August 10, 2018
The Daily Chord Weekly Recap – Friday, August 10
The Daily Chord aggregates music news links to provide information and context on music’s role in business and culture. This week we learned more about Spotify’s plans, pondered a bank study on musicians’ revenue, and time traveled to the studio where D’Angelo recorded ‘Voodoo.’ Review this week’s links here and subscribe to the email blast if that’s your thing.
Monday, August 6
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Record labels file ‘billion dollar’ piracy suit against ISP Cox
Post from Torrent Freak -
The Go-Gos gave us the beat and so much more
Post from NY Times -
Vampire Weekend opened Lollapalooza set with ‘A-Punk’ three times in a row
Item from Mashable -
Waiting for a modern Music City miracle
Feature from The Ringer -
In pursuit of Popcaan
Story from Noisey -
Beastie Boys: Inside Adam Yauch’s Oscilloscope Laboratories studio
Post from Rolling Stone
Tuesday, August 7
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LA’s famed Viper Room on Sunset Strip sold and possibly closing
Post from Billboard -
Warner Music Group sells its entire stake in Spotify
Post from Variety -
Mars pulls ads from YouTube drill videos
Post from BBC News -
Death Cab For Cutie’s Ben Gibbard: On new album ‘Thank You For Today’ and Seattle’s slow disintegration
Interview from The Independent -
Aphex Twin’s TV premiere cancelled after failing epilepsy test
Item from NME -
From museums to cemeteries, in praise of non-traditional music venues
Post from Uproxx
Wednesday, August 8
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Spotify’s $30 billion playlist for global domination
Story from Fast Company -
Musicians only get 12% of the money the music business makes
Post from Rolling Stone -
Catching the wave – and some tasty guitar solos – at the surf music convention
Story from LA Times -
Hipster kryptonite: Will CDs ever have a resurgence?
Post from The Guardian -
Beyond representation: In music and media, gender equality will take a revolution
Essay from NPR Music -
Kick out the jams: How the music of 1968 mirrored the year’s revolutionary spirit
Post from Consequence Of Sound
Thursday, August 9
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KCON aims to ride the ‘Korean wave’ to pop-culture dominance
Post from LA Times -
The strange David and Goliath saga of radio frequencies
Saga from Wired -
SoundCloud on the blockchain? Audius raises $5.5 million to decentralize music
Post from TechCrunch -
Sir Lucian Grainge: ‘We can accelerate artist careers beyond anyone else’
Post from Music Business Worldwide -
How the Soulquarians birthed D’Angelo’s ‘Voodoo’ and transformed jazz
Post from NY Times -
Is clubbing in a video game fun?
Post from Pitchfork
Friday, August 10
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What is social music in the streaming age?
Post from Music Ally -
Why a partial Universal Music Group sale could spark a wider music biz selloff
Post from Billboard -
Spotify is done fighting Apple Music – and ready to take on Apple
Story from Rolling Stone -
How Frightened Rabbit found solace making music for a new play, following the death of Scott Hutchison
Post from Independent -
11 women accuse former Lumineers manager of sexual assault, misconduct
Post from Variety -
Grammy Museum asking for applications for music grants
Post from Celebrity Access
The post The Daily Chord Weekly Recap – Friday, August 10 appeared first on SXSW.
Source: SxSW Music
August 10, 2018
4 Takeaways from Bradford Young on the Daily Grind of Being a Cinematographer
Bradford Young has only been working professionally for a decade and yet he’s already a legend in the industry.
Bradford Young, the maverick cinematographer, has likely shot one of your new favorite films. His work can be found in projects with as diverse a range of subjects as they are in budgets. He’s been linked to directors Ava DuVernay and Dee Rees from the beginning of their careers, shooting their early features, Middle of Nowhere and Pariah, respectively.
Young has shot urgent documentaries like Free Angela and All Political Prisoners, contemplative fiction like Ain’t Them Bodies Saints, A Most Violent Year, Selma and Arrival, and most recently lensed the mega-budgeted Solo: A Star Wars Story.
