW’s Flipboard Feed
May 2, 2017
SXSW 2017 World Premiere of The Most Hated Woman In America Available on Netflix [Video]
“It’s a Texas story in so many ways and it’s a Texas-sized stories in so many ways,” said cast member Josh Lucas.
If you missed the SXSW World Premiere of The Most Hated Woman In America, which took place at the historic Paramount Theatre on Tuesday, March 14, you can now watch the film on Netflix.
The Most Hated Woman In America is a true-crime biopic about the disappearance of Madalyn Murray O’Hair, founder of the “American Atheists” and pioneering firebrand in the political culture war. The film captures the rise and fall of a complex character who was a controversial villain to some and an unlikely hero to others. Cast: Melissa Leo, Adam Scott, Juno Temple, Vincent Kartheiser, Josh Lucas, Peter Fonda.
Director Tommy OâHaver grew up in Indiana where he spent his early years making Super-8 films. After his first short âCatalinaâ played at the New York Film Festival, he went on to write and direct his first feature, Billyâs Hollywood Screen Kiss, which premiered and sold at Sundance. He went on to make 2 films for Miramax: Get Over It and Ella Enchanted.
Get inspired by a multitude of diverse visionaries at SXSW â browse more 2017 Keynotes, Featured Sessions, Red Carpets, and Q&Aâs on our YouTube Channel.
Follow us on Facebook, Twitter, Instagram, and SXSW News for the latest SXSW coverage, recaps, late-breaking announcements, and updates.
The post SXSW 2017 World Premiere of The Most Hated Woman In America Available on Netflix [Video] appeared first on SXSW.
Source: SxSW Film
May 2, 2017
HOW TO BRIDGE MARKETING AND SALES IN YOUR BUYERâS JOURNEY
This article originally appered on Column Five.
Content marketing isnât a nice-to-have these days; itâs an incredibly effective and necessary tool. Whether itâs increasing brand recall with an online video, generating more exposure through earned media, or delivering higher social engagement via microcontent, it is essential to your operation. Thatâs why 89% of marketers pursue content marketing, according to the Content Marketing Instituteâs 2017 B2B Content Marketing Report.
But just creating content doesnât mean youâre doing content marketing well. The best success comes when itâs executed correctly. Great execution entails many things:
- Building a solid content strategy
- Crafting a strong brand identity
- Creating content that connects with your customers on an emotional level
- Publishing consistently to maintain that connection
But even if you do all of these things, there is one thing that may be sabotaging your content marketing: approaching content with an advertising mentality.
Advertising is interruption marketing. It wedges itself into a buyerâs experience. True content marketing is engagement marketing. It participates in the buyerâs experience.
For many marketers, the advertising mentality is colliding with the content marketing mentality.
Many brands are approaching content marketing as a way to sell a product or service. As a result, their approach to content marketing is overly salesy. And they wonder why their efforts arenât converting friends into customers.
MARKETING AND SALES: A FINE LINE
Sometimes itâs hard to know when marketing stops and selling begins. Because of that, thereâs a tendency to create content with themes and ideas that are more appropriate in a sales setting.
When this happens, marketers end up doing salesâand thatâs not their job. Their job is to attract people to your brand, to get them interested in learning about your perspective, what you have to say, and what you stand for. Itâs hard for marketers to do this successfully if they are also aggressively trying to get people to buy stuff.
Of course, content serves different purposes at each stage of the buyerâs journey. As people become familiar with your brand and begin to express an interest in your offers, it is important to have those sales conversations with themâbut only once they get to that point. (Unfortunately, the Content Marketing Institute found that only 53% of marketers craft content based on specific points of the buyerâs journey.)
So, how do you ensure that content marketing and sales collaborate instead of cannibalize each other? And how do you make sure nothing falls through the cracks along the way? By developing a killer buying experience that lets marketers deliver potential customers to the sales door and lets sales make sure they get through that door safely. Hereâs the two-part process to help you do that.
PART 1: LET CONTENT MARKETERS CREATE CONNECTION
The first step and the biggest priority for content marketers is to develop a rapport between your brand and your would-be customers. You want to develop true âfriendshipsâ with your audience. The end goal is to develop some sense of interest, excitement, and attachment in the buyer.
The best way to do this? By telling brand stories that communicate what your brand stands for and what its values are. This helps your audience connect at a relationship levelâitâs not a transactional experience.
There are many definitions of âstory.â Ask 100 people and youâll get 100 different answers. The stories Iâm referring to are those that communicate your perspective and understanding of your customersâ experience. This content provides your audience value. It increases their knowledge, enhances their live, or relates to their experience.