Source: NoFilmSchool
August 9, 2018
Filmmaking Techniques: Mastering the Rack-Focus
Here are some tips and best practices for shooting smooth, professional-looking rack focus shots on your next film or video project.
Source: CW’s Flipboard Feed
August 9, 2018
Music Videos: Guide to 2019 SXSW Film Festival Submissions
The SXSW Music Video screening section consists of a range of classic, innovative, and stylish work showcasing the scope of music video culture.
If you are interested in submitting a music video to the 2019 SXSW Film Festival, we are only a few short weeks away from the Early Submission Deadline on August 23. Before you submit, be sure to take a look at our guidelines below to ensure your music video is eligible for SXSW and check out the Film Submissions page for deadlines and fees.
Music Video Submission Guidelines
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SXSW does not place any restrictions on the premiere status of music videos. The vast majority of music videos screened at SXSW will have premiered online prior to the festival.
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It’s important to note that only OFFICIAL ARTIST APPROVED music videos are eligible for SXSW.
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The music video should be the official music video for that song by that artist. As in, the artist and/or label commissioned the video and has their approval to be made.
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Your music video must have been completed in 2017, 2018 or be on track for completion in early 2019.
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SXSW does not accept trailers or rough assemblies, but will accept work-in-progress cuts (picture lock with temp sound, color, etc.) Please be aware SXSW will not screen multiple updates/versions of your music video for programming consideration.
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All music videos must be submitted via a secure URL link. Please note, if you change this link or any of your login information prior to March 2019 without contacting SXSW your submission may become ineligible for consideration.
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For specific questions about submitting your music video, look no further than our Film Submissions FAQ. Still have questions? Don’t hesitate to email filmfest@sxsw.com.
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Once you have submitted, you will receive a confirmation email from SXSW within 48 hours. This email will confirm that your music video has been submitted correctly. If you do not receive this email within 48 hours, you should follow up by email (filmfest@sxsw.com) to ensure your project has been submitted properly and is under consideration.
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All applicants will be informed of the status of their project no later than Friday, February 8, 2019.
Join Us in March 2019
Registration and housing are now open for SXSW 2019. A Film Badge gets you primary access to all SXSW Film events including world premieres, roundtables, workshops, and parties. Film registrants also have primary access to Convergence events including the Comedy Festival and nine unique conference tracks, as well as secondary access to most Interactive and Music events.
Follow us on Facebook, Twitter, Instagram, and SXSW News for the latest SXSW coverage.
See you in March!
Second Hand Lovers – Photo c/o of Artist
The post Music Videos: Guide to 2019 SXSW Film Festival Submissions appeared first on SXSW.
Source: SxSW Film
August 8, 2018
Analog Nights Series Photography in Sweden
Analog Nights Series Photography in Sweden
Simon Åslund is a photographer from Stockholm, Sweden and he’s been constantly posting incredible images on his social media outlets. The photography we want to feature in his post is from a series title NIGHT and as the name suggests, it’s all photos in the night. They are not just average photos, they feature the effect of the combo of light and fog to create simply stunning images. As a fan of light effects and neon, these photos are truly inspiring for me, and I hope they will inspire you as well.
This is an on-going series about the night. Photographs taken in Dalarna and Stockholm, Sweden (2017-2018).
For more information about Simon make sure to check out his Instagram profile and website.
Photography







abduzeedo
Aug 08, 2018
Source: Abduzeedo Photography
August 8, 2018
Facebook Messenger now includes AR games you can play with your friends
If sending messages wasn’t already enough with Facebook Messenger, users can now challenge friends to augmented reality games. With the new feature, you can play with up to six people at a time from anywhere in the world.
The post Facebook Messenger now includes AR games you can play with your friends appeared first on Digital Trends.
Source: Digital Trends VR
August 8, 2018
Entry Tips for the 2019 SXSW Interactive Innovation Awards
Entering its 22nd year – the SXSW Interactive Innovation Awards celebrates tech developments and digital projects launched or completely redesigned in the 2018 calendar year. Open to any project, product, creative endeavor, scientific discovery, or student project related to the 13 award categories, the Interactive Innovation Awards recognizes the most forward-looking tech developments in the connected world.
Five selected finalists in each of the 13 categories will receive two registrations to attend SXSW 2019 and a space to demonstrate their project for SXSW attendees and Innovation Awards judges.
Enter your work for the chance to win top honors at the Interactive Innovation Awards. Explore the full list of categories for 2019 ranging from Style & Wearable Tech to AI & Machine Learning.
How to Apply
Tell us all about your entry and don’t be modest! The best entries give the Awards Jurists a thorough sense of your project, product or service (including some level of interaction with the project being entered or video examples of it being used). Take a look at our tips below to make sure your entry stands out.
Tips for Entry
Include additional resources. Links to photos, demos, social accounts, marketing material, schematics, one-sheets, case studies, etc., all build a stronger case for why your project should be selected.
Include a video. There’s no better way to convey a thorough sense of your project than through a demo or case-study video.
Always link to additional resources. Keep in mind that all additional resources – like photos, videos, or pdfs – must live online and be accessed via URL links. If the additional content is password protected, don’t forget to include the username and password!
Tell us what’s different about your entry. How does it work? Why should people be excited about it? Describe the project with the following 4 grading criteria in mind: Creativity, Form, Function, and Overall Experience.
Deadlines are final. Your project doesn’t have to be fully launched as of right now. It’s okay to submit an application for a project that is in the works. Regardless of what stage of completion your project is in, you must submit your application for the Innovation Awards before the final deadline of October 7.
Deadlines to Enter
Early Entry: Monday, June 25 – Thursday, August 16 — $75 fee
Regular Entry: Saturday, August 20 – Thursday, October 4 — $150 fee
Final Entry Deadline: Thursday, October 4, 2018 at 11:59pm PT
Join us for another exciting event March 8-17, 2019 in Austin, Texas. Registration and housing for SXSW 2019 is now open!
If you’re an artist, filmmaker, or entrepreneur, it’s not too to show off your work at SXSW 2019. Explore opportunities to showcase at SXSW, premiere your film, or compete in pitch competitions.
Follow us on Facebook, Twitter, Instagram, and SXSW News for the latest SXSW announcements and updates.
Photo by Samantha Burkardt
The post Entry Tips for the 2019 SXSW Interactive Innovation Awards appeared first on SXSW.
Source: SxSW Film
August 7, 2018
Submitting a Work-In-Progress Cut to the 2019 SXSW Film Festival
If your project will not be 100% complete in time for our submission deadlines on August 23, September 20, or October 18, SXSW encourages you to submit a Work-In-Progress cut. For more information about SXSW Film Festival deadlines and fees, take a look at our Film Submissions page.
Work-In-Progress Submission Guidelines
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The SXSW Film Festival views work-in-progress cuts that are picture locked and include an opening slate listing what still needs to be completed (color-correction, sound mix, special effects, etc).
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HOWEVER keep in mind SXSW Film will only watch ONE CUT.
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Please make sure your project meets our premiere status and eligibility requirements before you submit!
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If your project is selected to play at SXSW 2019, you will be required to deliver a DCP (in addition, you can deliver us a 35mm print!) of the FINAL CUT for exhibition.
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SXSW will not exhibit a work-in-progress during the festival except under very rare and special circumstances.
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For more specific questions about submitting, look no further than our Film Submissions FAQ. Still have questions? Don’t hesitate to email filmfest@sxsw.com.
Join Us For SXSW 2019
Registration and housing are now available for SXSW 2019. A Film Badge gets you primary access to all SXSW Film events including world premieres, roundtables, workshops, and parties. Film registrants also have primary access to Convergence events including the Comedy Festival and nine unique conference tracks, as well as secondary access to most Interactive and Music events.