Within a marketing context, you can tell your powerful stories by sharing:
- What has worked for you and what hasnât worked
- What youâve learned from your failures
- The secrets that have helped you grow
- What matters to you and your organization
- How you help your employees
Your audience relationship relies on transparency and understanding. Content that lets you show your human side, that demonstrates your willingness to help is key. To keep things simple, create content that is interesting and useful to other human beings.
PART 2: CARRY THAT CONNECTION INTO SALES
A SOLID BUYERâS JOURNEY IS A COHESIVE, COMPLETE EXPERIENCE. AS CONTENT MARKETERS CREATE THAT CONNECTION AND MOVE BUYERS TO SALES, THERE SHOULD BE A SEAMLESS TRANSITION. IF YOUR MARKETING GOAL IS TO CREATE AN EMOTIONAL CONNECTION WITH YOUR CUSTOMER, COMING IN WITH A HARD SELL WILL DISMANTLE ALL THE WORK CONTENT MARKETING HAS DONE.
Selling well against the backdrop of content marketing requires you to carry the same mentality in your sales as in your marketing: Put the customer first. The same friendly, helpful positioning should infuse your sales conversations. Make your customers a priority and ensure your customersâ goals are understood and addressed.
At the sales level, carrying over a content marketing mentality includes taking every opportunity to connect and engage. This may include:
- Having proper calls to action
- Keeping in touch regularly so they have an easy way to buy from you
- Being responsive
- Asking for feedback (so valuable!)
- Finding opportunities to meet and talk with your customers
- Offering exclusive deals
- Providing gifts (or other signs of appreciation)
Additionally, the goodwill fostered during the buyerâs journey should continue after the sale is complete. In this sense, content can come full circle. After you close a sale, sending a buyer a relevant blog post or interesting piece of data helps reinforce that relationship, making them feel genuinely cared for.
The goal is to marry your sales and content marketing to create a solid ecosystem.
SALES AND CONTENT MARKETING TEAMS MUST BE ALIGNED
One of the biggest barriers to creating a cohesive buyerâs journey is internal siloing. Many companies have separate leadership teams and use different playbooks for marketing and sales. This isnât inherently wrong, but if these teams and these leaders arenât talking, strategies wonât be as effective and your customers may suffer for it. (Learning how to build a solid inside sales team is key to helping create a cohesive operation.)
You canât dictate the timeline of when or if anyone becomes a customer; itâs up to them to decide when theyâre ready to buy. But if you design your content marketing process well and thoughtfully, the end result will feel invisible to the buyer. And thatâs how you turn friends into customersâwithout selling stuff.
For more tips on marketing, learn about the strategy we used to increase our leads 78% in 6 months, find out what 7 traits will make you a better marketer, and learn how to create content that provides true value to your audience.
Source: Visual News
May 2, 2017
Introducing the StoryCorps Justice Project
In 2016, StoryCorps launched the Justice Project, an initiative to collect, preserve, and amplify the stories of people whose lives have been impacted by mass incarceration and the justice system nationwide. Our exploration, featured in part through stories released this month, focuses on people who have been incarcerated or detained in local jails.
The personal conversations recorded through this initiative reveal the complexities of how the justice system plays out in peoplesâ lives. The impacts of mass incarceration on individuals, families, and communities are often long term, and can be invisible or misunderstood by those who have not lived these experiences directly. Through first-person narratives, the stories collected by the StoryCorps Justice Project illuminate the structural forces that shape who is disproportionately exposed to mass incarceration and what that can mean.
- Jayne Fuentes shares a story that shows how the economic burden of court fees affect families, even long after a loved one is released.
- As a teenager, Asad Kerr-Giles spent 28 months at Rikers Island in New York City, a jail designed for adults, before he was acquitted because he could not afford bail
- Even after serving time, people who have been incarcerated, like Jamal Faison, must navigate a culture rife with discrimination, barriers, and collateral consequences.
How does StoryCorps approach such a vast and complex issue? Our community engagement work and collaboration with local partner organizations is critical to our ability to record, share, and preserve the most comprehensive and inclusive collection of stories possible.
For nearly a year, weâve collaborated with wide-ranging community-based organizations in Chicago/Cook County, IL; New Orleans; New York City; Connecticut; Ferguson/St. Louis County, MO; Pittsburgh; Atlanta; San Francisco; and Philadelphia.
Among the partner organizations with whom weâve been actively engaged are: Mass Story Lab, The Osborne Association, Friends of the Island Academy, Bed Stuy and Crown Heights SOS, and Community Connections for Youth. The stories you hear as part of this initiative are possible because of these partners. Here is a full list of them.
Tanya Linn Albrigtsen-Frable, who came to StoryCorps in 2016 to manage the Justice Project, draws on her own practice as a public artist and community organizer, as well as her personal experience of navigating the justice system with her family, to seek out and work in partnership with organizations and individuals whose lives have been impacted by mass incarceration.
Tanya says, âIâm of the opinion that everybody is impacted by mass incarceration. Â Weâre all complicit, and weâre all affected by this larger structural and systemic problem.
âThe most interesting thing to listen to is the way people talk about the folks that they love, and their hopes and dreams for the future,â Tanya says. For listeners to these stories, Tanya hopes they âmake a connection between their own lived experience and these structures in a way that they hadnât before.â
The StoryCorps Justice Project is made possible with support from the John D. and Catherine T. MacArthur Foundation Safety and Justice Challenge, #RethinkJails, and the Robert Sterling Clark Foundation.
Source: SNPR Story Corps
May 1, 2017
Architecture & Photography: WeWork Weihai Road, Shanghai
Architecture & Photography: WeWork Weihai Road, Shanghai
Since we’ve missed our Friday’s architecture post, let’s start if off fresh today. We are taking a look at the work from Seth Powers on his photography assignment into a former opium factory now established by WeWork China flagship location in Weihai Road, Shanghai. You will quickly notice an atmosphere from the past especially China in the 50s. The center staircase is an absolute beauty and the whole factory feels like you’re working in an environment frozen in time.
This is the work from Seth Powers who is a photographer that specializes in architecture and interiors photography. We’ve featured his work before on Abduzeedo. You should definitely check out his Behance.
Surrounded by an old residential area in the heart of Shanghai, WeWorkâs China flagship location on Weihai Lu is nestled in a turn of the century brick building, a former opium factory and artist residence. WeWork offers workspace, community and services to a global network of creators. Founded in 2010 in the U.S., it now has more than 100 locations in 30 cities around the world. [2017.3]
AoiroStudio
May 01, 2017
Source: Abduzeedo Photography
April 30, 2017
This Was the Worst Box Office of 2017 â But âHow to Be a Latin Loverâ and âBaahubali 2â Were Amazing
This weekend was the nadir of a what has become a bipolar year at the box office, but it comes with an amazing, if unsettling sidelight: Mass audience fare is no longer guaranteed, even with top stars and well-known IP.
“How to Be a Latin Lover” (Lionsgate) and “Baahubali 2: The Conclusion” (from previously unheralded Great India) ranked second and third, both over $10 million. Those are grosses better than not only STX’s “The Circle” (which had the benefit of Emma Watson and Tom Hanks, and is based on Dave Eggers’ novel) but also better than any new release on the same weekend last year. Studios concede the weekend before the new Marvel release in early April, but that’s also an opportunity that two smart distributors recognized.
That left “The Fate of the Furious” (Universal) as the default #1 again. $19 million for a third weekend, and $192 million total, is strong for any film â except in comparison to its performance in the rest of the world.
One other title of note. High-flying Blumhouse Prods.’ “Sleight,” acquired out of Sundance 2016, grossed only $1.7 million in 565 theaters via BH Tilt. It actually had the best reviews of any new studio or studio-adjacent film this week, but for once the Blumhouse magic didn’t transpire.

Jacobâ Latimore,â Alexâ Theurer,â Seanâ Tabibian,â JDâ Dillard,â DulĂ©â Hillâ andâ Seychelleâ Gabriel,â and Ericâ Bâ Fleischman of “Sleight”
Daniel Bergeron
The Top Ten
1. The Fate of the Furious (Universal) Week 3; Last weekend #1
$19,340,000 (-49%) in 4,077 theaters (-252); PTA (per theater average): $4,756; Cumulative: $293,721,000
2. How to Be a Latin Lover (Lionsgate) NEW – Cinemascore:; Metacritic: 53; Est. budget: $
$12,019,000 in 1,118 theaters; PTA: $10,750; Cumulative: $12,019,000
3. Baahubali 2: The Conclusion (Great India 2) NEW – Est. budger: $39 million
$10,138,000 in 405 theaters; PTA: $23,855; Cumulative: $10,138,000
4. The Circle (STX) NEW – Cinemascore:; Metacritic: 43; Est. budget: $18 million
$9,320,000 in 3,163 theaters; PTA: $2,947; Cumulative: $9,320,000
5. The Boss Baby (20th Century Fox) Week 5; Last weekend #2
$9,050,000 (-29%) in 3,792 theaters (+42); PTA: $2,420 Cumulative: $9,050,000
6. Beauty and the Beast (Disney) Week 7; Last weekend #3
$9,050,000 (-34%) in 3,155 theaters (-160); PTA: $; Cumulative: $480,100,000
7. Going in Style (Warner Bros.) Week 4; Last weekend #4
$6,400,000 (-27%) in 2,761 theaters (-277); PTA: $2,029; Cumulative: $37,320,000
8. Smurfs: The Lost Village (Sony) Week 4; Last weekend #6
$3,315,000 (-32%) in 2,554 theaters (-183); PTA: $1,298; Cumulative: $37,735,000
9. Gifted (Fox Searchlight) Week 4; Last weekend #6
$3,300,000 (-28%) in 2,215 theaters (+229); PTA: $1,490; Cumulative: $15,830,000
10. Unforgettable (Warner Bros.) Week 2; Last weekend #7
$2,345,000 (-51%) in 2,417 theaters (no change); PTA: $970; Cumulative: $8,840,000

“Baahubali 2: The Conclusion”
The Takeaways
Many Theaters Reaching Limbo Levels
Next weekend with “Guardians of the Galaxy Vol. 2” (Disney), the earth should tilt back its normal axis with its expected $150 million or better opening next weekend. The latest Marvel entry already opened in about 60 percent of the world (though not yet China or Japan) with a strong initial haul of around $100 million.