Follow us on Facebook, Twitter, Instagram, and SXSW News for the latest SXSW coverage.
See you in March!
World Premiere of Meow Wolf – Cris DeWitt
The post Submitting a Work-In-Progress Cut to the 2019 SXSW Film Festival appeared first on SXSW.
Source: SxSW Film
August 7, 2018
SXSW Alumni Film Releases – August 2018
Discover some of the SXSW Film Festival alumni films and shows on release this month, such as Blood Fest, Elizabeth Harvest , and The Man From Mo’Wax. Continue on for a complete list with trailers and more info.
The Atomic Cafe
World Premiere of 4K Restoration, Documentary Feature, 2018
A pristine restoration of a visionary, cult classic. Terrifying, unpredictable and unexpectedly funny, this trip through Atomic Age paranoia is as sadly timely as it ever was.
Blaze
Narrative Feature, 2018
Inspired by the life of Texas outlaw musician and Willie Nelson contemporary Blaze Foley, Ethan Hawke’s film is a rich meditation on legacy and creativity. A killer cast features Ben Dickey, Alia Shawkat, and Charlie Sexton as Townes Van Zant.
Blood Fest
World Premiere, Narrative Feature, 2018
Owen Egerton’s debut feature is a knowingly lurid, Grand Guignol trip through a night in slasher hell. It earns its horror stripes in a gleefully gruesome style.
Elizabeth Harvest
World Premiere, Narrative Feature, 2018
A macabre, twisted dive into the depths of desire, Elizabeth Harvest stars Carla Gugino and Ciarán Hinds in a Hitchcockian mind-warp that’s claustrophobic as it is unpredictable.
In Theaters and On Demand August 10
Half the Picture
Documentary Feature, 2018
Urgent and timely, Half the Picture explores and extolls the role of women in filmmaking, from indie to Hollywood, featuring Ava DuVernay, Jill Soloway, Gina Prince-Bythewood, and many more.
Greener Grass
North American Premiere, Narrative Short, 2016
It’s rough out there for a soccer mom. And competitive AF. Greener Grass takes a skewed look at motherhood and suburbia in a world that gets weirder by the minute.
The Man From Mo’ Wax
World Premiere, Documentary Feature, 2016
An exhilarating and intimate portrait of visionary artist and Mo’wax innovator James Lavelle, drawing from a rich trove of archival material, and featuring DJ Shadow, Thom Yorke and Grandmaster Flash.
Milford Graves Full Mantis
North American Premiere, Documentary Feature, 2018
A thrillingly experimental, richly detailed portrait of free jazz legend and mystic Milford Graves, bristling with fiery music and cosmic insight.
Never Goin’ Back
Narrative Feature, 2018
Punk spirit and millennial hedonism collide in this spikey debut feature from Augustine Frizzell. A blast from start to finish, and keenly reflective of Weird American Life 2018.
A Prayer Before Dawn
North American Premiere, Narrative Feature, 2018
Brutal, bleak and cathartic, this classically styled prison thriller features a devastating turn from rising star Joe Cole (Peaky Blinders).
Support The Girls
World Premiere, Narrative Feature, 2018
Andrew Bujalski’s latest is as witty and sharply observed as ever. An extraordinary cast led by Regina Hall helps make Support The Girls an essential, timely viewing.
Join Us in March 2019
We are open for business! Registration and housing are now available for SXSW 2019. A Film Badge gets you primary access to all SXSW Film events including world premieres, roundtables, workshops, and parties. Film registrants also have primary access to Convergence events including the Comedy Festival and nine unique conference tracks, as well as secondary access to most Interactive and Music events.
Follow us on Facebook, Twitter, Instagram, and SXSW News for the latest SXSW coverage.
See you in March!
The post SXSW Alumni Film Releases – August 2018 appeared first on SXSW.
Source: SxSW Film