That might undo some of the carnage of this weekend, but the weakness of “The Circle” as the sole wide opener can’t be overlooked. Its failure to out gross two very niche audience films despite its access to twice as many theaters as “How to Be a Latin Lover” (Lionsgate) and “Baahubali 2” (Great India) showed that some audiences will stick flock to certain movies.
Two sleepers targeted for ethnic audiences couldn’t keep the Top Ten from coming in as the worst of this year so far. At $79 million, it was 20 percent worst than last year. But without “Latin Lover” and “Baahulabi 2,” it would have come to barely more than $60 million. That would have been close to panic time for theaters. As it is, the riches from the Latino and Indian audiences were unevenly spread so that many theaters had bottom-level results.
The Stellar Achievements of “How to Be a Latin Lover” and “Baahulabi 2”
A rare growth market in American theaters in recent years has been Spanish-language and Indian films. Usually shown in multi-hundred rather than wider releases, grossing sometimes in their first weekend enough to climb into or come close to the Top 10, they increasingly demand attention from discerning movie chains. Â This weekend shows they can not only hold their own, but can also thrive.
In retrospect, “Latin Lover” $12 million victory in its 1,118 theaters was predictable. Star Eugenio Derbez, well known in Mexico, already had a breakout success with “Instructions Not Included” in 2013. That opened in 348 theaters to $7.8 million, then expanded to twice as many and ultimately $44 million. That made it among the best-grossing Mexican (and Spanish-language) domestic releases ever.
This Pantelion production opened in triple the theaters, and had a bigger budget (though not officially revealed) and a more American slant (it’s set in California, and bilingual) to widen its appeal.
Still, the core audience was Latino. This group is far more loyal to movies in theaters than most, and critical mass has now reached the point that it could open better than many studio releases.
Top Indian films have international releases not only because of its wide diaspora but also from fears of rampant piracy with delays. Still, the $10 million realized by “Baahubali 2” in one weekend â the best opening of any Indian studio release ever.
This nearly $40 million production (sky high for India) is a sequel, which gave this heft. It’s an epic, and the smartly chosen date gave it access to IMAX theaters. That accounted for $1.8 million of the gross in only 66 locations.
This is exciting for theaters finding supplemental and needed revenue. But it also reinforces the increasingly international nature of the business and the decline of more conventional, non-event releases like “The Circle.”

“The Circle”
“The Circle” Is Broken
This film also had foreign roots (it comes from French-based EuropaCorp, now releasing through STX) with financing from the United Arab Emirates. But it is otherwise mainstream America: Dave Eggers is a strong fiction brand, and its dystopian tale is California set. And Tom Hanks (in a rare bad-guy role) is protypically domestic.
But the main draw here was supposed to be Emma Watson, coming off “Beauty and the Beast.” It may be no one could have carried this, much less an actress with more period than contemporary appeal. Audiences hated it; its D+ Cinemascore is nearly as bad as it gets. It also was the worst reviewed of the week’s releases.
Still, the bottom is falling out. With little competition at many theaters, the results were a worst-case scenario. A long production delay and an already dated storyline about internet privacy might have hurt, but it shows the risk from a standalone project with less-than-guaranteed international appeal. It will count as a strike against similar films.
Holdovers
Fifth to ninth places were taken by five holdovers that fell 34 percent or less, all solid performances. As usual, they were helped by less than normal competition. “Going in Style” continues to defy its initial impression, with the best hold (down only 27 percent) with an unexpected $50 million now likely. “The Boss Baby” continues to thrive, down 29 percent. “Gifted” was helped by additional theaters, with Fox Searchlight’s hearttugger at $16 million and headed for more. Kids and families kept “Smurfs: The Lost Village” and “Beauty and the Beast” to modest drops.
Not the fate for “Unforgettable,” which saw a second weekend drop of 51 percent, sealing the fate of the Katherine Heigl-Rosario Dawson thriller. The biggest disappointment, though, is “Born in China” (Disney) which dropped out of the Top Ten. Similar nature docs have usually sustained a much higher interest.
Source: IndieWire film